Concierto realizado en Ciudad de Buenos Aires, Argentina en noviembre de 2012. Coral Mirabilia bajo la dirección de Fernando Polonuer. Concierto declarado de interés cultural por el Consejo de promoción Cultural, Mecenazgo, CABA

We are an 80-strong SATB choir in our 55th season and, while we sing a varied repertoire, we are best known for our spirited performances of the great and exciting choral works. in recent years, works which we have performed include Bach ‘Magnificat’, ...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreWe are an 80-strong SATB choir in our 55th season and, while we sing a varied repertoire, we are best known for our spirited performances of the great and exciting choral works. in recent years, works which we have performed include Bach ‘Magnificat’, Vivaldi ‘Gloria’, Mozart ‘Requiem’, Orff ‘Carmina Burana’, Rossini ‘Stabat Mater’, Dvorak ‘Mass in D’, Tippett ‘A Child of our Time’, Handel 'Messiah' and Verdi ‘Requiem’.' We engage professional soloists and orchestra, to perform with the choir. Since March 2015 our Musica Director is Adam Treadaway. We perform three concerts a year at St George's Church Beckenham with weekly rehearsals from September to June at the St George's Church Hall. These venues are close to Beckenham Junction Rail and Tram Stations and on many bus routes. Car parking is also available at the St George's public car park.  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Giovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et Nunc et semper, et in saecula saec...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreGiovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et Nunc et semper, et in saecula saeculorum, Amen. Asperges me repeated…to dealbabor Psalm 51, Verse 7 [Antiphon at the Sprinkling of Holy Water] Thou shalt purge me, O Lord, with hyssop and I shall be clean:Thou shalt wash me, and I shall be whiter than snow. Glory be to the Father, and to the Son, and to the Holy Ghost:As it was in the beginning, is now and ever shall be: world without end. Amen Book of Common Prayer, Psalm 51, Verse The rite of sprinkling the faithful with holy water at the start of the Medieval mass in every Sunday of the Church’s Year except for Palm Sunday and in Eastertide involved the use of verse seven from the famous Miserere text, the 51st Psalm. Palestrina’s four part setting involves the sustained motto theme of the traditional plainchant melody within the...    ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

We will be joined by the Ulster Orchestra under the baton of our chorus master Stephen Doughty and the following wonderful soloists;   Rebecca Murphy - Soprano Lynda-Jane Nelson - Alto Brian McNamee - Tenor Aaron O'Hare - Bass   in Fisher...

This setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreThis setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was first performed in Manchester Cathedral in 1994. This psalm forms the climax of the whole cantata and provides an expression of optimism after the tragedies of the previous sections. in this “extracted” version, the tragic surroundings of the history remain in the background and the purebubbling joy of the psalm itself shines forth. Enjoy the complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of the piece and will, I hope, encourage other church choirs and concert choirs to consider including it in their repertoire.  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Coral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido ...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreCoral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido Concierto de clausura del 40 Aniversario de la Coral Reyes Bartlet Puerto de la Cruz, Iglesia de la Peña de Francia, 19 de diciembre de 2010 www.reyesbartlet.com  

Music: Jean-Christophe Rosaz by Maîtrise de Caen cond. Olivier Opdebeeck Editions JC Rosaz

Tomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magare...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreTomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magarelli, direttore Registrazione live durante una prova tenuta presso la Chiesa di San Pietro in Molfetta (ottobre 2019).  

Lux Choir sings Arvo Pärt's O Adonai from his set, "Sieben Magnificat Antiphonen." www.ChoirLux.com https://www.facebook.com/ChoirLux/ https://www.twitter.com/ChoirLux/

O quam gloriosum est regnum by Tomas Luis da Victoria sung (transposed down for men's voices) by the dwsChorale written for All Saints, Second Vespers, Antiphon to the Magnificat - cf. Revelation 7:9 O quam gloriosum est regnum, in quo cum Christo ga...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreO quam gloriosum est regnum by Tomas Luis da Victoria sung (transposed down for men's voices) by the dwsChorale written for All Saints, Second Vespers, Antiphon to the Magnificat - cf. Revelation 7:9 O quam gloriosum est regnum, in quo cum Christo gaudent omnes Sancti! Amicti stolis albis, sequuntur Agnum, quocumque ierit. O, how glorious is the kingdom, in which all the saints rejoice with Christ! Arrayed in white robes, they follow the Lamb, wherever He goes.