Preces & Responses based on themes from the works of Stanford, adapted and arranged by Jeremy Dibble RSCM Publications Jeremy Dibble writes, 'Given the few existing sets of nineteenth-century Preces and Responses for the Anglican liturgy, the centenary ...

Spike Lee said “Make America Love Again”. Welcome to the greatest Gospel Project of the century so far, supported by Stevie Wonder. This will be the anthem for 2020! YOU CAN HEAL THE SOUL of AMERICA using Your voice and Your spirit. America ha...

We perform choral music a cappella. There are more than 150 works of various times (Renaissance, Baroque, Classicism, Romanticism and music of the twentieth century) and styles (choral concerts, choral miniatures and songs, spirituals, songs of different ...  moreWe perform choral music a cappella. There are more than 150 works of various times (Renaissance, Baroque, Classicism, Romanticism and music of the twentieth century) and styles (choral concerts, choral miniatures and songs, spirituals, songs of different nations of the world, folk songs, Christmas music) at the repertoire of our choir. Modern Belarusian music takes a large part of our repertoire, thanks to that we are happy to open Belarus to other nations.  

Veshameru for Baritone or Alto solo, SATB Chorus and Organ: Music by Stanley M. Hoffman (1993, rev. 2000) Performed by The Philovox Ensemble Jennifer Lester, conductor Heinrich Christensen, organ Music: © Copyright 2000 by Ione Press, Inc., ...  moreVeshameru for Baritone or Alto solo, SATB Chorus and Organ: Music by Stanley M. Hoffman (1993, rev. 2000) Performed by The Philovox Ensemble Jennifer Lester, conductor Heinrich Christensen, organ Music: © Copyright 2000 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. Photograph: Pipe Organ, Spanish Synagogue, Prague © Jorge Royan www.royan.coM.ar CC-BY-SA-3.0 Used under the following license: Commons Attribution-ShareAlike 3.0 Unreported License. Recording: © Copyright 2000 by ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission.  less

The Hofstra Chamber Choir specializes in the study of traditional, contemporary and multicultural choral repertoire, extending from the Renaissance to the 21st century. This smallest and most select of the Hofstra choirs comprises the best singers at the ...  moreThe Hofstra Chamber Choir specializes in the study of traditional, contemporary and multicultural choral repertoire, extending from the Renaissance to the 21st century. This smallest and most select of the Hofstra choirs comprises the best singers at the University, both within and outside the Department of Music, and focuses on the distinct art of unaccompanied, or a cappella, ensemble singing, presented in carefully chosen performance spaces that are uniquely attuned to celebrate the human voice's potential. From an educational standpoint, the ensemble serves two main functions for the University. First, it acts as a laboratory for Hofstra’s future music educators, both undergraduate and graduate, providing outlets for the exploration of the art of ensemble preparation through the study of the highest-quality choral literature. Second, it provides all qualified students with the experience of singing in a professional-level ensemble (as well as the associated "real-world" responsibilities of the ...    less

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

The Wilten Boys' Choir is one of the oldest boys' choirs in Europe. Its history dates back to the 13th century. Today, the choir consists of about 160 boys and young men, who sing in 5 different groups. Since 1991, Johannes Stecher is the artistic directo...  moreThe Wilten Boys' Choir is one of the oldest boys' choirs in Europe. Its history dates back to the 13th century. Today, the choir consists of about 160 boys and young men, who sing in 5 different groups. Since 1991, Johannes Stecher is the artistic director of the Wilten Boys' Choir.  

For more than 100 years now the male choir HARMONIE Lindenholzhausen with its 90 singers presents high-quality choir music. The choir’s extensive repertoire covers all periods of vocal music and the 20th. century, among them choral works composed by R.R. ...  moreFor more than 100 years now the male choir HARMONIE Lindenholzhausen with its 90 singers presents high-quality choir music. The choir’s extensive repertoire covers all periods of vocal music and the 20th. century, among them choral works composed by R.R. Klein, A. Koerppen, F. Farcas and many others more. Some of the works have been specially composed for HARMONIE Lindenholzhausen. At the same time the choir dedicates itself to oratorioes usually performed together with the female choir “Dzintars” Riga / Latvia. Numerous concert tours and participations in international festivals took the HARMONIE to Austria, the Czech Republic, Egypt, England, Greece, Holland, Hungary, Macedonia, Russia, USA and Wales. In Wales the choir won first prize in the male choir category at the International “Eisteddfod” Llangollen in 1995 and 2007(second prize in 2003). In Germany, the Harmonie won several times prizes in the Hessen and German Choir Competitions. 1998, HARMONIE won first prize in the male choir category at the German...    less

CHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN VOCAL LITURGICAL MUSIC IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-century PRACTICES A SOROZAT ZÁRÓ HANGVERSENYE/THE LAST CON...  moreCHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN VOCAL LITURGICAL MUSIC IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-century PRACTICES A SOROZAT ZÁRÓ HANGVERSENYE/THE LAST CONCERT of THE SERIES www.choralisconstantinus.hu Heinrich Isaac (c.1450-1517): Virgo prudentissima Cantoratus Budapestiensis Opicz József, Muntag Lőrinc, Újházy Márton, Mizsei Zoltán Corvina Consort Andrejszki Judit, Pintér Ágnes, Draskóczy Balázs, Pászti Károly, Kalmanovits Zoltán, Demjén András DisCantus Szemkeő-Martin Orsolya, Hajós Nikolett, Heimné Reviczky Júlia, Ligeti Orsolya, Nagy Bernadett, Beleznai Katalin, Gombos András, Mészáros Péter, Széplaki Márk, Pálmai Árpád, Sziklay-Pap Ferenc, Nemes Krisztián, May Zoltán Greccio Chamber Choir Birtalan Zsolt, Bódy Balázs, Cser Balázs, Cser Miklós, Harmath Dénes, Juhász János, Kecskés Mónika, Pászthory Blanka, Petneházy Gyöngyvér, Solymosi Tamás, Táborszky Györgyi, Tatai Lilla Voces Æquale...    less

Anúna perform this beautiful Spanish Carol from the 16th century. arranged by Michael McGlynn. From "Anúna : Celtic Origins" available from www.anuna.ie.