An excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. In Flanders Fields by John McCrae In Flanders fields the poppies blow Between the crosses, row on row, That mark our p...  moreAn excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. In Flanders Fields by John McCrae In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. photos courtesy of FreeFoto http://www.freefoto.com/index.jsp  less

All-Night Vigil, Op.37 (Rachmaninoff) - The Giovanni Consort, with guest conductor Carl Crossin. This is a recording of The Giovanni Consort's performance of Sergei Rachmaninoff's 'All-Night Vigil' on Saturday 24th August, 2013 in the Church of the Res...  moreAll-Night Vigil, Op.37 (Rachmaninoff) - The Giovanni Consort, with guest conductor Carl Crossin. This is a recording of The Giovanni Consort's performance of Sergei Rachmaninoff's 'All-Night Vigil' on Saturday 24th August, 2013 in the Church of the Resurrection, Swanbourne. Carl Crossin, director of the Adelaide Chamber Singers, was the guest conductor for this performance. Michael Grebla (YouTube: GreblaMusic) provided this audio-visual recording. The Giovanni Consort is based in Perth, Western Australia, and is one of the city's most accomplished chamber choirs. The Consort is comprised of a group of 12 core singers each of whom are experienced musicians, with many having studied (or currently studying) music at university and several others singing professionally around Perth. In addition to presenting stunning performances of sacred and secular choral music from the Renaissance right through to the present day, the Consort also acts as a training ground for aspiring conductors, composers and profes...    less

The East Central University Chorale performing "III. She Tells Her Love While Half Asleep", the third of Morten Lauridsens "Midwinter songs" cycle. Recorded at the Holy Family Cathedral in Tulsa, Oklahoma. January 26, 2001. Dr. J. Steven Walker, Con...  moreThe East Central University Chorale performing "III. She Tells Her Love While Half Asleep", the third of Morten Lauridsens "Midwinter songs" cycle. Recorded at the Holy Family Cathedral in Tulsa, Oklahoma. January 26, 2001. Dr. J. Steven Walker, Conducting Dr. Dennis Boe, Piano  

"Symphony of Psalms" de Igor Stravinsky I-III Coro del Conservatorio Superior de Música de Canarias Piano: Nauzet Mederos Directora: Nikoleta Steafanova Popova

Música: Rodolfo Halffter - Texto: Miguel de Cervantes Coro de Filosofía y Letras de la UBA Director, Andrés Aciar

Motet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet,...  moreMotet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet, violoncello Vicente Chavarria, harpsichord, Artistic Director Soloists: Amelia Tobiason, soprano Katina Mitchell, soprano Antona Yost, alto Ryan Tani, tenor Joel Nesvadba, bass From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA  less

XI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴...  moreXI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化局至德堂  

Cantores Celestes Women's Choir Kelly Galbraith, Director The Emperor String Quartet Matthew Coons, Organ Paul Otway, Trumpet www.cantorescelestes.com www.facebook.com/CantoresCelestes twitter.com/Cantores_Choir December 7, 2013 Runnymede United C...  moreCantores Celestes Women's Choir Kelly Galbraith, Director The Emperor String Quartet Matthew Coons, Organ Paul Otway, Trumpet www.cantorescelestes.com www.facebook.com/CantoresCelestes twitter.com/Cantores_Choir December 7, 2013 Runnymede United Church, Toronto  

Giovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saec...  moreGiovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saeculorum, Amen. Asperges me repeated…to dealbabor Psalm 51, Verse 7 [Antiphon at the Sprinkling of Holy Water] Thou shalt purge me, O Lord, with hyssop and I shall be clean:Thou shalt wash me, and I shall be whiter than snow. Glory be to the Father, and to the Son, and to the Holy Ghost:As it was in the beginning, is now and ever shall be: world without end. Amen Book of Common Prayer, Psalm 51, Verse The rite of sprinkling the faithful with holy water at the start of the Medieval mass in every Sunday of the Church’s Year except for Palm Sunday and in Eastertide involved the use of verse seven from the famous Miserere text, the 51st Psalm. Palestrina’s four part setting involves the sustained motto theme of the traditional plainchant melody within the...    less

Inno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of ...  moreInno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of the hymn in Latin and Italian was written by Jesuit Father Eugenio Costa. . The title is drawn from John 6:36, Misericordes sicut Pater (English: Be Merciful, As Your Father Is). Inwood's composition was the winner in an international competition sponsored by the Pontifical Council for the Promotion of the New Evangelization. The hymn has now been released in Italian, French, and English, with a Latin antiphon and refrains. . This video recording by the Golden Voices Choir STACC FUTO was transposed on key G Major. This beautiful male choir arrangement captures in it's very essence the richess of God's divine mercy. That no matter how busy our modern lives are, God's hands are ever present to guide us. We are safe in the hollow of his hands. May God's mercy c...    less