Interpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cues...  moreInterpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) María la O: Cristina Ramos Pérez Niño Fernando: Manuel Matos Silva Percusión: Abiúd Sosa, Diego Cuesta, Samuel Medina Piano: Nauzet Mederos Escena y dramaturgia: Alicia Ramos y Tania Rodríguez Directora: Nikoleta S. Popova  

"Sanctus" ("Missa brevis") by Nancy Tefler Women´s Choir of Music Conservatory of Canary Islands Conductor: Nikoleta Popova https://www.facebook.com/pages/Coro-Femenino-del-Conservatorio-Superior-de-M%... http://corofemeninogc.wordpress.com/acerca...  more"Sanctus" ("Missa brevis") by Nancy Tefler Women´s Choir of Music Conservatory of Canary Islands Conductor: Nikoleta Popova https://www.facebook.com/pages/Coro-Femenino-del-Conservatorio-Superior-de-M%... http://corofemeninogc.wordpress.com/acerca-de/coro-del-CSMC/  

Interpretación de Lacrimosa de Calixto Álvarez por el Coro del Conservatorio Superior de Música de Canarias (GC). Solista: Cristina Ramos. Directora: Nikoleta Popova

Women´s Choir of Music Conservatory of Canary Islands - "Five Hebrew Love Songs" (SA) by Eric Whitacre Soloists: Cristina Ramos Pérez, Alicia Ramos Pérez Violin: Silvia Marrero Percussion: Gisela Rodríguez Piano: Nauzet Mederos Martín Dir: Nikoleta S. Popova

For the Longest Time - The Blue Notes´ Guys, CSMC Solo: Daniel Miranda

"Ergen Deda" by the bulgarian composer Petar Lyondev "Ерген деда" Петър Льондев Women´s Choir of Music Conservatory of Canary Islands Solo: Cristina Ramos Pérez, Alicia Ramos Pérez, Nerea Samino Conductor: Nikoleta Popova https://www.facebook.com/p...  more"Ergen Deda" by the bulgarian composer Petar Lyondev "Ерген деда" Петър Льондев Women´s Choir of Music Conservatory of Canary Islands Solo: Cristina Ramos Pérez, Alicia Ramos Pérez, Nerea Samino Conductor: Nikoleta Popova https://www.facebook.com/pages/Coro-Femenino-del-Conservatorio-Superior-de-M%C3%BAsica-de-Canarias-GC/387102787974444?ref=ts&fref=ts http://corofemeninogc.wordpress.com/acerca-de/coro-del-CSMC/  

Interpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) Solistas: Alicia Ramos Pérez, Daniel Miranda Santana Percusión: Abiúd Sosa, Diego Cuesta, Samuel Medi...  moreInterpretación de la zarzuela "María la O" de Ernesto Lecuona por el Coro del Conservatorio Superior de Música de Canarias (CSMC, Sede de Gran Canaria) Solistas: Alicia Ramos Pérez, Daniel Miranda Santana Percusión: Abiúd Sosa, Diego Cuesta, Samuel Medina Piano: Nauzet Mederos Escena y dramaturgia: Alicia Ramos y Tania Rodríguez Directora: Nikoleta S. Popova  

Interpretación de la obra "Rachenitsa" ("Ръченица") del compositor búlgaro Dobri Hristov (Добри Христов) por el Coro de Cámara del Conservatorio Superior de Música de Canarias. Dir: Nikoleta Popova

The Gadsen Correctional Facility (Quincy, FL) is a privately owned women’s correctional facility that houses approximately 1,530 prisoners for the Florida Department of Corrections.  Florida State University (Tallahassee) is comprised of 16 sep...

The Ateneo Chamber Singers (ACS) was formed in 2001 by graduating members of the Ateneo College Glee Club who had then just completed a very successful tour of Europe, bagging top prizes in Italy, Ireland, Slovenia, France, Germany and Hungary. Since then...  moreThe Ateneo Chamber Singers (ACS) was formed in 2001 by graduating members of the Ateneo College Glee Club who had then just completed a very successful tour of Europe, bagging top prizes in Italy, Ireland, Slovenia, France, Germany and Hungary. Since then, the ACS has established itself as a formidable presence in the Philippine musical landscape. Their unique specialization in sacred choral music has opened a richly eclectic mix of European, American and Asian choral literature that spans medieval to postmodern periods, traditional to contemporary styles, complex art music to highly-textured indigenous music, and moving sprituals to psalmody hewn out of traditional Asian musics. In 2006, the ACS made their mark abroad with Awit: The First ACS European Tour, representing the Philippines in two important choral events: the Polyfollia in France, a biennial international choral festival at Saint-Lo in La Manche, and the 38th Tolosa Choral Contest in Spain where they emerged as first prize winners in the polyphon...    less