Live recording of "Iny Hono Izy Ravorona", a well-known lullaby from the central area of Madagascar, rearranged by ICanto Vocal Ensemble and premiered on December 2019 during the choir's concert. Iny hono izy ravorom-bazaha, Ento manaraka anao any a...  moreLive recording of "Iny Hono Izy Ravorona", a well-known lullaby from the central area of Madagascar, rearranged by ICanto Vocal Ensemble and premiered on December 2019 during the choir's concert. Iny hono izy ravorom-bazaha, Ento manaraka anao any an-tsaha. Ento misidina ambony, Rehefa mangina havereno ...  

De profundis, for Symphonic Orchestra, choir and Soli. Composed and orchestrated by Michele Josia. Logatec GS Symphonic Orchestra; Marijan Grdadolnik, conductor; coro Città di Roma, Mauro Marchetti, conductor. Klemen Siberl, bariton; Nina Kompare - Volas...  moreDe profundis, for Symphonic Orchestra, choir and Soli. Composed and orchestrated by Michele Josia. Logatec GS Symphonic Orchestra; Marijan Grdadolnik, conductor; coro Città di Roma, Mauro Marchetti, conductor. Klemen Siberl, bariton; Nina Kompare - Volasko, sopran. Slovenian Philharmonic Hall, Ljubljana, Slovenia.  

Requiem Aeternam by Franco Dominutti, extracted from CD Vox Carniolus Live, Skupaj/Insieme. 2011 Komorni Zbor Vox Carniolus conducted by Michele Josia (2005-2010) Requiem Aeternam by Franco Dominutti performed at the 9th Maribor International choir C...  moreRequiem Aeternam by Franco Dominutti, extracted from CD Vox Carniolus Live, Skupaj/Insieme. 2011 Komorni Zbor Vox Carniolus conducted by Michele Josia (2005-2010) Requiem Aeternam by Franco Dominutti performed at the 9th Maribor International choir Competition 2008, Union Hall. Live recording.  

The concert "ACH! PG CarnivaLesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of...  moreThe concert "ACH! PG CarnivaLesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of popular pop music hits. During the performance we heard choral arrangements of hits such as: "Dancing Queen", "Memory", "California Dreamin'" and "Maria". This time it was not Mozart or Bach, but ABBA, Queen and songs from the musical West Side Story that graced the walls of the Gdansk University of Technology in carnivaLesque musical artistic creations. Jazz musicians performed along with the choir, and the musical effects were accompanied by a unique lighting arrangement, which required appropriate space and audience arrangement. The more-than-hour-long performance by the Academic choir of the Gdańsk University of Technology, conducted by Prof. Mariusz Mróz and accompanied by musicians from the Music Academy in Bydgoszcz, ended with joint singing, encores and a standing ovation.  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

PoliRock; It is Turkey's first rock choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus&quo...  morePoliRock; It is Turkey's first rock choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus". As a Corporate Motivation product, Tolga Gülen has been working with companies on PoliPop since 2011. Deciding to offer PoliPop outside of corporate participation, it was implemented within the body of "Kadıköy Municipality Volunteer Counseling and Training Center". PoliRock, together with PoliPop, became Turkey's second modular Chorus project. There is no notation and exam system in PoliRock. Tolga Gülen has been using his own song learning technique that he developed during his work with corporate companies for years. PoliRock is open to the participation of anyone who wants to sing. "PoliRock" is a Tolga Gülen and Imelda Amber Gülen project.  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Artistic Director Erick Lichte leads the men of Chor Leoni, pianist Ken Cormier, and violinist Cameron Wilson in this arrangement by K. Lee Scott of Fauré's beloved work. Recorded live at our March 23, 2013 Chor Leoni & Friends concert at the Chan Cent...  moreArtistic Director Erick Lichte leads the men of Chor Leoni, pianist Ken Cormier, and violinist Cameron Wilson in this arrangement by K. Lee Scott of Fauré's beloved work. Recorded live at our March 23, 2013 Chor Leoni & Friends concert at the Chan Centre for the Performing Arts at UBC, Vancouver. This track is available on the choir's self-titled CD, Chor Leoni, and is also available on iTunes http://bit.ly/buy_on_iTunes  

Alla Polacca choir performing Zasło słońce, zasło composed by Szymon Godziemba-Trytek Anna Bednarska - conductor Anna Hop - choreography Piotr Woźniakiewicz - KtVideo Recorded at the Witold Lutosławski Concert Studio in Warsaw, 4 November 2018 ...  moreAlla Polacca choir performing Zasło słońce, zasło composed by Szymon Godziemba-Trytek Anna Bednarska - conductor Anna Hop - choreography Piotr Woźniakiewicz - KtVideo Recorded at the Witold Lutosławski Concert Studio in Warsaw, 4 November 2018 Chór Alla Polacca Zasło słońce, zasło - Szymon Godziemba-Trytek Anna Bednarska - dyrygent Anna Hop - choreografia Piotr Woźniakiewicz - KtVideo Studio Koncertowe Polskiego Radia im. W. Lutosławskiego 04.12. 2018, godz. 18.00 ,, Mozaika Chóralna” NARODOWE ŚPIEWANIE w Warszawie Narodowe Centrum Kultury Narodowe forum Muzyki Akademia Chóralna – Śpiewająca Polska  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  Less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">Less

Sim Shalom (Grant Peace) by Gilad Hochman, based on the Jewish bLessing. Azi Schwartz, Cantor | RIAS Kammerchor | Justin Doyle, Conductor Full online album: https://pasyn.org/resources/music-pas/heritage Commissioned by Park Avenue Synagogue, NY...  moreSim Shalom (Grant Peace) by Gilad Hochman, based on the Jewish bLessing. Azi Schwartz, Cantor | RIAS Kammerchor | Justin Doyle, Conductor Full online album: https://pasyn.org/resources/music-pas/heritage Commissioned by Park Avenue Synagogue, NYC. Score available over: www.giladhochman.com/vocal-scores