This a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consiSts of Anna Sofie Damsgård (S), AStrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd ChriStensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fy...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">This a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consiSts of Anna Sofie Damsgård (S), AStrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd ChriStensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fyhr (B) Camera: Michael Lassen Bruns Video: Dénise Stockmann Location: uKirke @VeSterbro (thank you, Malte Madsen!!) I, Dénise Stockmann, am their choir conductor and vocal arranger. If you want to know more about me and/or my projects, feel free to Stop by: F: facebook.com/Stockmann Stage W: StockmannStage.com M: contact@StockmannStage.com  Style.display='';$(this).getParent().Style.display='none';">less

Alejandro D. Consolacion II, piano

"Be Like the Bird" by Abbie Betinis. Text by Victor Hugo. Recorded live on March 16, 2015, at FirSt Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University and the combined choirs of the Girl Cho...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">"Be Like the Bird" by Abbie Betinis. Text by Victor Hugo. Recorded live on March 16, 2015, at FirSt Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University and the combined choirs of the Girl Choir of South Florida. Director: Beth Willer of RCS. Be like the bird that, pausing in her flight awhile on boughs too slight, feels them give way beneath her -- and sings -- knowing she hath wings.  

Performed by Kammerchor Manila from the Grammy-winning composer and conductor Eric Whitacre in Sankt Joseph Church in Kassel, Germany during the "As it Blooms: 2014 European Tour" www.kammerchormanila.com

Walking on the Green Grass by Michael Hennigan Sunday, March 18, 2018 Congregational Church of Batavia, IL

This is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangeme...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">This is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangement and would make a nice change in a carol Concert. The vocal parts here are all performed by Matthew Curtis (www.choraltracks.com) This is the mixed choir version (SAatBB) A version for men's voices is also available at http://www.musicaneo.com/sheetmusic/sm-85908_ding_dong_merrily_on_high_for_mixed_choir_or_for_men_s_voices.html#85908  Style.display='';$(this).getParent().Style.display='none';">less

Tuma Mina is a Tradisional African Hymn which translates to Send me my Lord. Performed by C&N Secondary girls school Oranje under Stefan Buys and Brigitte Botha. Performed in St Anne's church in BudapeSt.

A community-based mixed adult choir with members of varying ages and abilities from all around the globe. We rehearse one evening per week in Sai Kung (Hong Kong)

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This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the Story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences laSt looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the Story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas Story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    Style.display='';$(this).getParent().Style.display='none';">less