Cantores Celestes Women's choir Kelly Galbraith ~ Director Dec 2, 2017 Tamieka Evans - Soprano soloist Hilary McCrimmon -Alto soloist Adanya Dunn ~ Soprano soloist Kate Carver ~ piano Matthew Coons ~ organ Emperor Quartet: Jef ten Kortenaar & ... more
Performed by Universitair Koor Antwerpen at their Spring Concert "Evolution Of Music" on May 10, 2016. piano: Peter Jeurissen Percussion: Stijn Dierckx Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen, Jordan De Deken Sound: Johan De Cock
From "Aladdin – Original Broadway Musical (Choral Highlights)" Performed by Universitair Koor Antwerpen at their Spring Concert "UKA 'Round The World" on May 16, 2017. Solo by Efraïm Salampessy. piano: Peter Jeurissen Camera: Jelmer Lokman, Robi... more
Soulfood a cappella singing "O Come All Ye Faithful". This is part of the Christmas Day program for Wesley Impact that went to air on 25 December, 2012 - Channel Nine, 6.00am (ADST). This footage is kindly provided courtesy of Wesley Mission.
Cantores Celestes Women's choir LIVE in CONCERT May 4, 2019 Celebrating 30 years Kelly Galbraith, director Kate Carver, piano Stephen Boda, organ Emperor Quartet Ryan Harper, recording engineer Kelly Galbraith, producer
1) Changing role of public schools- 2) From teaching information to parental role In recent years, the role of schools...
Performed by Universitair Koor Antwerpen at their Christmas Concert "Once Upon A December" on December 19, 2017. piano: Stijn Dierckx
A setting of a short love poem by Gertrude Stein, this brief piece is built on a round - and so can be learned quickly. It was a winning selection in the inaugural Pioneering Voices composition competition held by Mount Holyoke College. "delightful and... more
This video was a gift from alumni of the Choeur d'Enfants Sotto Voce (directed by Scott Alan Prouty), during the confinement. All of the young singers in this video were part of the choirs for over 8 years. The entire artistic team was very moved by their... more
I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces... more