Teddington Choral Society and its Musical Director, Julian Collings, are delighted to announce their forthcoming summer concert; Earth, wind and choir: a musical celebration of Nature’s power. The performance will be held at: Landmark Arts Centre (...

Skupina SLED Strauss medley (Strauss sr.-Radetzky March & Strauss jr.-Fledermaus Quadrille - Finale) Spremljate nas lahko na/Follow us on: * Facebook: https://www.facebook.com/skupina.sled/

Performed by Sandnes musikkskoles ungdomskor (SMUK) in a CD recording from 1995 labelled "Feel good med SMUK". The choir has since then changed it's name to today's VIVA, Sandnes Kulturskolekor corresponding to the school changing it's name.

San se šetao (prekmurska ljudska/folk song from prekmurje region) Skladatelj/Composer: Ambrož Čopi (1973 - ) Izvajalec/Performer: Domžalski komorni zbor, Domžale Dirigent/Conductor: Ana Erčulj

Il est bel et bon Pierre Passereau Western High School fort Lauderdale, FL US Western Singers Brandon Monse, director Michele Cabeza, piano Florida Vocal Association 2011 South State Choral Music Performance Assessment Wertheim Performin...  moreIl est bel et bon Pierre Passereau Western High School fort Lauderdale, FL US Western Singers Brandon Monse, director Michele Cabeza, piano Florida Vocal Association 2011 South State Choral Music Performance Assessment Wertheim Performing Arts Center Florida International University Miami, FL April 28, 2011  

The St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and David Houlder (organ continuo), directed by Dr Simon Lindley, perform the opening chorus of Johann Sebastian Bach's masterwork St John Passion (BWV 245) ...  moreThe St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and David Houlder (organ continuo), directed by Dr Simon Lindley, perform the opening chorus of Johann Sebastian Bach's masterwork St John Passion (BWV 245) at Leeds Town Hall on Monday 18th February 2013 as part of the Leeds International Concert Season. More information about St Peter's Singers, including details of forthcoming events, can be found on our website http://www.stpeters-singers.org.uk, our Facebook group page 'St Peter's Singers of Leeds' and on Twitter (@SPSLeeds). http://www.stpeters-singers.org.uk  less

Lobet den Herrn alle Heiden BWV230, J.S.Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de ...  moreLobet den Herrn alle Heiden BWV230, J.S.Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com  

Click here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multit...  moreClick here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 So this is a song that my jazz ensemble recently sung at competition. Jazz doesn't really fit my voice very well, but that doesn't change the fact that I'm in love with it. I also felt like this song would be the perfect opportunity to prove I don't use pitch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this with everybody you know. Like I said, no pitch correction was used (or will ever be used). This will most likely be the first and last vocal jazz piece I d...    less

The Seton Hall University Chorus sings two beloved spirituals, introduced by 2021 Grammy Award winning soloist Kenneth Overton. Keep Your Lamps Arr. Andre Thomas Hush Somebody's Callin' My Name B. Dennard Kenneth Overton, Baritone Soloist Jas...  moreThe Seton Hall University Chorus sings two beloved spirituals, introduced by 2021 Grammy Award winning soloist Kenneth Overton. Keep Your Lamps Arr. Andre Thomas Hush Somebody's Callin' My Name B. Dennard Kenneth Overton, Baritone Soloist Jason C. Tramm, Director of Choral Activities Dec. 2020  

„Gegner“ 4. Satz aus „Caissas Gedächtnis“ (Acht Tangos über Schachspiel-Aphorismen für vier- bis achtstimmigen Chor und Klavier) Musik: Juan María Solare Text: englisches Sprichwort Chor der Universität Bremen unter der Leitung von Susanne Gläß mit J...  more„Gegner“ 4. Satz aus „Caissas Gedächtnis“ (Acht Tangos über Schachspiel-Aphorismen für vier- bis achtstimmigen Chor und Klavier) Musik: Juan María Solare Text: englisches Sprichwort Chor der Universität Bremen unter der Leitung von Susanne Gläß mit Juan María Solare am Klavier Festival Breminale (Tanzboden), Bremen, Donnerstag, den 16. Juli 2015, 20 Uhr http://www.uni-bremen.de/orchester-chor http://www.juanmariasolare.com/caissas_gedaechtnis.html Live-Recording: Gerd Anders Dieser Chorzyklus ist als Kompositionsauftrag der Universität Bremen mit der finanziellen Unterstützung der Karin und Uwe Hollweg Stiftung entstanden und im Juli 2015 durch den Chor der Universität Bremen unter der Leitung von Universitätsmusikdirektorin Dr. Susanne Gläß mit dem Komponisten Juan María Solare am Klavier uraufgeführt worden. Thema des Zyklus‘ sind Sinnsprüche, die zwar aus der Schachwelt stammen – Caissa ist die Muse des Schachspiels -, die aber auch als Chiffren für das Leben im allgemeinen verstanden werd...    less