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video:
Sir John Tavener: Mother of God, here I stand - Exultate Singers
an class="view_more">Exultate Singers performs 'Mother of God, here I stand' by the great British composer Sir John Tavener who died on 12 November 2013. The recording is taken from Exultate Singers' new album, A Sense of the Divine, to be released in December 2013 and was re... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Exultate Singers performs 'Mother of God, here I stand' by the great British composer Sir John Tavener who died on 12 November 2013. The recording is taken from Exultate Singers' new album, A Sense of the Divine, to be released in December 2013 and was recorded in St George's Bristol
Mother of God, here I stand now praying before this ikon of your radiant brightness, not praying to be saved from a battlefield; not giving thanks nor seeking forgiveness for the sings of my soul, nor for all the souls. Numb, joyless and desolate on earth; but for her alone, whom I wholly give you. ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">lessan>
video:
"I Thank You God" by Gwyneth Walker, performed by Vox Grata Women's Choir
an class="view_more">I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "Thi... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ... ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">lessan>
video:
Tell me it's true
Getting close to the annual Concert. Great rendition of the favourite from Blood Brothers
video:
allein Gott in der Höh sei Erh
Live recording by A5 vocal ensemble of these masterpiece by Michael Preatorius. Library of Real Maestranza de Caballería, Ronda (Spain)
video:
Great God Almighty
Chicagoland Voices 2016 Winter Concert
Great God Almighty by Stacey V. Gibbs
Guest conductor - Dana Floor
