MatchMySound has partnered with ACDA and GIA Publications to create My Choral Coach, an integrated music creation platform that provides instant feedback and guided practice for choral directors and their Singers. My Choral Coach is exclusively for Univer...  moreMatchMySound has partnered with ACDA and GIA Publications to create My Choral Coach, an integrated music creation platform that provides instant feedback and guided practice for choral directors and their Singers. My Choral Coach is exclusively for University, Community, and Faith-based choirs.  

Now in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk son...  moreNow in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk songs to Bach’s B Minor Mass and Handel’s Messiah, all performed in Capriccio’s signature style: virtuosic clarity with a sensitive, compelling spirit.  

Since a long time Rome has been host city for choirs and Singers from all over the world, who not only love sacred music but also the idea of coming together in the eternal city and center of choral music. Inspired by a vibrant atmosphere of friendship e...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   In open-access choirs (which don’t audition), you often find one or two Singers who struggle to pitch notes accurately.   photo by Jes...

"Glory to God in the Highest" at Calvary Evangelical Free Church in Rochester, MN directed by Al Reesnes

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Last week I wrote about getting feedback from Singers and choir leaders. But not all feedback is equal.   Feedback can come in many forms: speech, wr...

Odes of Love: International Consortium I’m very happy because I have a great initiative for you. I know you are always looking for new repertoire that helps your Singers grow. What it is Odes of Love is an international consortium co-commissi...

Photo taken during our performance at the 2014 Region 31 Convention, Target The Top Image credit: Event Photos (www.event-photos.co.uk)

【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 搖嬰仔歌Taiwanese Lullaby 編曲：劉聖賢 《搖嬰仔歌》是一首台灣家喻戶曉的搖籃曲，由盧雲生作詞，呂泉生作曲。原始歌詞是由蕭安居牧師所寫，但因為蕭安居牧師所寫歌詞有部分已經不合時宜，於是委請盧雲生重寫歌詞。呂泉生想起幼時常聽家鄉婦女們邊抱著嬰孩邊念著...  more【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 搖嬰仔歌Taiwanese Lullaby 編曲：劉聖賢 《搖嬰仔歌》是一首台灣家喻戶曉的搖籃曲，由盧雲生作詞，呂泉生作曲。原始歌詞是由蕭安居牧師所寫，但因為蕭安居牧師所寫歌詞有部分已經不合時宜，於是委請盧雲生重寫歌詞。呂泉生想起幼時常聽家鄉婦女們邊抱著嬰孩邊念著：嬰仔嬰嬰困，一暝大一寸；嬰仔嬰嬰惜，一暝大一尺，於是他把這段詞加在最前面。 1945年，日軍在各戰場節節敗退，盟軍乘勝追擊，對臺灣進行轟炸，都市居民都疏散到鄉間。呂泉生因工作需要仍滯留在臺北；而他的太太卻在這時候生產。留在臺北的呂泉生見四處的斷垣殘壁，受傷的民眾哀鴻遍野，他非常掛念老家中的妻兒，是否安然無恙？於是請岳父蕭安居牧師幫他寫下這首《搖嬰仔歌》，傾訴對妻兒殷切的思念。 此版本為無伴奏混聲四部合唱，歌詞選取全曲中的兩段作為主要內容。樂曲段落形式為三段體，編曲的手法以垂直和聲、副旋律的方式呈現，期望將這首屬於台灣人的搖籃曲，結合西方音樂的和聲系統，讓現代台灣人聆聽此作品時，更增添一份親切感。 嬰仔嬰嬰困，一暝大一寸；嬰仔嬰嬰惜，一暝大一尺； 搖子日落山，抱子金金看，子是我心肝，驚你受風寒。 嬰仔嬰嬰困，一暝大一寸；嬰仔嬰嬰惜，一暝大一尺； 同是一樣子，哪有兩心情；查甫也著疼，查某也著成。  less

If you want to be part of the premiere of a work with Singers from all over the world, I want to tell you that you are in the right place! We will make an incredible virtual choir together. This experience will bring the work «The Last March of Des...