The Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful pe...  moreThe Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful performance opportunities, recordings and a touring program. Brisbane Birralee Voices is acknowledged on home shores and abroad as one of Australia's finest children's choirs. The program encourages young singers to develop their Vocal technique and attain musical excellence and there is a strong focus on nurturing the individual in a broader sense. In addition to the excitement of achieving high artistic goals and the personal enrichment experienced by each member, there is an emphasis placed on the benefits of sharing their gift of music with others and the intrinsic value of music within society. This helps develop generosity of spirit, tolerance and acceptance of cultural diversity. They meet the demands of their performance and touring schedule by ha...    less

"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck'...  more"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck's Hof". http://www.Ensemblenobiles.de https://www.facebook.com/Ensemblenobiles --------------------------------------------------------------- TEXT (1., 2. und 5. Strophe): In einem kühlen Grunde da geht ein Mühlenrad; |: Mein' Liebste ist verschwunden, Die dort gewohnet hat. :| Sie hat mir Treu versprochen, Gab mir ein'n Ring dabei; |: Sie hat die Treu gebrochen, Mein Ringlein sprang entzwei. :| Hör ich das Mühlrad gehen, Ich weiß nicht, was ich will, |: Ich möcht am liebsten sterben, Da wär's auf einmal still. :|  less

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask thee to stay Close by me forever, and love me I pray. Bless all the dear children in thy tender care, And take us to heaven to live with thee there. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityEnsemble.eu  less

Nuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", pro...  moreNuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", programa estrenado el pasado 27 de junio en Espacio Santa Clara, Sevilla. www.a5VocalEnsemble.com Video Autor: Johan Hallberg-Campbell https://vimeo.com/user3072169 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/) Ver menos  less

'Song for Canada' by Paul Halley arranged by Lawrence Green Cantores Celestes Women's Choir. Directed by Kelly Galbraith Kate Carver, piano Anne Lindsay, violin Tony Quarrington, guitar Stuart Laughton, trumpet Jordan O'Connor, bass April 22, 201...  more'Song for Canada' by Paul Halley arranged by Lawrence Green Cantores Celestes Women's Choir. Directed by Kelly Galbraith Kate Carver, piano Anne Lindsay, violin Tony Quarrington, guitar Stuart Laughton, trumpet Jordan O'Connor, bass April 22, 2017 'Sing Sea to Sea' LIVE CONCERT  

"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12,...  more"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12, 2019 in Lawrence Memorial Chapel under the direction of Dr. Phillip A. Swan. Foreward: Santiago Veros wrote Almas de Barro at the age of 19, dedicating it to a young woman who at the time was shy and with whom he rarely talked. This piece intimately describes the moments during music theory classes when the two would look at each other continuously, youthfully, and silently, as if unable to do anything else. The piece, written as a counterpoint assignment, was intended to be performed during music theory class as a declaration of love. The idea was to make a musical representation of those moments. The piece begins without words, the voices representing youthful looks. They come together and occasionally dodge each other to highlight the discomfort ...    less

Schola Cantorum on Hudson was founded as a choral Ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of...  moreSchola Cantorum on Hudson was founded as a choral Ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of such seasonal themes as ‘freedom’ and ‘healing’ and ‘our mother earth;’ and in presentation of mostly new music in a way that is accessible. Our educational programs reflect this belief by training emerging professionals, planting seeds within young people for a lifetime of music involvement, and growing the skills of our own members. Our commitment to new choral music reflects this belief even beyond our substantial performance commitment through Project Encore™ and our Featured Composer Program. Substantially more than a singing group, SCH is unique in many respects that reflects both a breadth and a depth that bespeaks the full meaning of a ‘schola’ (‘school’).  less

To What a wondeful world είναι δημιουργία των George Weiss George Douglas και το ερμήνευσε πρώτη φορά ο Louis Amstrong το 1967.

The video recorded Plaisir Ensemble amazing musical journey in Hoi An, Vietnam

The Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have neve...  moreThe Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have never found before, Do you know how much you tell In the meeting of our eyes, How ashamed I am, and sad To have pierced your poor disguise? Secrets rushing without sound Crying from your hiding places — Let me go, I cannot bear The sorrow of the passing faces. — People in the restless street, Can it be, oh can it be In the meeting of our eyes That you know as much of me?  less