Steven R. Gerber Sessions of Sweet Silent Thought, No. 5 Sonnet 130 (MidAtlantic...
Video Information
- Choir: MidAtlantic Chamber Choir
- Piece: Sessions of Sweet Silent Thought, No. 5 Sonnet 130
- Composer: Steven R. Gerber
- Conductor: Jason C. Tramm
- Voices: SATB
- Genres: A cappella, Classical, Contemporary, neo-Rennaisance
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MidAtlantic Chamber Choir Personnel:
Jason C. Tramm, Conductor
Soprano
Paige Porter
Veronica Shea Salkin
Samantha Ferrara
Hillary Baboukis
Alto
Kimberlee Korzelius
Sophia Morte... moreMidAtlantic Chamber Choir Personnel:
Jason C. Tramm, Conductor
Soprano
Paige Porter
Veronica Shea Salkin
Samantha Ferrara
Hillary Baboukis
Alto
Kimberlee Korzelius
Sophia Mortensen
Irene Lyristakis
Tenor
Rider Foster
Zachary Morehouse
Jose Daniel Mojica
Charles Bryan
Kevin Courtemanche
Bass
Christian Arencibia
Peter Lamendola
Devin McGuire
Skyler Klein
Video/Audio Engineering: Quinton Tramm
David Winkler, Producer
Recorded: June 4, 2022
Broadway Presbyterian Church (Manhattan)
From Sessions of Sweet Silent Thought
5. Sonnet 130: My mistress' eyes are nothing like the sun
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BY WILLIAM SHAKESPEARE
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
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Steven R. Gerber, Biography (1948-2015)
Steven R. Gerber was born on September 28, 1948 in Washington, D.C. He held degrees from Haverford College and from Princeton University, where he received a 4-year fellowship. Steven's music composition teachers include Robert Parris, J. K. Randall, Earl Kim, and Milton Babbitt.
His early works were in a free atonal style, incorpor... less