El Coro está dirigido por el Maestro Arturo Hernández desde 1992. Ha ofrecido cerca de 400 presentaciones. Lo forman estudiantes de las especialidades que ofrece la Universidad de Piura (Perú). Se inician en el canto polifónico postulando primero a la Cor...  moreEl Coro está dirigido por el Maestro Arturo Hernández desde 1992. Ha ofrecido cerca de 400 presentaciones. Lo forman estudiantes de las especialidades que ofrece la Universidad de Piura (Perú). Se inician en el canto polifónico postulando primero a la Coral Universitaria, por donde han pasado cerca de mil jóvenes diferentes en los últimos 15 años. Los más destacados, son admitidos en el Coro, donde se perfeccionan a través de ensayos semanales, bajo la dirección del Maestro Hernández. Normalmente actúan entre 35 y 50 jóvenes, que saben armonizar su tiempo de clases y estudio con los ensayos. Desde 1989 el Coro y la Coral son promovidos por el Dr. Luis Eguiguren Callirgos. "Coro UDEP" is conducted by Maestro Arturo Hernández since 1992. It has offered over 400 presentations. It is made by students of the specialties offered by the University of Piura (Peru). They start in the polyphonic singing, first postulating "Coral Universitaria", which has trained nearly a thousand young people in the...    less

In this electro-acoustic piece, Davidson applies a microscope to sound. Using the words "we apologise" from then-Australian Prime Minister Kevin Rudd's historic 2008 apology to aboriginal Australians for past mistreatment, Davidson creates a beautiful sou...  moreIn this electro-acoustic piece, Davidson applies a microscope to sound. Using the words "we apologise" from then-Australian Prime Minister Kevin Rudd's historic 2008 apology to aboriginal Australians for past mistreatment, Davidson creates a beautiful soundscape by slowing the audio down by 250 times, the approximate ratio of aboriginal to modern presence in Australia. We use our voices to imitate this slow version. We then speed up the recording 250 times to see if we can hear Kevin Rudd's voice re-emerge. The result surprised us all!  less

The fusion of music, learning and internationalism forms the cornerstone of the IFC. We are an adult all-volunteer Chorus with a membership that spans nationalities, generations and professions — united by a passion for music and singing. Some of our ...  moreThe fusion of music, learning and internationalism forms the cornerstone of the IFC. We are an adult all-volunteer Chorus with a membership that spans nationalities, generations and professions — united by a passion for music and singing. Some of our members have had a lifetime of music and choral experience; others are only just beginning to discover the joy of singing. Whichever stage our members are experiencing in their personal musical journeys, the IFC is filled with enriching opportunities to learn and grow both as musicians and as individuals. The IFC is committed to sharing our love for music and choral singing with the community through two formal concerts a year and additional performances at private and public events.  less

Christmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), C...  moreChristmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), Christine von Förster, Roswitha Frost, Claudia Hennen, Corry Kok, Anja Meksem, Barbara Meyer zum Wischen, Priska Mielke, Ingrid Müller, Sarah Neusel, Maxime Oeburg, Sigrid Roggatz, Stefanie Schlösser, Katrin Witzel, Sopran Yasemin Becker, Maria Biehl, Renate von Bonin, Leonie Drews, Ursula Gurski, Eva Marleen Hecker, Sonja Helms, Anke Hoffmann, Alice Keuken (a.G.), Sibylle Kiock, Barbara Kuster, Anne Pfeiffer, Inge Ramm, Eva Schlu-Kröpelin, Dorle Schubert, Barbara Siefker (a.G.), Dagmar Smernic, Heike Sprunk, Linda Stenzel, Yvonne Welling (a.G.), Magdalena Wochnik (a.G.) Alt Joachim Bertsch (a.G.), Jörg Biegus, Christoph Hamborg, Michael Mayer, Matthias Velten (a.G.), Gertrud Wilhelm, Tenor Alexander Blicker-Dielmann, Bernd Hellmich, Michael Kolvenbach (a.G.),...    less

The Real Group was formed by five singers at the Royal Academy of Music and has been a professional ensemble since 1989 with apr 2700 concerts worldwide and 25 albums some of them gold or platinum. Original members: Margareta Bengtson, Katarina Henryson, ...  moreThe Real Group was formed by five singers at the Royal Academy of Music and has been a professional ensemble since 1989 with apr 2700 concerts worldwide and 25 albums some of them gold or platinum. Original members: Margareta Bengtson, Katarina Henryson, Anders Edenroth, Peder Karlsson and Anders Jalkéus. Later members: Emma Nilsdotter, Morten Vinther, Janis Strazdins, Lisa Östergren and Anton Forsberg.  

Anuna perform "Jerusalem", arranged by Michael McGlynn. Soloists Monica Donlon and Sinead McGoldrick. This performance is featured on the DVD "Celtic Origins" available from www.anuna.ie. This track also featured in this arrangement on the SHOWTIME produc...  moreAnuna perform "Jerusalem", arranged by Michael McGlynn. Soloists Monica Donlon and Sinead McGoldrick. This performance is featured on the DVD "Celtic Origins" available from www.anuna.ie. This track also featured in this arrangement on the SHOWTIME production "The Tudors" throughout the second season finale.  

The Oratorio Society of New York, the second oldest cultural organization in New York City, has been part the city's musical life since 1873. The Society's 200 members come from all walks of life to volunteer their time for the joy of making music togethe...  moreThe Oratorio Society of New York, the second oldest cultural organization in New York City, has been part the city's musical life since 1873. The Society's 200 members come from all walks of life to volunteer their time for the joy of making music together. In addition to its concert programs, the Society works to further oratorio singing and provides young singers with the opportunity to advance their careers through the annual Lyndon Woodside Oratorio-Solo Competition.  

North Sky Chorale (Peter Hooge, solo) presented a deeply moving performance of U2's "MLK" in November 2024 in Saskatoon, SK https://www.northskychorale.ca

The vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield ...  moreThe vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield raves, “Octarium’s ability to change the nuance of their tone and timbre without disrupting the flow of the music enables them to pack their performances with riches without ever over-reaching for their effects.” At each presentation, Octarium offers the polished choral sonority and embodiment of the philosophy, “Eight Singers, One Voice” for which the ensemble has become well-known and respected. The Riverfront Times writes that the “eight members of Octarium go beyond raising their voices together in song; their voices warp and weave together, coalescing as a single instrument of tremendous power and depth. Octarium wields this might gracefully, never overpowering, opting instead to revel in the pliancy of the human voice.” In addition to a Kansas City-a...    less

Winner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New ...  moreWinner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New York City in 2008 by Artistic Director Vince Peterson, the organization now encompasses: a roster of professional ensemble singers, a volunteer chorus of 40-50 adults and an annual week-long Summer Institute in Brooklyn for composers and conductors. The culture of the organization marries informality, loving support and joyful curiosity, with the expectation of solid and technical musicianship, constant learning and openness toward the unexpected.  less