"Full Fathom Five" by Paul Carey. Text from "The Tempest" by William Shakespeare. Commissioned by the 2012 Women's Choir Commission Consortium of the American Choral Directors Association. Recorded live on Friday, March 15, 2013, at First Presbyterian ...  more"Full Fathom Five" by Paul Carey. Text from "The Tempest" by William Shakespeare. Commissioned by the 2012 Women's Choir Commission Consortium of the American Choral Directors Association. Recorded live on Friday, March 15, 2013, at First Presbyterian Church, Pompano Beach, Florida. Performed by the Saint Mary's College Women's Choir and the Concert Choir ensemble of the Girl Choir of South Florida. Conductor: Nancy Menk, Accompanist: Hyeja Chong Ganahl. http://www.saintmarys.edu/music-womens-choir  

"The Long Day Closes" by Arthur Sullivan at the Schlosskirche in Bonn (June 30, 2009)

KSCI Choral Scholars under the direction of Kantorei KC Artistic Director Chris Munce. "Be Music, Night," by Bradley Ellingboe. These 29 College students represent 12 schools around the country. The met and prepared a program in 3 days at our Choral Inst...  moreKSCI Choral Scholars under the direction of Kantorei KC Artistic Director Chris Munce. "Be Music, Night," by Bradley Ellingboe. These 29 College students represent 12 schools around the country. The met and prepared a program in 3 days at our Choral Institute. June 28th, 2014 at the Cathedral of the Immaculate Conception in KC MO. www.kantoreikc.org/choral-institute www.twitter.com/kantoreikc www.facebook.com/kantoreikc  

The Ingenium Academy Choir forms once a year at the Ingenium Academy International Summer School for Music, based in Winchester College, England. Our diverse vocal programme is for 14-18 year olds who love to sing, are keen to develop their choral tech...  moreThe Ingenium Academy Choir forms once a year at the Ingenium Academy International Summer School for Music, based in Winchester College, England. Our diverse vocal programme is for 14-18 year olds who love to sing, are keen to develop their choral technique, improve their ensemble singing and explore a diverse range of vocal styles. We sing a challenging and exciting repertoire encompassing many genres, and ensure that students gain a deep understanding of these musical styles through the guidance of sectional tutors and voice specialists.  less

Simon Lindley's setting of 'Ave Maria' - under the title of 'Litany for Mary' - was produced originally as a setting for upper voices. The music was devised to short call order for a Mothers' Union Deanery Service in what was then Leeds Parish Church on...  moreSimon Lindley's setting of 'Ave Maria' - under the title of 'Litany for Mary' - was produced originally as a setting for upper voices. The music was devised to short call order for a Mothers' Union Deanery Service in what was then Leeds Parish Church on Lady Day - the Feast of the Annunciation - in March 1979. Its accompaniment owes much to the setting of Robert Herrick's 'Litany to the Holy Spirit' by Peter Hurford of some twenty years earlier. 'Ave Maria' has been extensively recorded and broadcast by choirs of all traditions, especially children's choirs. Eventually, a version of the piece for four-part choir emerged during the early weeks of 2003 in response to a request from Gordon Stewart on behalf of the BBC Radio 4 Pilgrim Choir and it is this more recent version that is sung here. This performance was recorded in Leeds Minster on Sunday 28th April 2013 during the recital of 'Music with Minster connections' sung by St Peter's Singers of Leeds, directed by the composer. The organist is David Houl...    less

Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park...  moreHaydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

This lovely 'Choral' comes from Vaughan Williams' cantata 'Hodie' (This Day), composed in 1953 or 1954, and which was his last large-scale choral-orchestral work. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnifi...  moreThis lovely 'Choral' comes from Vaughan Williams' cantata 'Hodie' (This Day), composed in 1953 or 1954, and which was his last large-scale choral-orchestral work. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of St Peter's Singers' now-traditional Sunday evening carol performances there. The choir is directed by Dr Simon Lindley, its Music Director since the Singers' formation in June 1977. More information about St Peter's Singers, including details of forthcoming concerts, recitals and liturgical performances, may be found on the choir's website www.stpeters-Singers.org.uk and on its Facebook group page 'St Peter's Singers of Leeds'.  less

A movement from the Choral Symphony "In Repentance". Performed by Masterworks Chorale of Augsburg College. Artistic director and conductor, Peter Hendrickson.

During the 2020 COVID-19 Pandemic, alumni and friends of RJC High School produced a Virtual Choir for an online Fundraiser for Rosthern Junior College High School. Video came in from Canada, USA, and Mexico. Show More for song lyrics. directed and vide...  moreDuring the 2020 COVID-19 Pandemic, alumni and friends of RJC High School produced a Virtual Choir for an online Fundraiser for Rosthern Junior College High School. Video came in from Canada, USA, and Mexico. Show More for song lyrics. directed and video edited by Richard Janzen music mastered by Brandon Janzen This Still Room text by John Greenleaf Whittier music by Jonathan Adams And so I find it well to come for deeper rest to this still room; for here the habit of my soul feels less the outer world's control. The strength of mutual purpose pleads more earnestly our common needs; and from the stillness, multiplied by these still forms on either side. The world that time and sense have known fall off, and leaves us God alone.  less