A chamber choir composed of music lovers from all walks of life who enjoy singing together, the Novo Concertante Manila was originally formed as a recital choir in 1998. It has evolved into an Ensemble determined to reinvent itself continuously as it deve...  moreA chamber choir composed of music lovers from all walks of life who enjoy singing together, the Novo Concertante Manila was originally formed as a recital choir in 1998. It has evolved into an Ensemble determined to reinvent itself continuously as it develops a sound that is artistically intelligent. In its 14-year history, Novo Concertante Manila has competed and won in several international choral competitions. Among which are the 2nd Choir Olympics in Busan, South Korea(2002), the 1st A Voyage of Songs International Chorale Competition in Genting Highlands, Malaysia (2003) and the 23rd Takarazuka International Chamber Choir Competition in Takarazuka, Japan (2007). In 2009, the choir won the 1st and 2nd Prizes at the 46th Internationaler Chorwettbewerb in Spittalan der Drau, Austria and the 1st Prize at the 55th Certamen International de Habaneras y Polifonia in Torrevieja, Spain. Most recently, the choir won in two international competitions in 2012 - the Grand Prize (Mixed Choir Category) at the 1st ...    less

Depression, isolation, alienation: themes addressed in this setting of Robert Frost’s metaphorical text. The choir paints images over a repeated Jazz piano bass line. The sense of walking at night is evoked as are the inner-blues of the poem. Rhythmic and...  moreDepression, isolation, alienation: themes addressed in this setting of Robert Frost’s metaphorical text. The choir paints images over a repeated Jazz piano bass line. The sense of walking at night is evoked as are the inner-blues of the poem. Rhythmic and thought-provoking. This is a work of medium difficulty, appropriate for high school, collegiate and community choirs. Commissioned by Penn High School Choirs, Andrew Nemeth, Allison Secaur, Ethan Schopp, directors.  

Chicago a cappella, a nine-member classical vocal Ensemble, performed Beatles hits during an Arts and Ideas event Saturday, Jan. 30 in front of a full house in Aurora University's Crimi Auditorium.

Not what you might think! For many people, ‘Male Voice Choir’ evokes images of men in blazers standing on a windy hillside singing Men of Harlech. But not all men’s choirs are like that and Bournemouth Male Voice Choir certainly isn’t. Not only is our ...  moreNot what you might think! For many people, ‘Male Voice Choir’ evokes images of men in blazers standing on a windy hillside singing Men of Harlech. But not all men’s choirs are like that and Bournemouth Male Voice Choir certainly isn’t. Not only is our music diverse – spanning everything from Palestrina and Poulenc to Take That and Queen – but the range of venues we sing in and the diversity of our members’ interests means that BMVC has something for everyone. Have you ever sat at home watching one of those choir programmes on TV and wished you could be a part of something like that? If you have, then the Bournemouth Male Voice Choir could be for you. Please don't be put off if: . You’ve never sung in a choir before . You’re not sure if you’re good enough . You think the music is old-fashioned and boring Many people join having had no experience of singing in public. You don’t need to be able to sight-read music, either. As long as you can sing in tune and are willing to learn, then you’re al...    less

Hailed by Fanfare as "the premier men's vocal Ensemble in the United States," Cantus presents the heartwarming true story of a truce held during World War I on Christmas night in 1914, exactly one hundred years ago. Using actual quotes...

SHEET MUSIC: https://www.sheetmusicdirect.com/se/I... ABOUT THE MUSIC: This arrangement is split into four ideas all linked together generationally. The first verse is meant to symbolize a departed parent comforting their grown child from the great b...  moreSHEET MUSIC: https://www.sheetmusicdirect.com/se/I... ABOUT THE MUSIC: This arrangement is split into four ideas all linked together generationally. The first verse is meant to symbolize a departed parent comforting their grown child from the great beyond. To be more specific, the parent is singing this lullaby to their child in a dream. I felt the Latin word “Lux” (Light) was an appropriate fit for the imagery of sunlight and heavenly light. The second verse represents the grown child waking up from the dream (first verse). This verse is meant to be bittersweet rather than strictly sad or angry. While there is grieving, the melody imparts comfort through nostalgia and memories. When the second verse gloriously blooms into the third, this represents everlasting love shining through even the darkest of times. Although gone, one will live in the heart and memory of another forever. Finally, the reiteration of the first verse represents the grown child singing the same lullaby to their own baby, impartin...    less

My quartet Rendezvous had the pleasure of recording a 7 song EP in October of 2009 here in Toronto. "You Can Fly" is from Disney's Peter Pan. It was adapted for barbershop by Clay Hine and made famous by the quartet "Max Q". Our good friend Jean-Baptis...  moreMy quartet Rendezvous had the pleasure of recording a 7 song EP in October of 2009 here in Toronto. "You Can Fly" is from Disney's Peter Pan. It was adapted for barbershop by Clay Hine and made famous by the quartet "Max Q". Our good friend Jean-Baptiste Craipeau transcribed it. Bass : Calvin Frank Baritone : Andrew Kesler Lead : Brodie Cuff Tenor : Danny Fong Produced by: Andrew and Sarah Kesler Mixed by: Tristan Henderson and Andrew Kesler  

Macleans College Choir Macleans College Conductor Sarah McNabb Accompanist Lucy Tang, Josh Helm - drum, Steve Miles The Big Sing 2016 National Finale 25 to 27 August 2016 Dunedin Town Hall

Interpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cues...  moreInterpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cuesta, Samuel Medina Piano: Nauzet Mederos Escena y dramaturgia: Alicia Ramos y Tania Rodríguez Directora: Nikoleta S. Popova