The concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of...  moreThe concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of hits such as: "Dancing Queen", "Memory", "California Dreamin'" and "Maria". This time it was not Mozart or Bach, but ABBA, Queen and songs from the musical West Side Story that graced the walls of the Gdansk University of Technology in carnivalesque musical artistic creations. Jazz musicians performed along with the Choir, and the musical effects were accompanied by a unique lighting arrangement, which required appropriate space and audience arrangement. The more-than-hour-long performance by the Academic Choir of the Gdańsk University of Technology, conducted by Prof. Mariusz Mróz and accompanied by musicians from the Music Academy in Bydgoszcz, ended with joint singing, encores and a standing ovation.  less

The concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of...  moreThe concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of hits such as: "Dancing Queen", "Memory", "California Dreamin'" and "Maria". This time it was not Mozart or Bach, but ABBA, Queen and songs from the musical West Side Story that graced the walls of the Gdansk University of Technology in carnivalesque musical artistic creations. Jazz musicians performed along with the Choir, and the musical effects were accompanied by a unique lighting arrangement, which required appropriate space and audience arrangement. The more-than-hour-long performance by the Academic Choir of the Gdańsk University of Technology, conducted by Prof. Mariusz Mróz and accompanied by musicians from the Music Academy in Bydgoszcz, ended with joint singing, encores and a standing ovation.  less

【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 鋼琴 / 楊郁雯 Nocturnes By Morten Lauridsen 夜曲 莫頓‧勞律森 莫頓‧勞律森（Morten Lauridsen，1943─）是美國重要的當代作曲家，曾於1994至2001年擔任美國洛杉磯大師合唱團（Los Angeles Master Chorale）駐團作曲家，也在南加大音樂學院（USC Thornton School of Music）教授作...  more【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 鋼琴 / 楊郁雯 Nocturnes By Morten Lauridsen 夜曲 莫頓‧勞律森 莫頓‧勞律森（Morten Lauridsen，1943─）是美國重要的當代作曲家，曾於1994至2001年擔任美國洛杉磯大師合唱團（Los Angeles Master Chorale）駐團作曲家，也在南加大音樂學院（USC Thornton School of Music）教授作曲長達30餘年，並於2007年獲得美國國家藝術獎（National Medal of Arts）。他的音樂呈現出古典保守傳統的特質，以簡單的樂曲結構來表現合唱人聲之美，而且在此簡單與純淨的結構中，流露著歌詞豐富的內涵，與如詩如畫般的美感。 《夜曲》是一套四首的聯篇合唱作品，主體的前三個樂章完成於2005年，第四樂章則於2008年加上，其主題與第一樂章相呼應，是為跋。不同於一般的連篇歌曲，這套夜曲的歌詞並非出自同一位作者的同一套詩作，而是分別來自三個不同國籍作者的作品：第一樂章與第四樂章是德國詩人萊納．瑪利亞．里爾克(Rainer Maria Rilke，1875－1926)的法文詩，第二樂章是智利詩人巴勃魯．聶魯達(Pablo Neruda, 1904-1973)所寫之情詩，第三樂章則取材自美國作家詹姆斯．魯弗斯．艾吉 (James Rufus Agee; 1909- 1955)的詩作。作曲家勞律森精準而巧妙地掌握了它們共同的特點：夜晚、浪漫的愛情、以及神秘主義的語彙，藉著豐富的和聲色彩，使得這幾首不同來源的詩作完美地結合成為一個整體。 4. Epilogue—Voici le soir (Night has come) 跋—夜晚降臨 此曲的歌詞亦為萊納．瑪利亞．里爾克(Rainer Maria Rilke)所寫的法文詩。勞律森以豐富而帶有爵士色彩的調式和聲，再次激發了聽者對夜色與愛情的想像！在無伴奏人聲的吟誦之後，鋼琴再次加入，呈現與第一樂章相同的主題，全曲最後在縈繞不已的神秘氛圍中悄然結束…. voici le soir, pendant tout un jour encore je vous ai beaucoup aimées collines émues c’est ...    less

Noctis performing at their summer concert at St Michael's Without, Bath on July 2nd, 2016. Conducted by Francis Faux www.noctischoir.com

The Ebor Singers was formed by Paul Gameson in 1995. The group includes past and present music students at the University, some of whom also pursue solo careers. Acclaimed for performances and recordings that sparkle with fresh insight and vibrant musica...  moreThe Ebor Singers was formed by Paul Gameson in 1995. The group includes past and present music students at the University, some of whom also pursue solo careers. Acclaimed for performances and recordings that sparkle with fresh insight and vibrant musicality, The Ebor Singers has earned a reputation as one of the most exciting professional vocal ensembles in the north of England, specialising in early and contemporary music.  

The Salt and Light Chorale is an SATB choir that sings music from a variety of genres such as: Gospel, Spirituals, Jazz, Renaissance, Baroque, Classical and Russian Choral Music. This choir is partnered with a non-profit organization called the New Yor...  moreThe Salt and Light Chorale is an SATB choir that sings music from a variety of genres such as: Gospel, Spirituals, Jazz, Renaissance, Baroque, Classical and Russian Choral Music. This choir is partnered with a non-profit organization called the New York Community Alliance for Sickle Cell Anemia Inc. We plan to use our concert venues for aiding this organization's cause. Our conductor John Hunter II is a young but competent conductor. He received his Master's in Choral Conducting from Mansfield University. To hear some of his works, you may go to his website at ofollow">http://www.wix.com/hunterjj14/my-web . By simply going to the Choral Listening Room in his website you can hear a number of works conducted by him. We will be holding auditions this Saturday. If you would like to audition for this group, you may email John Hunter at hunterjj14@mounties.mansfield.edu or Contact Mr. John Robinson at 347-409-3860. Compensation is...    less

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

The Brocal Chords perform at the Drake University Relay for Life fundraiser.