Taymaz Saba and Andrei Diaconu were commissioned by Laudate Singers to co-write this piece. This dynamic piece includes all facets of our Voices, Sax & Syn concert: singers, pre-recorded sound, two saxophones and synthesizer. Birds singing. Robotic Voice...  moreTaymaz Saba and Andrei Diaconu were commissioned by Laudate Singers to co-write this piece. This dynamic piece includes all facets of our Voices, Sax & Syn concert: singers, pre-recorded sound, two saxophones and synthesizer. Birds singing. Robotic Voices. Percussion. Funky bass. Poignant harmonies. Expressive lyricism. Groovy syncopation. This is truly a modern setting of the Song of Mary! Turn it up for the best experience!! Synthesizer: Tim Tsang Alto saxophone: Campbell Ryga Tenor saxophone: Ross Taggart Conductor: Lars Kaario Laudate Singers (www.laudatesingers.com) Voices, Sax & Syn concert March 12, 2011 St Andrews United Church, North Vancouver, Canada  less

Morgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. ...  moreMorgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Performed by The Singers Matthew Culloton, Conductor Steve Swanson, Piano Video co-produced by Stanley M. Hoffman and Naomi F. Hoffman Choral Conductors: to purchase copies of this score, the distributor is Canticle Distributing. www.canticledistributing.com Catalog No. 7774 The product page includes links to obtain an optional violin part (7774A), and a full score and parts for the version with orchestral accompaniment (full score 7775, instrumental parts 7776).  less

Chicagoland Voices performs at the Festival of the Voice. In The First Light By Glad arranged by Jason Sirvatka and Jason Krigas. Directed by Jason Krigas. Soloists are Dana Floor, Alison Rohrbach, Kris Hester, and Rob Boncosky.

Pittch Please originated from a men's alumni a cappella group comprised of Pitt graduates. After what was thought to be the group's last concert, a push from student fans and current members led the group to seek registration as a bonafide student organiz...  morePittch Please originated from a men's alumni a cappella group comprised of Pitt graduates. After what was thought to be the group's last concert, a push from student fans and current members led the group to seek registration as a bonafide student organization. Pittch Please now provides fraternal solidarity for its members, sentimental commemorations for its alumni, and musical excellence for the Pittsburgh community.  

"Ancor che col partire" is a four-Voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16...  more"Ancor che col partire" is a four-Voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century Ancor che col partire io mi senta morire, partir vorrei ogn'hor, ogni momento: tant'e il piacer ch'io sento de la vita ch'acquisto nel ritorno: et cosi mill'e mille volt'il giorno partir da voi vorrei: tanto son dolci gli ritorni miei. Although when I leave you it is as if I were dying, I would wish to leave you every hour, every moment, I am so very happy when life comes back to me when I return: and so I wish I could leave you many thousand times a day because my heart leaps with joy when I return.  less

Funky Voices at INTU Lakeside Flashmob for Stand Tall - 2013 and a few words from Leanne Jarvis - Team Will-i-am - the Voice uk 2013

The MCHS Men's Ensemble is a group of no more than 12 young men who rehearse and perform with the Memorial,Composite High School Music Department. This group of young men are known for their high energy performances of many different styles of music.

Robert White's 5 Voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, Willia...  moreRobert White's 5 Voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, William Gaunt, Jimmy Holliday 'Christe qui lux es et dies' IV - http://www.youtube.com/watch?v=45SfxG6AokE 'Ad te levavi oculos' - http://www.youtube.com/watch?v=-PGF0C0Rfag 'O praise God - http://www.youtube.com/watch?v=3tt0Kyp8L1g  

"Ave Maria" by Joshua B. Himes for Male Voices, a cappella. Hail Mary, full of grace: the Lord is with thee, blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at th...  more"Ave Maria" by Joshua B. Himes for Male Voices, a cappella. Hail Mary, full of grace: the Lord is with thee, blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen. Recorded by Matthew Curtis (ChoralTracks) To learn more about the composer and view full previews of more music visit MusicSpoke.com  

The second of three movements by composer Joseph Dillon Ford for Male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di ...  moreThe second of three movements by composer Joseph Dillon Ford for Male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di color diversi, e un portier ch' ancor non facea motto. [I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, And a gate-keeper, who yet spake no word] Poi pinse l' uscio a la porta sacrata, dicendo: "Intrate; ma facciovi accorti che di fuor torna chi ' n dietro si guata" [Then pushed the portals Of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”] Io mi rivolsi attento al primo tuono, e ' Te Deum laudamus' mi parea udire in voce mista al dolce suono. [At the first thunder-peal I turned attentive, And _”Te Deum laudamus”_ seemed to hear In Voices mingled with sweet melody.]  less