Performed by Quinta Divina from Sombor, Serbia, during their first CD recording.

The Southend Boys' Choir was formed in 1972 and the Girls' Choir in 1988. The choirs perform regularly in major London venues including Royal Albert Hall, and sing with professional orchestras. They also tour extensively, and have performed in US, Canad...  moreThe Southend Boys' Choir was formed in 1972 and the Girls' Choir in 1988. The choirs perform regularly in major London venues including Royal Albert Hall, and sing with professional orchestras. They also tour extensively, and have performed in US, Canada, Australia, Singapore, Seychelles and across Europe. We welcome visiting choirs and enjoy joining with other youth choirs in concerts. We have a training choir for younger singers, and a choir for boys whose VOICES have changed.  

The BSRU Concert Choir is the largest Vocal Ensemble in the BSRU Voice and Choral Studies Program at the College of Music, Bansomdejchaopraya Rajabhar University, Bangkok, Thailand. The choir is directed by Dr Casey Broadway.

Just a tip of the Iceberg! The wait is finally over, Canzona is Here! Gloria!!! Gloria!!! We Sing, In Praise Of God's Goodness. Music: Sognore di Volare (Civilization VI theme) by Christopher Tin. Tickets are available for purchase. Save the ...  moreJust a tip of the Iceberg! The wait is finally over, Canzona is Here! Gloria!!! Gloria!!! We Sing, In Praise Of God's Goodness. Music: Sognore di Volare (Civilization VI theme) by Christopher Tin. Tickets are available for purchase. Save the date - June 12th, 2021. It's gonna be Huge, it's gonna be Breathtaking. For adverts placement and sponsorship packages please contact: 09037703944 . . #CanzonaXII #InPRAGG #goldenVOICESchoir #staccfuto #thepraiseconcert #laudem #musica #InPraiseOfGod'sGoodness #LetGodsmercyguideUs  less

The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists a...  more The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists and serve as a tool for new and established composers specially from the Rias Baixas area. The choir already has more than sixty performances, both self-managed and scheduled in various cycles or festivals such as Outono Lírico, Vigo Sinfónico, Barcia de Mera Religious Music Series, Nas Ondas, Portico Sonoro, Explurart, Cooltural Cambados and II Festival Groba. In these performances they have interpreted several fundamental works of the choral repertoire in all kind of stages of the four Galician provinces, both a capella and with instrumental accompaniment. Samples of these are Petite Messe Solennelle by G. Rossini (version for two pianos), the Requiem in C minor by L. Cherubini, Music for the funeral of Queen Mary by H. Purcell, Mass in D major by A. Dv...    less

In stiller Nacht (aus Wales, Arr. S. Fieser) FrauenEnsemble „Vocal orange“, Salzburg Dirigent: Arūnas Pečiulis Recording: Tonstudio Martin, Bad Reichenhall Die CD „Weihnacht in Orange“ ist erhältlich unter www.Vocal-orange.at The CD „Christmas ...  moreIn stiller Nacht (aus Wales, Arr. S. Fieser) FrauenEnsemble „Vocal orange“, Salzburg Dirigent: Arūnas Pečiulis Recording: Tonstudio Martin, Bad Reichenhall Die CD „Weihnacht in Orange“ ist erhältlich unter www.Vocal-orange.at The CD „Christmas in Orange“ is now available!  

Innismara, meaning "island in the sea" in Irish Gaelic, is an autonomous Vocal chamber Ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to th...  moreInnismara, meaning "island in the sea" in Irish Gaelic, is an autonomous Vocal chamber Ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to the performance of the intimate and hidden treasures of the Vocal Ensemble repertoire. Well-known for specializing in sacred and secular music of the Renaissance and Baroque eras, Innismara also enjoys experimenting with contemporary, pop, jazz and spiritual arrangements as well as exploring the rich folk music of Newfoundland and Labrador.  less

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask thee to stay Close by me forever, and love me I pray. Bless all the dear children in thy tender care, And take us to heaven to live with thee there. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityEnsemble.eu  less

Performed and Recorded Live by VOICES of Concinnity October 24, 2021 “Sweetheart of the Sun" Composed by Eric William Barnum Text from “Ruth” by Thomas Hood Text: She stood so fair amid the corn Clasped by the golden light of morn Like the swe...  morePerformed and Recorded Live by VOICES of Concinnity October 24, 2021 “Sweetheart of the Sun" Composed by Eric William Barnum Text from “Ruth” by Thomas Hood Text: She stood so fair amid the corn Clasped by the golden light of morn Like the sweetheart of the sun Who many a glowing kiss had won   On her cheek an autumn flush Deeply ripened;—such a blush In the midst of brown was born Like red poppies grown with corn   Round her eyes her tresses fell Which were blackest none could tell But long lashes veiled a light That had else been all too bright And her hat, with shady brim Made her tressy forehead dim;— Thus she stood amid the stooks Praising God with sweetest looks:—   Sure, I said, heaven did not mean Where I reap thou shouldst but glean Lay thy sheaf adown and come Share my harvest and my home VOICES OF CONCINNITY Sarah Kaufold, Artistic Director Singers: Bruce Barger, Erin Bartram, Liz Bologna, Chris Hartel, Kara Hart, Brian Jones, Sarah Kaufold, Michael McAvaney, Da...    less

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    less