Ottawa Choir, The Stairwell Carollers, perform "I Love, Alas I Love Thee" by Thomas Morley (1557 - 1602), an English composer, theorist, editor and organist of the Renaissance. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website h...  moreOttawa Choir, The Stairwell Carollers, perform "I Love, Alas I Love Thee" by Thomas Morley (1557 - 1602), an English composer, theorist, editor and organist of the Renaissance. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 1st, 2013. Videographers: Valérie Auger-Voyer, Kevin Millington. Editing: Pierre Massie  

A Remembrance for those who lost their lives during the outbreak. Tomás Luis de Victoria - Jesu Dulcis Memoria Swara vocal ensemble Ivan Yohan, conductor

Den přeslavný (Christmas folk song), conductor: Daša Karasová, arranger: Petr Janovský

Members of the Seton Hall University Chorus Jason C. Tramm, Director of Choral Activities Alexandra Beliakovich, Piano Brendan McHugh, Percussion Jason Tramm, Bass Guitar Quinton Tramm, Audio/Video Engineering Recorded: April 2021

A New Eaarth for Orchestra, Chorus & Narrator [35'00"] Robert Paterson, Composer Bill McKibben, Narrator VYOA, Jeffrey Domoto and Jeffrey Buettner, Conductors To perform this with your orchestra and chorus, contact Bill Holab Music: http://www.billh...  moreA New Eaarth for Orchestra, Chorus & Narrator [35'00"] Robert Paterson, Composer Bill McKibben, Narrator VYOA, Jeffrey Domoto and Jeffrey Buettner, Conductors To perform this with your orchestra and chorus, contact Bill Holab Music: http://www.billholabmusic.com Choral movements may be performed a cappella with piano. For More Info: Robert Paterson: http://www.robpaterson.com Bill McKibben: http://www.billmckibben.com  

Cantores Celetes Women's Choir The Foggy Hogtown Boys Kelly Galbraith, Director from the recording 'The Circle Never Ends' www.cantorescelestes.com www.facebook.com/CantoresCelestes twitter.com/Cantores_Choir www.youtube.com/uses/cantorescelestes

Sister Act Medley: Hail Holy Queen, I Will Follow Him, Shout InDonnation Female Vocal Ensemble Piano Froso A. Ktistaki Choreography Faye Soukou Conductor Dimitris Ktistakis May 11, 2013, Larissa Greece

Cantores Celestes Women's Choir Kelly Galbraith ~ Director Dec 2, 2017 Tamieka Evans - Soprano soloist Hilary McCrimmon -Alto soloist Adanya Dunn ~ Soprano soloist Kate Carver ~ piano Matthew Coons ~ organ Emperor Quartet: Jef ten Kortenaar & ...  moreCantores Celestes Women's Choir Kelly Galbraith ~ Director Dec 2, 2017 Tamieka Evans - Soprano soloist Hilary McCrimmon -Alto soloist Adanya Dunn ~ Soprano soloist Kate Carver ~ piano Matthew Coons ~ organ Emperor Quartet: Jef ten Kortenaar & Clare Pellerin, violins Kathleen Kajioka, viola Stephen Buck, cello www.cantorescelestes.com Dec 2, 2017  

A member of the Ministry of Liturgical Music - Mary Immaculate Parish - Moonwalk Village, Talon Singko, Las Piñas City 1747. Sings all Sundays @ 5:15 PM. We sing to inspire and help the congregation with prayer and worship through the celebration of t...  moreA member of the Ministry of Liturgical Music - Mary Immaculate Parish - Moonwalk Village, Talon Singko, Las Piñas City 1747. Sings all Sundays @ 5:15 PM. We sing to inspire and help the congregation with prayer and worship through the celebration of the liturgical mass... 1985 - present  

Domine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  moreDomine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents in music of the Americas. Musically educated in the classical tradition, he began teaching at 12 and writing at age 16. He reached the rank of Master of the Royal Chapel (most important post for a musician in Brazil Cologne) appointed by King John IV and conducted the first performances of Mozart’s "Requiem" and Haydn’s "Creation" in Brazil. Poor, mulatto, losing his father early and being educated with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origin in a family of slaves.  less