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video:
Mi y'maleil (Who can recount) - SATB & Chamber Orchestra - NotePerformer 3 Audio, Scrolling Score
Mi y'maleil, a piece for Chanukah for mixed chorus and piano or Chamber orchestra.
Promotional synthesized performance and scrolling score video.
Seeking live performances.
Music: © Copyright 2005 by Ione Press, Inc., a division of ECS Publishing Grou... moreMi y'maleil, a piece for Chanukah for mixed chorus and piano or Chamber orchestra.
Promotional synthesized performance and scrolling score video.
Seeking live performances.
Music: © Copyright 2005 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Used by permission.
The sheet music is available from www.ecspublishing.com
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lute, 2 Oboes, B-flat Clarinet, Bassoon, F Horn, 2 B-flat Trumpets, Timpani, Harp and Strings
(4-4-3-2-1).
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The Text
English Singing Translation
Who can recount
Who can recount the troubles that befell us,
Who can number them?
In every age a champion or scholar
Came to give us help.
Sh'ma! (0 hear!) In ancient days at this time of year,
Maccabee, the fearless soldier, came to our aid.
In our time, Israel must unite
To be redeemed through action and sacrifice!
English singing translation by Stanley M. Hoffman
Hebrew Singing Transliteration
Mi y' -ma-leil g' -vu-rot Yis-ra-eil, otan mi yim-neh?
Hein b'-ch... less
group:
Wells Cathedral Voluntary Choir
Welcome to Wells Cathedral Voluntary Choir.
The Choir was formed in 1986 initially to provide a Choir for Midnight Eucharist on Christmas Eve, but since then we have become an established part of the Wells Cathedral scene, and now sing 40 to 50 of the re... moreWelcome to Wells Cathedral Voluntary Choir.
The Choir was formed in 1986 initially to provide a Choir for Midnight Eucharist on Christmas Eve, but since then we have become an established part of the Wells Cathedral scene, and now sing 40 to 50 of the regular services throughout the year, as well as some of the festival services which include a Requiem Mass on All Soul’s Day.
We are an amateur auditioned Choir of 30 and strive for a high standard, so for potential members it is important to have a reasonable sight-singing ability. We rehearse regularly throughout the year on a Thursday evening.
The music we perform is very varied and as well as psalms we sing a wide range of canticles, masses and anthems of all genres so “Variety is the spice of life”!
There is no membership fee, as we are fortunate to be supported financially with grants from the Cathedral Chapter and the Friends of Wells Cathedral.
When we are in the Cathedral we are often singing in the Quire where we face one another, effectively as tw... less
group:
That Choir
Now in its 3rd year, That Choir combines a high level of performance with a deep love of the choral art as one of Toronto’s newest choral groups. That Choir was formed in the spring of 2008 by Craig Pike and 14 of his actor friends who wanted to create an... moreNow in its 3rd year, That Choir combines a high level of performance with a deep love of the choral art as one of Toronto’s newest choral groups. That Choir was formed in the spring of 2008 by Craig Pike and 14 of his actor friends who wanted to create and share a music experience together. That Choir now brings together over 25 members with diverse backgrounds in work and study, and a mixture of trained and untrained voices. New Canadian artists are important for That Choir to nurture and have already performed new works by J. Scott Brubacher as well as Reza Jacobs in December 2010. Also in December of 2010, That Choir invited Canadian Theatre Artist Nancy Palk to read Dylan Thomas's " A Child's Christmas in Wales" as part of That Choir Carols - an annual celebration of the Holidays. As That Choir looks forward into 2011, it is becoming well known for its a cappella repertoire of many styles and periods with a strong focus on storytelling. less
video:
"Academia" Female Choir - "Flowering Fern" (E.Stankovich)
"Academia" Female student Choir of South-Ukrainian National Pedagogical University named aft. K.Ushinsky (Odessa, Ukraine) performs Е.Станкович - "Цвіт папороті", фрагмент из фольк-оперы "Коли цвіте папороть" ("Flowering Fern" a part from Ukrainian folk o... more"Academia" Female student Choir of South-Ukrainian National Pedagogical University named aft. K.Ushinsky (Odessa, Ukraine) performs Е.Станкович - "Цвіт папороті", фрагмент из фольк-оперы "Коли цвіте папороть" ("Flowering Fern" a part from Ukrainian folk opera by E. Stankovych)
Solo - Luydmyla Mazur (academic-folk vocal)
video:
P. Czesnokow - Błażen muż / Chór Akademicki UW
(English)
Pavel Chesnokov - All-night vigil: Blessed is the Man;
University of Warsaw Choir,
baritone: Krzysztof Chalimoniuk,
conductor: Irina Bogdanovich;
1st place at the International Festival of Orthodox Church Music „Hajnówka 2010" and the ... more(English)
Pavel Chesnokov - All-night vigil: Blessed is the Man;
University of Warsaw Choir,
baritone: Krzysztof Chalimoniuk,
conductor: Irina Bogdanovich;
1st place at the International Festival of Orthodox Church Music „Hajnówka 2010" and the award for the best soloist;
Podlasie Opera and Philharmonic, Białystok, Poland, 20th May 2010;
more recordings at:
http://www.chor.uw.edu.pl/cms/en/recordings
(Polish)
Chór Akademicki Uniwersytetu Warszawskiego
baryton: Krzysztof Chalimoniuk,
dyrygent: Irina Bogdanovich;
I miejsce na XXIX Międzynarodowym Festiwalu Muzyki Chóralnej ''Hajnówka 2010'' oraz nagroda dla najlepszego solisty;
Filharmonia Podlaska, Białystok, 2010-05-20
http://www.chor.uw.edu.pl less
group:
European Overtone Choir
EOC is an international experimental project Choir. The Choir consists of participants in workshop weeks, which are offered twice a year in different European countries.
Overtone singing is a new vocal technique that allows for singing two tones simul... moreEOC is an international experimental project Choir. The Choir consists of participants in workshop weeks, which are offered twice a year in different European countries.
Overtone singing is a new vocal technique that allows for singing two tones simultaneously. EOC sings compositions with written overtones as well as Choir improvisations and contemporary music. The effect of controlled overtones on the timbre of classical Choir compositions is explored with special ear training.