The King's Choir is a Community Choir --A Common life Singing Group for singers ages 50+ (though we practice a don't ask - don't tell policy)...I.e., if you wish to sing in our choir and are available for daytime rehearsals you are more than welcome to jo...  moreThe King's Choir is a Community Choir --A Common life Singing Group for singers ages 50+ (though we practice a don't ask - don't tell policy)...I.e., if you wish to sing in our choir and are available for daytime rehearsals you are more than welcome to join us! We have a few "under-aged" adults among us, and we love it! Our purpose is to reflect the image, veracity, and immutability of our Lord Jesus Christ through music, testimony, and personal commitment to those in the senior community and beyond.  less

Platinum Consort was founded by Scott Inglis-Kidger and Claire Jaggers in 2005. The consort specialises in bringing vibrancy to early music, as well as breathing life into newly commissioned pieces. Originating at the University of Cambridge, the consort...  morePlatinum Consort was founded by Scott Inglis-Kidger and Claire Jaggers in 2005. The consort specialises in bringing vibrancy to early music, as well as breathing life into newly commissioned pieces. Originating at the University of Cambridge, the consort attracted singers from the renowned choirs of St John's, Jesus, Trinity and King's Colleges. Now a professional vocal ensemble, Platinum Consort boasts some of the best young singers in London. They have an affinity with the music of composer Richard Bates and recently premiered his Tenebrae Responsories. These, along with other music inspired by the Tenebrae tradition appear on Platinum's debut album, In The Dark which is released on Resonus Classics. Platinum also runs a Boys' Choir, which aims to be one of the best of its kind in the UK. In addition to this our Choral Workshops provide a wealth of opportunities for singers who wish to explore glorious repertoire in smaller groups. More info: less

Jaz pa pojdem na Gorenjsko (I am going to Gorenjska) is a variation of folk Song from Gorenjska region. Record was made in Kranj, Octet Festival, in February 2013.

Take a brief look into the life of us on-board the P&O cruise ship Ventura as it cruises around the Canary Islands. A brief stop off in Lanzarote. It's hard to believe we actually did any work! Soundtrack recorded live in the back of a car while at a gig!

A setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 20...  moreA setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual "New Works New Hope" concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. “Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive.“ - Cindy Bell  less

Handog Concierto The San Nicolas 2nd Chorale with Band 31

Hljómeyki Chamber Choir sings Carol, by Benjamin Britten. Song from the Sacred and Profane Song cycle. Concert in the Nordic House, Reykjavík. Conductor Marta G. Halldórsdóttir.

The Brocal Chords perform at the Drake University Relay for life fundraiser.

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.  

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