Sweet Harmony sing Faith Watson's arrangement of Sentimental Journey, first in three-part harmony then in four-part jazzy rhythms

Adaptación Coral SATB & piano de Sergio Asián de la canción NANA DE JEREZ interpretada en los años 1960 por Antonio Molina, entre otros, cuya música y letras están atribuidas a Francisco Naranjo Caldera, Ignacio Roman Jimenez, y Manuel Naranjo Soltero. ...  moreAdaptación Coral SATB & piano de Sergio Asián de la canción NANA DE JEREZ interpretada en los años 1960 por Antonio Molina, entre otros, cuya música y letras están atribuidas a Francisco Naranjo Caldera, Ignacio Roman Jimenez, y Manuel Naranjo Soltero. Esta interpretación original la realiza el CORO "SANTA MARÍA" de Coria del Río, acompañados al piano por Óscar Vicente, bajo la dirección de Sergio Asián, el domingo 22 de diciembre de 2024, en la Parroquia de San José de Coria del Río (Sevilla), durante el XXIV Concierto de Navidad. NANA DE JEREZ Tú no tienes madre ¡qué le vas a hacer! pa' que tú te duerma te canta tu padre coplas de Jerez. El sol le compró a la luna una corona de estrellas la luna por no ser menos le bordó el manto que lleva. Que están a porfía la luna y el sol adorando a la virgen María la virgen María, la madre de Dios. Nana, nana nana por bulerías copla de Jerez. Que le canta a la Virgen María, la virgen María y al niño Manuel. ---------------------...    less

This well-known carol, which tells the story of the Annunciation, is set to a lovely Basque melody arranged by Edgar Pettman. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of S...  moreThis well-known carol, which tells the story of the Annunciation, is set to a lovely Basque melody arranged by Edgar Pettman. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of St Peter's Singers' now-traditional Sunday evening carol performances there. The choir is directed by Dr Simon Lindley, its Music Director since the Singers' formation in June 1977. More information about St Peter's Singers, including details of forthcoming concerts, recitals and liturgical performances, may be found on the choir's website www.stpeters-singers.org.uk and on its Facebook group page 'St Peter's Singers of Leeds'.  less

First published on http://kellygalbraithblog.com/2013/08/03/the-great-plague-fire-of-london-featuring-music-by-handel-part-rautavaara-tallis-mendelssohn/ 'Themes & Variations' by Kelly Galbraith   It seems every week or so when I listen to the ...

"We Will Shine Like The Sun" - South Shore Children's Chorus, Kirsten Oberoi, director. 1/27/20. Premiere of this version, for combined treble & mixed choir: SA+SATB w/piano accompaniment. Music & Lyrics by composer Rich Campbell. View score here: https:...  more"We Will Shine Like The Sun" - South Shore Children's Chorus, Kirsten Oberoi, director. 1/27/20. Premiere of this version, for combined treble & mixed choir: SA+SATB w/piano accompaniment. Music & Lyrics by composer Rich Campbell. View score here: https://www.swirlymusic.org/music/choral-music/rich-campbell-we-will-shine-like-the-sun-sa-satb-piano/  

'Be Thou My Vision' (trad. Irish, arr. Dan forrest). Performed at the 2019 National Finale of the NZCF Big Sing Festival in Dunedin Town Hall. choir: Voicemale (Westlake Boys High School) Conductor: David Squire piano: Sheryl Clarke Cello: Max Chen

La Folia (literally "madness") was a Portuguese Dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-cappella 4-voice version uses three altos and one bass, a cappella. It explores a couple of alternative m...  moreLa Folia (literally "madness") was a Portuguese Dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-cappella 4-voice version uses three altos and one bass, a cappella. It explores a couple of alternative modes for the theme: Octatonic and Dorian. Singing of folia this old tune repeats all day and even in the new Octatonic mode we can sing folia all the day long in this five time and we sing it in Octatonic mode madness all is madness while we're singing of la folia and in five time and Octatonic mode can't leave off la folia it will drive me round the bend soon and I'll shortly change to some other mode Sing it in the Dorian sing it in the Dorian oh I love the Dorian it makes me dream on  less

Coro las Veredas, director: Enrique Martín. piano: Paula Mercedes Lozano. Cristina Marín, Flauta. David Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.

Senfl's complex madrigal about joining in the Dance performed here by the dwsChorale (multitracking one-man choir) Lyrics (English translation below) Mit Lust tret ich an diesen Tanz, ich hoff, mir werd ein schöner Kranz von einem schön Jungfrä...  moreSenfl's complex madrigal about joining in the Dance performed here by the dwsChorale (multitracking one-man choir) Lyrics (English translation below) Mit Lust tret ich an diesen Tanz, ich hoff, mir werd ein schöner Kranz von einem schön Jungfräuelein darum will ich ihr eigen sein. So tret ich hie auf einen Stein: Gott grüss mirs zart Jungfräuelein! Und grüss euch Gott allsamt geleich, sie seien arm oder reich, Gott grüss euch all in einer G’mein, darzu auch die klein! So ich ein grüss, die ander nit, so wär ich kein rechter Singer nit! Right pleased am I to join this Dance, I hope a beautiful young maiden will give me a garland Then I will be her own So I step up here upon a stone Tender maiden may God greet you and may God greet all here the same, be they poor or rich God greet everyone together here, even the little ones! Because if I greet one and not the other, I would not be a true singer!  less

[this is a version of a post which first appeared on my blog From the Front of the choir]   for the last two weeks I've been sharing a series of 'Frequently asked questions' that I wrote as a result of questionnaires that I used to send round my ...