4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche dans l'étang, Les nids blottis dans les taillis ? [De ta beauté, de tes parfums ne nou...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche dans l'étang, Les nids blottis dans les taillis ? [De ta beauté, de tes parfums ne nous lassons.]* English singing translation: Tell me, lovely Spring, Now whom are these flowers and songs for? The white moon shining in the pool The nests are hidden in the woods [Let us not tire of Your beauty and perfumes.] (The last line was not included in the edition that we were using, but the score referenced here contains the whole piece)  onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist Players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde repose dans ma main la peine lourde d'amour, de rédemption est un soupir dans ma main O mon Christ Seigneur de l'infini petit pour mon confort, là dans ma main Humilité d'amour qui repose là si bas, Blanc, plein de confiance et soin dans ma main Là dans ma main repose mon Dieu. Hoc est enim corpus meum. [English original] Hoc est enim corpus meum The world's eternity lies here within my hand. The weight of pain, of love, redemption is a sigh upon my hand, My Christ, Lord of the infinite, small to my comfort in my hand. Humility of Love that tender here lies low. White, trusting, full of care within my hand. So, in my hand lies God. Hoc est enim corpus meum.  onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

Ödi-Ödi, Stephen Hatfield Coro las Veredas. Enrique Martín, director. David Mayoral, percusión.

CANTUS NATURALIS Recordando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil David Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tener...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">CANTUS NATURALIS Recordando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil David Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tenerife Beatriz Ramos, soprano Juan Antonio Sanabria, tenor Ricardo Rodríguez, narrador José Híjar Polo, maestro de coro Parick Doumeng, director Con la colaboración de amigos del Coro de la Orquesta Filarmónica de Gran Canaria Composición musical: Gustavo A. Trujillo Texto original: Isidoro Sánchez Adaptación: Ricardo Rodríguez Poesía: Dilce María Loynaz y León de la Hoz Parque San Francisco, Puerto de la Cruz 30 de mayo de 2004 Estreno www.reyesbartlet.com  onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

This is a vocal improvisation based on classical guitar study No 10 by Fernando Sor, sung by the dwsChorale (multitracking) with a bell-like accompaniment for the guitar part.

“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones David Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbau...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones David Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbaum: Bass Viol Peter Hallifax: Bass Viol Adam Cockerham: Vihuela, Baroque Guitar Peter Maund: Percussion Stephen Escher: Cornett, Recorder Richard Van Hessel: Alto and Tenor Sackbut, Recorder, Gittern Michael Cushing: Tenor Sackbut, Recorder Herbert W. Myers: Curtal, Shawm, Recorder Rosemary Beecher-Bryant, Joanna Dudley, Linda Price, Kristin Whitley: Sopranos Linda Allen, Betsy Levine-Proctor, Martha Rodriguez-Salazar, Jessica Winn: Altos Carl Boe, Mark Bonney, Samuel Faustine, Samuel Palmer: Tenors George Fencl, Raymond Martinez, Daniel Pickens-Jones, Ricky Torres-Cooban: Basses  onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

Ave Maria, Thomas Keesecker - performed by the Choirs of the South Carolina Governor's School of the Arts and Humanities, April 2013. The piece was performed at St Peter's Basilica in Rome on March 15, 2013.

Canción “O lux beata Trinitas” (Ko Matsushita), interpretada por el Coro Intermezzo de Costa Rica, en la competencia de Coro Mixto Llangollen 2014. El Coro Intermezzo obtuvo el Segundo Lugar en dicha Categoría. _______________ Song "O lux beata Trinit...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">Canción “O lux beata Trinitas” (Ko Matsushita), interpretada por el Coro Intermezzo de Costa Rica, en la competencia de Coro Mixto Llangollen 2014. El Coro Intermezzo obtuvo el Segundo Lugar en dicha Categoría. _______________ Song "O lux beata Trinitas" (Ko Matsushita), Played by the Intermezzo Choir from Costa Rica, in the Mixed Choir competition Llangollen 2014 Intermezzo Choir won Second place in this category. ________________ Integrantes: Director: David Ramírez. Sopranos: Gabriela Álvarez Alcázar, Andrea Arce Montero, María Jesús Garro Brenes, Nayurith Quirós Soto, Karen Robles Murillo, Lineth Vargas Elizondo. Contraltos: Kathryn Álvarez Rodríguez, Ruth Ariza Yannarella, Eyda Carolina López Rodríguez, Andrea Loría Herrera, Nicole Ramírez Benavides, Carolina Umaña Segura. Tenores: Gilberth Aquino Rodríguez, Albin Delgado Torres, Luis Diego Gómez Quesada, Randall González González, Jorge Madrigal Gómez, Josué Ramírez Palmer, Fabián Vargas Castillo. Bajos: Gabriel Alvarado Villalobos...    onclick="$(this).getParent().getPrevious().style.disPlay='';$(this).getParent().style.disPlay='none';">less

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 C...  onclick="$(this).getParent().getNext().style.disPlay='';$(this).getParent().style.disPlay='none';">morePlay:none;">Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Puerto de la Cruz, Tenerife Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC