Setting for three altos and ostinato guitar of the witches' cauldron scene in Shakespeare's Macbeth. Created specially for Halloween.

Concierto del 21 de diciembre de 2024 Parroquia Virgen Inmaculada de Lourdes Ciudad de Buenos Aires

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto E...  moreCoral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  

Coral Reyes Bartlet David Martel, piano Alfonso Lopez Raymond, barítono José Híjar Polo, director Iglesia de la Peña de Francia 20 de marzo de 2015 Imagen y sonido @mediawink

Coral Reyes Bartlet David Martel, piano Alfonso Lopez Raymond, barítono José Híjar Polo, director Iglesia de la Peña de Francia 20 de marzo de 2015 Imagen y sonido @mediawink

Can't Help Falling in Love (George David Weiss/Hugo Peretti/Luigi Creatore) Θαμυριάδες - Thamyriades vocal_ensemble Τελλόγλειο Ίδρυμα Τεχνών Α.Π.Θ. 1ο Φεστιβάλ Χορωδιών 4 Μαϊου 2014 e-mail: thamyriades@outlook.com www.facebook.com/Thamyriades

Here in Nomansland - a meditation in the Vosges This personal exploration with a friend was very deep, we were philosophising mainly on society's reactions to minority groups and the psychology behind it. We considered ourselves to be in a sort of noma...  moreHere in Nomansland - a meditation in the Vosges This personal exploration with a friend was very deep, we were philosophising mainly on society's reactions to minority groups and the psychology behind it. We considered ourselves to be in a sort of nomansland sociologically, each for different reasons, but the Vosges valleys provided the most beautiful "nomansland" imaginable for our discussions. This song is the slightly mystical, and somewhat understated, memory of those days: Here in nomansland where all had fled the weather we waited patiently and enjoyed God's sun together Here in nomansland a grandson of Adam residing in his earthly grandfather's home the woods and sun presiding Here in nomansland Hermes' and Aphrodite's son sings cuckoo to the ill-shorn mountain top and then is gone Here in nomansland we sing to the other's consolation whilst peaceful dog and cows look on at our natural perchance divine oration  less

Upper voice version of the set of folksongs that Seiber arranged in 1950.