Concierto Extraordinario de Navidad, diciembre de 2012. Orquesta Clásica de España, Director, Enrique García Asensio. Coro Villa de las Rozas, dir: Mª Ángeles García Serrano. Coro las Veredas, dir: Enrique Martín Coro las Veredas, director: Enrique ...  moreConcierto Extraordinario de Navidad, diciembre de 2012. Orquesta Clásica de España, Director, Enrique García Asensio. Coro Villa de las Rozas, dir: Mª Ángeles García Serrano. Coro las Veredas, dir: Enrique Martín Coro las Veredas, director: Enrique Martín. Piano: Paula Mercedes Lozano.  

www.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents GOD DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and...  morewww.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents GOD DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and permission granted: David Hamilton - 2004 written for the National Male Choir of New Zealand Te Ropu Waiata Tira Tane o Aotearoa live recording: 5th February 2015, Leipzig/Germany © Ensemble Nobiles 2015 We are looking forward to our NZ tour: 18th-26th March 2015 sponsored by: Goethe Institut + City of Leipzig Nationalhymne Neuseelands zum Nationalfeiertag 'Waitangi Day' 2015.  less

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  moreThe Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    less