[A version of this article first appeared as a post on my blog From the Front of the Choir]   Rather than everyone singing all the time, many Choirs ring the changes by creating smaller ensembles within the larger choir or have occasional solo...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I’m always on the lookout for new songs to use with my singing workshops and Choirs.   Sara Bareilles in concert by Anirudh Koul   Th...

From July 15th to 19th 2020, Vienna, the music capital of the world, will be once again the stage for children and youth Choirs from all around the world. Under the slogan "Coming together to sing, singing for a better future", the young participants will...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Do you have to be able to read music to sing? Lots of people believe so and are put off joining Choirs, or even singing at all, as a result.   &n...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   There are times in most Choirs when a soloist or a small ensemble is required. These roles can be allocated by the MD but in many cases singers are a...

Since 2005 Rome has been the host city for  Choirs, singers and choral music lovers at our events from all over the world. It is a special place to share the idea of coming together and find yourselves in melodies in eternal city. Inspired by a vibra...

Chorus and music academy for adults (18+).

Over 50 members. Founded by its conductor Reyes Duarte.

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less