Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde...  moreOriginal poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde repose dans ma main la peine lourde d'amour, de rédemption est un soupir dans ma main O mon Christ Seigneur de l'infini petit pour mon confort, là dans ma main Humilité d'amour qui repose là si bas, Blanc, plein de confiance et soin dans ma main Là dans ma main repose mon Dieu. Hoc est enim corpus meum. [English original] Hoc est enim corpus meum The world's eternity lies here within my hand. The weight of pain, of love, redemption is a sigh upon my hand, My Christ, Lord of the infinite, small to my comfort in my hand. Humility of Love that tender here lies low. White, trusting, full of care within my hand. So, in my hand lies God. Hoc est enim corpus meum.  us().style.display='';$(this).getParent().style.display='none';">less

Kodály Zoltán Andrés Aciar dirige al Grabación realizada en cassette 1987 Piano Susana Awad y Gustavo Aciar Versión para piano a 4 manos: Carlos Andrés Aciar Sonido original: Cassette.

Colloque Sentimental English version by S N Solomons after the poem by Paul Verlaine music for three altos a cappella, composed and performed by David W Solomons Colloque Sentimental - (translation by S N Solomons after Paul Verlaine) In the age-...  moreColloque Sentimental English version by S N Solomons after the poem by Paul Verlaine music for three altos a cappella, composed and performed by David W Solomons Colloque Sentimental - (translation by S N Solomons after Paul Verlaine) In the age-old park, treading the icy grass Two lone forms ere a while went past. Their eyes are dead, their lips are soft and moist, Almost inaudible their voice. In the cold lonely park, pacing the grass, Twin lonely spectres have evoked the past. "Dost thou recall our ecstasy of old?" "Why would you think I should recall?" "And at my name does thy heart pulse and grow? And in thy dreams seest thou my soul?" "No!" "Those lovely days of unheard bliss and free ... We fused our lips as one!" "Ah, that might be." "How blue the heavens and our hope how high!" "Hope has fled vanquished to the sombre sky." And so they wandered in the unkempt grass, And night alone heard all the words that passed.  us().style.display='';$(this).getParent().style.display='none';">less

Featuring the East Central University Chorale (Oklahoma) conducted by Dr. Steven Walker. Version for choir & full orchestra, looking for its world premiere !! Composed and orchestrated by Anthony Sylvestre. Digital sheet music available on the website...  moreFeaturing the East Central University Chorale (Oklahoma) conducted by Dr. Steven Walker. Version for choir & full orchestra, looking for its world premiere !! Composed and orchestrated by Anthony Sylvestre. Digital sheet music available on the website ASTURIA MusIC : https://www.asturiamusic.com. ♫ Facebook : https://www.facebook.com/anthonysylvestre.composer ♫ Subscribe for more : https://www.youtube.com/c/AnthonySylvestreComposer  

Composer/pianist Ola Gjeilo joins the CWU Chamber Choir (Gary Weidenaar, director) in presenting Gjeilo's "Ubi Caritas". In mid-April, 2011, Ola spent 3 days on the Central Washington University Campus for a project in which he joined the choir in reco...  moreComposer/pianist Ola Gjeilo joins the CWU Chamber Choir (Gary Weidenaar, director) in presenting Gjeilo's "Ubi Caritas". In mid-April, 2011, Ola spent 3 days on the Central Washington University Campus for a project in which he joined the choir in recording 3 of his compositions. On this video, Gjeilo adds an improvised accompaniment (in a one-take rendition) to his setting of the Ubi Caritas text -- which is published as an unaccompanied piece. Because of his view that improvising is a wonderful snapshot of artists "at that moment", the project was entitled "In the Moment".  us().style.display='';$(this).getParent().style.display='none';">less

Haneirot halalu (a Piece for Chanukah - Version for Men's Chorus) for Tenor Solo, TTBB Chorus unaccompanied Music by Stanley M. Hoffman (b. 1959) Traditional Hebrew Words Performed by The Golden Gate Men’s Chorus Conducted by Joseph Piazza ...  moreHaneirot halalu (a Piece for Chanukah - Version for Men's Chorus) for Tenor Solo, TTBB Chorus unaccompanied Music by Stanley M. Hoffman (b. 1959) Traditional Hebrew Words Performed by The Golden Gate Men’s Chorus Conducted by Joseph Piazza Sheet Music Words: Public Domain. Music and English Translation: © Copyright 2000 by Ione Press, Inc, a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Recording © Copyright 2019 by The Golden Gate Men’s Chorus.All rights reserved. used by permission of Joseph Piazza. Images By the Composer. Choral Conductors: to purchase copies of this score, The Catalog Number is 7688, And the distributor is Canticle Distributing. www.canticledistributing.com  us().style.display='';$(this).getParent().style.display='none';">less

Wedding Recessional last Feb. 8, 2014.

[this is a version of a post which first appeared on my blog From the Front of the Choir]   The average age of people who attend the choirs and workshops that I run must be around 50. I would say that about a third of any group is of retirement ag...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I was collecting money at a workshop recently (something I nearly always forget as I always get so carried away with the singing!) and somebody mention...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Somebody asked me the other day if I do workshops on songs from the musicals. I don't like musical theatre, so the answer was a resounding “No&rdquo...