www.wisemanproject.com Text & Music by Kentaro Sato (Ken-P)

Calling all Gents, Blokes, Geezers, Chaps, Wideboys, Rakes, Dudes, Scoundrels, Lads.... ...Calling all MEN. No Bow Ties. No Blazers. No Auditions. Just men and song. The mighty Male Voice classics from the valleys of the Land of the Dragon. Insan...  moreCalling all Gents, Blokes, Geezers, Chaps, Wideboys, Rakes, Dudes, Scoundrels, Lads.... ...Calling all MEN. No Bow Ties. No Blazers. No Auditions. Just men and song. The mighty Male Voice classics from the valleys of the Land of the Dragon. Insane Georgian/Bulgarian repertoire to make the very stones weep Vintage cheese from the Barbershop tradition (tempered with a small pinch of salt) Also anthems concerning the wonders of facial hair, garden sheds, reversing round corners, etc.... Not so much a new idea as a distillation of every great 'man-singing' concept' that has ever graced this earth. Rolled into one. In Bristol. By the people who created 'Gurt Lush Choir'. It will be BIG & fun. Virile & beautiful. Devilishly charming... ...You know you want to....  less

Vox Virorum is a community men's choral ensemble for the Raleigh/Durham/Chapel Hill region of North Carolina. Goals are to create a place for men to hone and renew their love of singing, and to provide a home in the choral community. There is an equal e...  moreVox Virorum is a community men's choral ensemble for the Raleigh/Durham/Chapel Hill region of North Carolina. Goals are to create a place for men to hone and renew their love of singing, and to provide a home in the choral community. There is an equal emphasis on musical excellence and camaraderie. Male singers age 18 and up, of all experience levels are invited to join.  

“Will tomorrow, I wonder, be cloudy or clear?” asks the title of this piece composed and written by eminent Japanese maestro Tōru Takemitsu. Written and composed in 1985 for the Shin-yu Kai Chorus, the song captures the moment when one finds oneself strad...  more“Will tomorrow, I wonder, be cloudy or clear?” asks the title of this piece composed and written by eminent Japanese maestro Tōru Takemitsu. Written and composed in 1985 for the Shin-yu Kai Chorus, the song captures the moment when one finds oneself straddling both uncertainty and optimism while thinking about the future. Takemitsu’s signature sound, featuring rich harmonies colouring melodious refrains, shines through in this conversational and thoughtful piece. Performed live during Musica Intimae: The Plain of Dreams 夢の広野 11 March 2018 Victoria Concert Hall Videography by Luther Yiew Videography  less

The Gate of Hell The first of three movements by composer Joseph Dillon Ford for male Chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale. Video recreated in honour of the composer Per me si va ne la città dolente, per me s...  moreThe Gate of Hell The first of three movements by composer Joseph Dillon Ford for male Chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale. Video recreated in honour of the composer Per me si va ne la città dolente, per me si va ne l'etterno dolore, Through me is the way to the sorrowful city, Through me is the way to eternal sorrow, per me si va tra la perduta gente. Through me is the way among the lost people. Giustizia mosse il mio alto fattore: fecemi la divina potestate, la somma sapienza e 'l primo amore; Justice moved my exalted maker Divine power, supreme wisdom and the first love made me dinanzi a me non fuor cose create se non etterne, e io etterno duro. Before me were no created beings Only things eternal and I continue for ever Lasciate ogne speranza, voi ch' intrate. Abandon all hope you who enter here.  less

(1. The Lute, 2. The Thunderbolt, 3. The Sun) Music by Stanley M. Hoffman (1999) Words by Judah al Harizi, 13th century English Translation by Stanley M. Hoffman Music and Translation: © Copyright 2000 by Ione Press, Inc., a division of ECS Publish...  more(1. The Lute, 2. The Thunderbolt, 3. The Sun) Music by Stanley M. Hoffman (1999) Words by Judah al Harizi, 13th century English Translation by Stanley M. Hoffman Music and Translation: © Copyright 2000 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. ECS Publishing Catalog No. 6435  

Recorded in April/May 2021 Alexandra Beliakovich, Piano Jason C. Tramm, Conductor Quinton Tramm, Audio/Video Engineer Members of the Seton Hall University Chorus Ocean Grove Great Auditorium Choir Taghkanic Chorale Morris Choral Society @Jason Tramm

Performed by VIVA Sandnes Kulturskolekor. Recorded on CD 2005. Composer Edv Grieg, lyrics by Aasmund Olavsson Vinje (1860). All photos are from the mountain massive "Rondane", taken by various photographers that you can see more of at the Norwegian To...  morePerformed by VIVA Sandnes Kulturskolekor. Recorded on CD 2005. Composer Edv Grieg, lyrics by Aasmund Olavsson Vinje (1860). All photos are from the mountain massive "Rondane", taken by various photographers that you can see more of at the Norwegian Tourist Association's homepages www.dnt.no  

live recording May 2005 Minoritenkirche Vienna Cornelia Horak, Soprano Theresa Dlouhy, Soprano Johannes Chum, Tenor Daniel Johannsen, Tenor Matthias Helm, Bariton Josef Wagner, Bass Stefan Zenkl, Bass Daniel Sepec and Friends Ensemble Tonus ...  morelive recording May 2005 Minoritenkirche Vienna Cornelia Horak, Soprano Theresa Dlouhy, Soprano Johannes Chum, Tenor Daniel Johannsen, Tenor Matthias Helm, Bariton Josef Wagner, Bass Stefan Zenkl, Bass Daniel Sepec and Friends Ensemble Tonus Chorus sine nomine Johannes Hiemetsberger Director  

The Vocal Art Ensemble, an adult a capella Chorus directed by Tracia Barbieri in Davis, California, presents Missa Brevis #8 of Eleanor Daley as part of their "Solstice -- Dance of Light" concerts December 9-11, 2011. This piece was presented in the seco...  moreThe Vocal Art Ensemble, an adult a capella Chorus directed by Tracia Barbieri in Davis, California, presents Missa Brevis #8 of Eleanor Daley as part of their "Solstice -- Dance of Light" concerts December 9-11, 2011. This piece was presented in the second half of the program, representing the changing seasons, which paralleled the changing moods and textures in the piece's three mini movements.