Formed in 1966, by a gentleman named Idris Parfitt due to the demise of a small local Choir – The Wyllie Glee Party; Mynyddislwyn Male Choir takes its name from a local ancient parish/borough, with the design of its badge based upon a drawing of the Churc...  moreFormed in 1966, by a gentleman named Idris Parfitt due to the demise of a small local Choir – The Wyllie Glee Party; Mynyddislwyn Male Choir takes its name from a local ancient parish/borough, with the design of its badge based upon a drawing of the Church at Mynyddislwyn. Idris was adamant that there should be a male Choir in the Blackwood area and so advertised his intent to the local people. His campaign received a good response and led to a meeting being held by the interested parties with the Choir being formed in April of the same year. The design of the Choir's badge has changed a little since then with pupils from the local Libanus Primary School (where the Choir used to rehearse) entering a competition to design the new badge which is still in use today. The Choir has travelled widely over the years performing and raising lots of money for charitable causes wherever it goes. It has appeared in concerts at internationally recognised venues such as The Grand Hall at Eton College, The Royal Albert Hall (a...    less

God Bless The U.S.A Purdue Varsity Glee Club

ALERON first came into existence in 2006 as the alumni ensemble of the Ateneo de Manila High School Glee Club under the musical direction of Christopher Ong Arceo. Today, the group is composed of male choristers from different backgrounds: most of whom ha...  moreALERON first came into existence in 2006 as the alumni ensemble of the Ateneo de Manila High School Glee Club under the musical direction of Christopher Ong Arceo. Today, the group is composed of male choristers from different backgrounds: most of whom have contributed significantly to the growth of the Ateneo choral community. ALERON, being an all-male ensemble, is geared towards exploring the male choral soundscape. Through innovative programming and the performance of repertoire across musical styles and genres, the group aims to deliver to its audiences a diverse and unique choral experience. ALERON envisions to broaden the all-male choral genre by continuously premiering new works of select resident composers and arrangers throughout its concert seasons. ALERON has recently been making waves in the Philippine choral scene, most notably with its First Prize distinction in the Vocal Ensemble Category of the 1st Andrea O. Veneracion International Choral Festival, Manila in August 2013, serving as the gro...    less

"Dragana i slavei" ("Драгана и славей") del compositor búlgaro Filip Kutev (Филип Кутев) interpretado por el Coro Femenino del CSMC (GC)

Interpretación de la obra "Ave Maria" del compositor Cesar Alejandro Carrillo por el Coro femenino del Conservatorio Superior de Música de Canarias (Gran Canaria).

Arrangement: Mack Wilberg Performed by Universitair Koor Antwerpen at their Spring Concert "Blast From The Past" on May 12, 2015.

A tender pastoral part song (or "Glee") by William Paxton based on the poem by Ambrose Philips.

Improvisation by the dwsChorale http://ww.dwsolo.com A silly a-cappella number based on an idea from an old epigram "Scylla is toothless". Scylla becomes a vintage headmaster in this version but the results are similar. My old headmaster hasn`t got...  moreImprovisation by the dwsChorale http://ww.dwsolo.com A silly a-cappella number based on an idea from an old epigram "Scylla is toothless". Scylla becomes a vintage headmaster in this version but the results are similar. My old headmaster hasn`t got one tooth But he had teeth enough back in my youth He told me off then every single day But now his tongue has worn his teeth away! Original unattributed epigram: On an old Scold Scylla is toothless, yet, when she was young She had both teeth enough and too much tongue. What shall we, then, of toothless Scylla say But that her tongue has worn her teeth away?  less

Anonymous catch in 4 equal voices based on peals of bells from "The Catch Club or Merry Companions", published in 1731. I have added some lower voices at the octave for better resonance.

Women´s Choir of Music Conservatory of Canary Islands (Gran Canaria) Soloists: Cristina Ramos, Daniel Miranda, Héctor de Armas, Silvia Zorita, Tania Rodríguez, Noemí Tadeo Dir.: Nikoleta S. Popova https://www.facebook.com/pages/Coro-Femenino-del-Cons...  moreWomen´s Choir of Music Conservatory of Canary Islands (Gran Canaria) Soloists: Cristina Ramos, Daniel Miranda, Héctor de Armas, Silvia Zorita, Tania Rodríguez, Noemí Tadeo Dir.: Nikoleta S. Popova https://www.facebook.com/pages/Coro-Femenino-del-Conservatorio-Superior-de-Música-de-Canarias-GC/387102787974444?fref=ts http://corofemeninogc.wordpress.com http://nikoletapopova.wordpress.com