Formed in 2011 by members of a former disbanded choir. The choir has 20 experienced Singers and performs between four and seven concerts each year, singing a variety of music from classical to light music. We endeavour to have a new programme each year fo... more
University of Utah Chamber Choir, under the direction of Dr. Barlow Bradford performing Moses Hogan's "Didn't My Lord Deliver Daniel" on their 2013 Spring Concert in the Libby Gardner Concert Hall.
MidAtlantic Chamber Choir Personnel: Jason C. Tramm, Conductor --------- Sessions of Sweet Silent Thought 00:00-04:00 1. Sonnet 30: When to the sessions of sweet silent thought 04:05-06:48 2. Sonnet 129: Th'expense of spirit in a waste of sha... more
Thomas D. Rossin conducts Lauridsen's setting in concert December 10th, 2011. The performance was at the University of St. Thomas Chapel
On Saturday 22nd June the St Peter's Singers of Leeds travel to the picturesque Norcliffe Chapel in Styal Village for a concert programme of contemporary sacred choral music and organ solos. The free concert with retiring collection begins at 7.30pm. This...
Live from the JCI World Congress in Vienna 2005, Cobh Soprano Caroline Fraher sings this beautiful and haunting piece with St Colman's Cathedral Chamber Choir. For more on Caroline: WWW.CarolineFraher.com
From John Rutter's Requiem. Performed by The Tidewater Singers, William R. Thomas, Director. April 30, 2011 at Christ Church in Cambridge, Maryland.
[A version of this article first appeared as a post on my blog From the Front of the Choir] Last week I wrote about the challenges faced by Singers joining an established choir. photo by fromcolettewithlove This week I wi...
Hofstra Chamber Choir performing the first movement of Per Nørgård's Wie ein Kind, "Wiigen-Lied" David Fryling, Conductor Alex Schirling and Allison Lindsay, sprechstimme Cathedral of the Incarnation, April 2012
Performed at the 2012 Season of Harmony Concert November 17, 2012 at Hillsboro High School Words and Music by ROY ORBISON and JOE MELSON Arrangement by TOM GENTRY