Muzaria bring to you the studio edition of the Christmas classic Little Drummer Boy, featuring Musical Director Darren Bartlett. #LittleDrummerBoy #Muzaria #DarrenBartlett www.darrenbartlett.co.uk Copyright DMB MUSIC 2000-2019 www.muzaria.com

The Choir were performing at the Melodies in May concert on May 17 2013. Conductor Antoinette Baker, Accompanist Ann Healy-Mayes. Video recording by James Walsh. Danny Boy is adapted from a traditional Irish air with words written by Fred E. Weatherly. A...  moreThe Choir were performing at the Melodies in May concert on May 17 2013. Conductor Antoinette Baker, Accompanist Ann Healy-Mayes. Video recording by James Walsh. Danny Boy is adapted from a traditional Irish air with words written by Fred E. Weatherly. Arrangement by Ruth L. Hausman.  

Registrazione autonoma presso l'Abbazia di Villanova di San Bonifacio (VR) Italy Gennaio 2014.

A TTBB setting of the poem by Sarah Orne Jewett. "A Country Boy in Winter" by American poet Sarah Orne Jewett (1849-1909) appeared in Harper's Young People for January 24, 1882. The setting for men's chorus was completed in August 2001 and is dedicat...  moreA TTBB setting of the poem by Sarah Orne Jewett. "A Country Boy in Winter" by American poet Sarah Orne Jewett (1849-1909) appeared in Harper's Young People for January 24, 1882. The setting for men's chorus was completed in August 2001 and is dedicated to William Rust Bartholomew. The premiere performance took place at the 2004 Society of Composers National Conference.  

"Komm, Jesu, komm" Johann Schelle (1648-1701) Flos Campi La Monarca Baroque Ensemble Vicente Chavarria, Artistic Director From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA

AN IRISH BLESSING Music by Alejandro D. Consolacion II Based on the theme from the movie "Il Postino" by Luis Enriquez Bacalov Humans are subject to being relational with one another. With this, one of the horrors the Covid-19 pandemic has caused is...  moreAN IRISH BLESSING Music by Alejandro D. Consolacion II Based on the theme from the movie "Il Postino" by Luis Enriquez Bacalov Humans are subject to being relational with one another. With this, one of the horrors the Covid-19 pandemic has caused is the shutdown of all possible aspects of normal human interaction, and choral singing and rehearsals for the same are no exemption to the new rule. This does not mean, however, that distance defeats the purpose of creating harmony, especially in music. It is in this light that I formed a virtual choir from my group, CANTUS, as well as other friends from various music communities. This is the product of a team effort: the singers, the pianist, the video and audio editor; you name it. Technology has given us all kinds of possibilities. But again, no words can ever express how much we miss seeing each other, teasing each other, laughing with each other, and most of all, singing with each other; simply put, just being together. The music behind this benedic...    less

A brilliant end to the first half of our October concert! : )

A Remembrance for those who lost their lives during the outbreak. Tomás Luis de Victoria - Jesu Dulcis Memoria Swara vocal ensemble Ivan Yohan, conductor

Reading A440 Choir sings A Boy and A Girl by Eric Whitacre under direction of Stephen Tyler. Recorded October 2013 at St Martin's Church, East Woodhay, Berks. http://www.440choir.com http://facebook.com/a440choir

Domine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  moreDomine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents in music of the Americas. Musically educated in the classical tradition, he began teaching at 12 and writing at age 16. He reached the rank of Master of the Royal Chapel (most important post for a musician in Brazil Cologne) appointed by King John IV and conducted the first performances of Mozart’s "Requiem" and Haydn’s "Creation" in Brazil. Poor, mulatto, losing his father early and being educated with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origin in a family of slaves.  less