64th Annual Choir Festival Dr. Joseph M. Martin, Conductor Dr. Gordon Turk, organ Great Auditorium Brass Ensemble July 8, 2018 Filmed and Edited by Quinton Tramm

Il coro che non c'è (formato da ragazzi provenienti dai cori Dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da Dodo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria d...  moreIl coro che non c'è (formato da ragazzi provenienti dai cori Dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da Dodo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria di Bepi De Marzi in occasione della rassegna corale "Not(t)e di Natale" organizzata dal gruppo corale Entropie Armoniche. Per le riprese si ringraziano Nora Schrenk, Vincenzo Pinna e Claudia Gili.  

Very new group full of hard working singers

This setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “the Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. the oratorio was...  moreThis setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “the Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. the oratorio was first performed in Manchester Cathedral in 1994. This psalm forms the climax of the whole cantata and provides an expression of optimism after the tragedies of the previous sections. In this “extracted” version, the tragic surroundings of the history remain in the background and the purebubbling joy of the psalm itself shines forth. Enjoy the complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of the piece and will, I hope, encourage other church choirs and concert choirs to consider including it in their repertoire.  less

On Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat re...  moreOn Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat repetitive, but as the day progressed to the early afternoon I found that I was also inspired (I even missed lunch!). the piece varies in mode from D Dorian to A Aeolian. the performance is by me (multi-tracking).  

Written for the 2023 Ocean Grove Choir Festival Robert Cohen, Composer/Ronald Cadmus, Text Recorded on the 69th Annual Ocean Grove Choir Festival July, 9, 2023 the Great Auditorium (Ocean Grove, NJ Jason C. Tramm, Conductor Dr. Gordon Turk, Orga...  moreWritten for the 2023 Ocean Grove Choir Festival Robert Cohen, Composer/Ronald Cadmus, Text Recorded on the 69th Annual Ocean Grove Choir Festival July, 9, 2023 the Great Auditorium (Ocean Grove, NJ Jason C. Tramm, Conductor Dr. Gordon Turk, organ the Ocean Grove Festival Choir for more information on the music program of Ocean Grove, Please visit: https://www.oceangrove.org/great-auditorium-choir  

Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. the text centres on a well-know whakatauki or ...  moreTakerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. the text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragments of the final section of the work – a mighty invocation of the whakatauki.  less

This is a setting of a poem by the Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. the poem is a response to the 8th "O Antiphon" for Advent

Music and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "the Redemption"...  moreMusic and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "the Redemption" 5. Dealing with Disappointment (Spoken Word) 6. Who Will Buy? from "Oliver!" 7. Thou Lovely Source of True Delight Dealing with Disappointment Every life needs aspirations—along with goals to help us achieve them. Our goals can be like the banks of a river, guiding the flow of our ambitions. Making plans and striving to accomplish them helps channel our efforts and energies toward the things that matter most to us. But what about when we fail? How do we respond when, despite our earnest efforts, we don’t quite reach those high aspirations? In short, how do we deal with disappointment? the natural response is to feel discouraged, disheartened. It might seem that all our planning and work were wasted. We may even question our aspirations—were our ...    less