POEM by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve c...  morePOEM by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth Of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting wind along, and flung My eager craft through footless halls of air . . . Up, up the long, delirious burning blue I’ve topped the wind-swept heights with easy grace Where never lark, or ever eagle flew — And, while with silent, lifting mind I’ve trod The high untrespassed sanctity of space, Put out my hand, and touched the face of God. www.latvianvoices.lv  less

"Maid in the Moor" is a setting of a medieval POEM. Written, filmed and edited by Michael McGlynn and performed by Anúna. From the DVD "Invocations of Ireland" and CD "Sensation". Soloist Aideen Rickard.

Setting by D W Solomons of a POEM by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a POEM by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less

Performed by mirabai, Sandra Snow, Artistic Director Leanne King, viola Judy Kabodian, piano

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved POEM by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved POEM by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical POEM about the meaning of Christmas.

“The Red Wheelbarrow,” an innovative environmental/imagist POEM I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fel...  more“The Red Wheelbarrow,” an innovative environmental/imagist POEM I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the POEM’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line. "The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text." Trevor Shaw, Inversion Ensemble AD  less

INVITATION TO LOVE is a setting by Greg Bartholomew for unaccompanied mixed choir (SATB) of the POEM by Paul Laurence Dunbar (1872 - 1906). Dunbar was born in Dayton, Ohio, and gained fame as a a poet, novelist and playwright. He wrote the lyrics for the ...  moreINVITATION TO LOVE is a setting by Greg Bartholomew for unaccompanied mixed choir (SATB) of the POEM by Paul Laurence Dunbar (1872 - 1906). Dunbar was born in Dayton, Ohio, and gained fame as a a poet, novelist and playwright. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway. INVITATION TO LOVE is also available for solo voice or unison chorus with piano accompaniment. Recording by Matthew Curtis & Sarah Brailey (Choral Tracks). For more information: www.gregbartholomew.com/invitationindex.html #MixedChoir #Choir #ChoralMusic  less

Performed by Stella Choir - REPERTOIRE OF SPRING 2024 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com You are my hope, like fresh rain in my hands, a strong breeze. You are like water from my fountain, a POEM, a guitar in the...  morePerformed by Stella Choir - REPERTOIRE OF SPRING 2024 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com You are my hope, like fresh rain in my hands, a strong breeze. You are like water from my fountain, a POEM, a guitar in the night, a horizon. You are like the water of my source. You are like a promise, a summer morning, a smile. Tu es mon espoir, comme la pluie fraîche entre mes mains, comme une forte brise. Tu es comme l'eau de ma source, comme un poème, une guitare dans la nuit, tu es mon horizon. Tu es comme l'eau de ma source, comme une promesse, un matin d'été, un sourire. Originally performed by : Mocedades Conducted by Jad Harjane Arranged by Jad Harjane Soloists : Hiba Kebdani , Najlae Biout , Achraf Mortaji , Kamal Daghmoumi Video directed by Mohammed Ben Yekhlef at LADABATEK , Tangier  less

"Climb" by Jake Runestad. POEM by Todd Boss. Performed live by the Larimer Chorale and Orchestra. Michael Krueger, artistic director. Jake Runestad, guest conductor.