CHOIR COMPETITON,SERBIA -NOVI SAD 31.03 2012 HIGH MUSIC SCHOOL,,STEVAM HRISTIC ,,SERBIA conducter VIOLETA JOVANOVSKI FIRST MEDAL 95 POINTS

Concierto realizado en Ciudad de Buenos Aires, Argentina en noviembre de 2012. Coral Mirabilia bajo la dirección de Fernando Polonuer. Concierto declarado de interés cultural por el Consejo de promoción Cultural, Mecenazgo, CABA

We are an 80-strong SATB choir in our 55th season and, while we sing a varied repertoire, we are best known for our spirited performances of the great and exciting choral works. In recent years, works which we have performed include Bach ‘Magnificat’, ...  moreWe are an 80-strong SATB choir in our 55th season and, while we sing a varied repertoire, we are best known for our spirited performances of the great and exciting choral works. In recent years, works which we have performed include Bach ‘Magnificat’, Vivaldi ‘Gloria’, Mozart ‘Requiem’, Orff ‘Carmina Burana’, Rossini ‘Stabat Mater’, Dvorak ‘Mass in D’, Tippett ‘A Child of our Time’, Handel 'Messiah' and Verdi ‘Requiem’.' We engage professional soloists and orchestra, to perform with the choir. Since March 2015 our Musica Director is Adam Treadaway. We perform three concerts a year at St George's Church Beckenham with weekly rehearsals from September to June at the St George's Church Hall. These venues are close to Beckenham Junction Rail and Tram Stations and on many bus routes. Car parking is also available at the St George's public car park.  less

The third of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, Sicut tibi, cu...  moreThe third of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, Sicut tibi, cui bis unquam Coeli ianua reclusa?" "O thou my blood, O overflowing Grace of God, to whom, as unto thee, was e’er the Gate of Heaven unlocked a second time?” Così quel lume; ond’ io m’ attesi a lui; poscia rivolsi alla mia Donna il viso, e quinci e quindi stupefatto fui; Thus spoke that light; hence I thereto gave heed; then to my Lady turning back my face, I was on this side and on that amazed; chè dentro agli occhi suoi ardeva un riso tal, ch’ io pensai co’ miei toccar lo fondo della mia gloria e del mio Paradiso. for such a smile was glowing in her eyes, that I with my thought I had touched the depths both of my glory and of my Paradise  less

J. S. Bach - In Dulci Jubilo Chorale BWV 368 with baroque chamber ensemble.^ This is another work we played last year at our final concert on december 21 along with Camerata Amadeus

Giovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saec...  moreGiovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saeculorum, Amen. Asperges me repeated…to dealbabor Psalm 51, Verse 7 [Antiphon at the Sprinkling of Holy Water] Thou shalt purge me, O Lord, with hyssop and I shall be clean:Thou shalt wash me, and I shall be whiter than snow. Glory be to the Father, and to the Son, and to the Holy Ghost:As it was in the beginning, is now and ever shall be: world without end. Amen Book of Common Prayer, Psalm 51, Verse The rite of sprinkling the faithful with holy water at the start of the Medieval mass in every Sunday of the Church’s Year except for Palm Sunday and in Eastertide involved the use of verse seven from the famous Miserere text, the 51st Psalm. Palestrina’s four part setting involves the sustained motto theme of the traditional plainchant melody within the...    less

We will be joined by the Ulster Orchestra under the baton of our chorus master Stephen Doughty and the following wonderful soloists;   Rebecca Murphy - Soprano Lynda-Jane Nelson - Alto Brian McNamee - Tenor Aaron O'Hare - Bass   In Fisher...

Διοργάνωση: ΟΜΜΘ Johann Sebastian Bach: Kantate αρ. 4 BWV 4, Christ lag in Todesbanden Τα μέρη: 1. Sinfonia 2. Christ lag in Todesbanden (χορωδιακό) 3. Den Tod niemand zwingen kunnt (χορωδιακό SA) 4. Jesus Christus, Gottes Sohn (άρια Τ) 5. Es ...  moreΔιοργάνωση: ΟΜΜΘ Johann Sebastian Bach: Kantate αρ. 4 BWV 4, Christ lag in Todesbanden Τα μέρη: 1. Sinfonia 2. Christ lag in Todesbanden (χορωδιακό) 3. Den Tod niemand zwingen kunnt (χορωδιακό SA) 4. Jesus Christus, Gottes Sohn (άρια Τ) 5. Es war ein wunderlicher Krieg (χορωδιακό) 6. Hier ist das rechte Osterlamm (Άρια Β) - σόλο: Ευάγγελος Χατζησταύρου 7. So feiern wir das hohe Fest (χορωδιακό ST) 8. Wir essen und leben wohl (χορικό) Η καντάτα Christ lag in Todesbanden (Ο Χριστός κείται με τα δεσμά του θανάτου) είναι μια από τις πρώτες καντάτες του συνθέτη. Το λιμπρέτο της είναι ένας ύμνος του Λούθηρου. Κάθε ένα από τα επτά μέρη της καντάτας είναι και ένας στίχος του ύμνου, με τη μορφή variation. Ο Bach γράφει συμμετρικά: χορωδιακό – ντουέτο – σόλο – χορωδιακό – σόλο – ντουέτο – χορωδιακό. Στο κέντρο (4ος στίχος) είναι η μάχη ανάμεσα στη ζωή και στον θάνατο. Η πρεμιέρα της έγινε το 1707 στο Arnstadt. Η παρούσα είναι η δεύτερη, μεταγενέστερη μορφή της καντάτας, όπως εκτελέστηκε το 1724 στη Λει...    less

Knut Nystedt (born 1915) Immortal Bach A variation of the beginning of Bach's choral "Komm süßer Tod" (BWV 478) which is sung initially: Five choirs sing the same original music but in different tempi and wait at the end of each phrase. lyrics: K...  moreKnut Nystedt (born 1915) Immortal Bach A variation of the beginning of Bach's choral "Komm süßer Tod" (BWV 478) which is sung initially: Five choirs sing the same original music but in different tempi and wait at the end of each phrase. lyrics: Komm süßer Tod, komm sel'ge Ruh! Komm, führe mich in Friede. translation: Come sweet death, come celestial ease! Come, lead me in peace. The recording shows the Monteverdi Choir Würzburg with its conductor Matthias Beckert at the memorial concert on March 16, 2008 in the Augustinerkirche commemorating the 63rd anniversary of the bombing of Würzburg. For further information please visit http://www.monteverdi-choir.com  less

Excerpt from the concert on Thursday, May 29, 2025, at 9:00 PM JOHANNES SEBASTIAN BACH: THE KANTOR OF LEIPZIG Basilica - Sanctuary of Saints George and Maurelius - Ferrara