Factum Arte Choir was formed in 2009, mostly by students trained in the Kodaly method of music instruction taught by her musical director and professor Katalin Hajnoczy, degree in music education, direction and piano by the Music Academy Ferenz Liszt (Hun...  moreFactum Arte Choir was formed in 2009, mostly by students trained in the Kodaly method of music instruction taught by her musical director and professor Katalin Hajnoczy, degree in music education, direction and piano by the Music Academy Ferenz Liszt (Hungary), and with a long career devoted to education in various places and educational institutions of Bizkaia and Gipuzkoa. Very high unpretentious music, the Choir was created to provide coverage to the need to sing and further training of a group of friends singing around the figure of his teacher. The time spent on the trials is very low in comparison to a standard chorus but over the years has drawn new members, has taken on challenges in terms of repertoire, has been federated, offers concerts by the municipalities of Biscay, and share their work in exchanges with other Choirs in and out of Euskadi. Since the beginning of his career have enjoyed the cooperation of Garbiñe Abendaño as a teacher of vocal technique.  less

Interpretación de la obra "Ave Maria" del compositor Cesar Alejandro Carrillo por el Coro femenino del Conservatorio Superior de Música de Canarias (Gran Canaria).

CAUM em Ourense no 2º Encontro de Coros do Campus de Ourense :) (arr:rui paulo teixeira)

The "Corale S. Domenico Savio" was born in 1999 with the desire to build through music, experience of collaboration and sharing. Over the years the interest in polyphony, the study of the repertoire and the vocal approach has grown. The group...  moreThe "Corale S. Domenico Savio" was born in 1999 with the desire to build through music, experience of collaboration and sharing. Over the years the interest in polyphony, the study of the repertoire and the vocal approach has grown. The group has joined the A.R.S. cori (Regional Association of Choirs of Sicily) and consequently to FENIARCO (National Association of Choirs) with the involvement in all the regional and national demonstrations promoted by the aforementioned organism: exhibitions, concerts and gatherings for Choirs. Numerous shows are made, we mention some more suggestive: the performance of some unpublished musical works by don Luigi Sturzo edited by Nicolò Maccavino of the Italian Society of Musicology (2003).  "The word sung" the multimedia show for chorus-voices, video projections and orchestra (2009); the CD recording of the traditional POPO MEO of the Easter Triduum in Scordia (2009); the event "et incarnatus est", symphonic lyric concert for solo...    less

« A Paris » de Francis Lemarque, chanté par le Choeur d'Enfants Sotto Voce, dirigé par Scott Alan Prouty. Extrait du concert PARIS EN CHANSONS au Théâtre Impérial de Compiègne en janvier 2017. Piano: Richard Davis, Technique Vocale: Mathieu Septier, Choré...  more« A Paris » de Francis Lemarque, chanté par le Choeur d'Enfants Sotto Voce, dirigé par Scott Alan Prouty. Extrait du concert PARIS EN CHANSONS au Théâtre Impérial de Compiègne en janvier 2017. Piano: Richard Davis, Technique Vocale: Mathieu Septier, Chorégraphe: Evandra Martins. https://www.choeursottovoce.com Montage: C&C Giron  

Coro Et Al Festival 2017 @ Cine Adarna UP Diman Q.C. Philippines

Women´s Choir of Music Conservatory of Canary Islands (Gran Canaria) Soloists: Cristina Ramos, Daniel Miranda, Héctor de Armas, Silvia Zorita, Tania Rodríguez, Noemí Tadeo Dir.: Nikoleta S. Popova https://www.facebook.com/pages/Coro-Femenino-del-Cons...  moreWomen´s Choir of Music Conservatory of Canary Islands (Gran Canaria) Soloists: Cristina Ramos, Daniel Miranda, Héctor de Armas, Silvia Zorita, Tania Rodríguez, Noemí Tadeo Dir.: Nikoleta S. Popova https://www.facebook.com/pages/Coro-Femenino-del-Conservatorio-Superior-de-Música-de-Canarias-GC/387102787974444?fref=ts http://Corofemeninogc.wordpress.com http://nikoletapopova.wordpress.com  

El Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo X...  moreEl Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo XX y una atmósfera sonora delicada y expresiva, en un marco especial: la iglesia más antigua que se conserva en Madrid (San Nicolás), junto a la Calle Mayor de la ciudad.  

The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists a...  more The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists and serve as a tool for new and established composers specially from the Rias Baixas area. The Choir already has more than sixty performances, both self-managed and scheduled in various cycles or festivals such as Outono Lírico, Vigo Sinfónico, Barcia de Mera Religious Music Series, Nas Ondas, Portico Sonoro, Explurart, Cooltural Cambados and II Festival Groba. In these performances they have interpreted several fundamental works of the choral repertoire in all kind of stages of the four Galician provinces, both a capella and with instrumental accompaniment. Samples of these are Petite Messe Solennelle by G. Rossini (version for two pianos), the Requiem in C minor by L. Cherubini, Music for the funeral of Queen Mary by H. Purcell, Mass in D major by A. Dv...    less