Camerata Prima Voce Director: Manuel Suazo Pavez 7ª Temporada Coral de Primavera de CODELCO - Noviembre 2011

"Full Fathom Five" by Paul Carey. Text "Ariel's Song" from "the Tempest" by William Shakespeare. Recorded live on Friday, May 17, 2013, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble o...  more"Full Fathom Five" by Paul Carey. Text "Ariel's Song" from "the Tempest" by William Shakespeare. Recorded live on Friday, May 17, 2013, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Full fathom five thy father lies; of his bones are coral made; Those are pearls that were his eyes; Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell: Ding-dong. Hark! now I hear them — Ding-dong, bell.  less

School of Hard Knocks presents the World Premiere of Street Requiem : For those who have died on the street   Melbourne Recital Centre Saturday 7 June, 7pm   Street Requiem was conceived by Dr Jonathon Welch AM and written in collaboratio...

A preview clip of Penthos Requiem by Hannah Stone & Matthew Oglesby. You can reserve tickets for the first performace and learn more about the Penthos Project: https://www.penthos.uk/

Recorded on November 18, 2015, at the Church of Our Lady of Good Health in Split, Croatia. camera operator: Karlo Hiržin recording and production: Bernard Kahle - b.kahle@yahoo.com www.facebook.com/BKrecordings

Recorded on February 13, 2011 using a Flip Video camera.

A cappella

Wolfgang Amadeus Mozart’s final composition, Requiem, was finished after his death by his student Franz Xaver Süssmayr. According to his wife, Constanze Mozart, the ailing composer had come to believe he was writing the piece, initially commissioned by a ...  moreWolfgang Amadeus Mozart’s final composition, Requiem, was finished after his death by his student Franz Xaver Süssmayr. According to his wife, Constanze Mozart, the ailing composer had come to believe he was writing the piece, initially commissioned by a German count, to be played at his own funeral — and indeed some sections were. Requiem was later performed at the funerals and commemorative services of Ludwig van Beethoven, Joseph Haydn, and Frédéric Chopin. Centuries later in 1960, “scraps of paper” containing Mozart’s unrealized ideas were discovered, prompting new versions of the Requiem. Mozart Requiem Robert Levin edition Downtown Voices the Choir of Trinity Wall Street NOVUS NY Stephen Sands, conductor Sonya Headlam, soprano Pamela Terry, mezzo-soprano David Vanderwal, tenor Neil Netherly, bass  less

choir a cappella

Extracto del concierto del Coro del CMS Canarias y de la Orquesta Sinfónica de Gran Canaria, bajo la dirección de Gregorio Gutierrez, que interpretaron el Réquiem de Mozart en la iglesia de Santo Domingo en el barrio de Vegueta de Las Palmas de Gran Canar...  moreExtracto del concierto del Coro del CMS Canarias y de la Orquesta Sinfónica de Gran Canaria, bajo la dirección de Gregorio Gutierrez, que interpretaron el Réquiem de Mozart en la iglesia de Santo Domingo en el barrio de Vegueta de Las Palmas de Gran Canaria el día 3 de abril. El concierto fue enmarcado en el VI Encuentro de Música Religiosa de Canarias