"Media vita in morte sumus" Nicolas Gombert (c. 1495-c. 1560) Flos Campi Vicente Chavarria, Artistic Director from Media Vita: Life & Death in the Franco-Flemish Renaissance May 5, 2013 • St. Vincent Catholic Church, Los Angeles

www.facebook.com/ensemblenobiles www.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig Ensemble Nobiles presents ADVANCE AUSTRALIA FAIR to celebrate AUSTRALIA DAY. live recording: 24.01.2015, Leipzig/Germany We are looking forward to...  morewww.facebook.com/ensemblenobiles www.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig Ensemble Nobiles presents ADVANCE AUSTRALIA FAIR to celebrate AUSTRALIA DAY. live recording: 24.01.2015, Leipzig/Germany We are looking forward to our AUSTRALIA TOUR 05th-17th March 2015 sponsored by Australian Bach Society, Goethe-Institut and City of Leipzig. See you in Melbourne, Brisbane, Canberra or Sydney!  

words: Mahmoud Darwich (adapted by the composer) music: Jean-Christophe Rosaz by Le Choeur des Polysons conducting: Elisabeth Trigo piano: Mathieu Picard --- avec l'aimable autorisation des Editions Actes Sud et des Editions de Minuit --- Ô fi...  morewords: Mahmoud Darwich (adapted by the composer) music: Jean-Christophe Rosaz by Le Choeur des Polysons conducting: Elisabeth Trigo piano: Mathieu Picard --- avec l'aimable autorisation des Editions Actes Sud et des Editions de Minuit --- Ô fils des chaînes enfants de Babylone Vous reviendrez bientôt à Jérusalem et alors vous grandirez bientôt, bientôt! Chantons Jérusalem! Nous chantons Jérusalem Vous souvenant du passé de Babylone Vous moissonnerez le blé de Jérusalem --- O son of the chains Children of Babylon You will soon return to Jerusalem and then you will grow soon soon! Let us sing Jerusalem! We sing Jerusalem Remembering Of the past of Babylon You will reap the wheat of Jerusalem  less

Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. for a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece ha...  moreErik Satie's Sarabande No. 1 is one of my favourite piano pieces. for a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "As dawn breaks" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group ...    less

Presented by Ponte Singers and Ponte Orchestra in 2013 Ponte Singers Concert - Der Zyklus 「生．息」(Hong Kong) in The Concert Hall, Hong Kong City Hall

This is the recording off of Shadows and Reflections, preformed by WomenSing, Martin Benevenuto, artistic director. Commissioned by WomenSing and the River of Words Foundation. Youth Inspiring Youth Commission (2008) Composed between January 20...  moreThis is the recording off of Shadows and Reflections, preformed by WomenSing, Martin Benevenuto, artistic director. Commissioned by WomenSing and the River of Words Foundation. Youth Inspiring Youth Commission (2008) Composed between January 2009 - and July 2009. This composition received its WORLD premiere March 28th, 2010 at St. Mary's Chapel in Moraga, CA.  

Wolfgang Amadeus Mozart (1756 - 1791): REQUIEM, d-minor, KV626 (1791) historically informed perfomance on period instruments as part of the Würzburger Mozartfestival on June 11, 2015 at the Neubaukirche, Würzburg Anna Nesyba, soprano | www.annane...  moreWolfgang Amadeus Mozart (1756 - 1791): REQUIEM, d-minor, KV626 (1791) historically informed perfomance on period instruments as part of the Würzburger Mozartfestival on June 11, 2015 at the Neubaukirche, Würzburg Anna Nesyba, soprano | www.annanesyba.weebly.com Nora Meyer, alto Tilman Lichdi, tenor | www.tilmanlichdi.com Jens Hamann, bass | www.jens-hamann.de Akademie für Alte Musik Berlin | www.akamus.de Monteverdichor Würzburg | www.monteverdichor.com Matthias Beckert | www.matthias-beckert.de 01 Introitus 00:12 02 Kyrie 04:51 03 Dies irae 07:25 04 Tuba mirum 09:12 05 Rex tremendae 12:23 06 Recordare 14:34 07 Confutatis 19:43 08 Lacrimosa 22:08 09 Domine Jesu 25:05 10 Hostias 28:22 11 Sanctus 31:47 12 Benedictus 33:16 13 Agnus Dei 38:31 14 Communio 42:03  less

Music: Thomás Luis De Victoria Performed by Naomi Riemis, Silke Bauters, Astrid Thibaut, Karolien Van Dessel, Michael Limpens, Dries Van Cauteren, Wim Thys and Wim Van Aarle from the 'Universitair Koor Antwerpen' at their Christmas Concert "Christmas C...  moreMusic: Thomás Luis De Victoria Performed by Naomi Riemis, Silke Bauters, Astrid Thibaut, Karolien Van Dessel, Michael Limpens, Dries Van Cauteren, Wim Thys and Wim Van Aarle from the 'Universitair Koor Antwerpen' at their Christmas Concert "Christmas Carols With A Twist" on December 16, 2014.  

Musique: Jean-Christophe Rosaz Livret: Jean-Christophe Rosaz d'après le texte d'Axel Graisely Ensemble Gilles Binchois Lisa Magrini, Soprano I et direction Anne-Marie Lablaude, Soprano II Dominique Vellard, Ténor & Oud Henri Tournier, flûtes bansuri...  moreMusique: Jean-Christophe Rosaz Livret: Jean-Christophe Rosaz d'après le texte d'Axel Graisely Ensemble Gilles Binchois Lisa Magrini, Soprano I et direction Anne-Marie Lablaude, Soprano II Dominique Vellard, Ténor & Oud Henri Tournier, flûtes bansuri, alto & octobasse Pierre Rigopoulos, percussion Choeur d'enfants, d'adolescents et d'adultes du Var Enregistrement & Montage Vidéo Stéphanie Hammarstrand ---- La légende du Thoronet Première Partie Les Portes du Royaume Solo T Voilà six mois que j’erre à la recherche d’un lieu. Dormant dans des grottes obscures. Je contemple le ciel pour déchiffrer le moindre message. Me voici aux portes du Royaume, suis-je arrivé? Duo S1 S2 Il nous faut poursuivre notre quête. Ah, poser enfin le pied sur une terre bienheureuse et faire un pas vers le Seigneur. Ne serait-ce qu’un pas ? Solo T Je marche le dos tourné aux ombres de la nuit, le vent qui souffle me tourmente, je suis un naufragé sur cette terre en dérive. Saint Bernard aidez-moi! Coro Fr...    less

http://igg.me/at/stpeterssingers William Harris's peerless setting of John Donne's poem "Bring us, O Lord God" is the inspiration behind an exciting and innovative project gathering pace in Leeds this summer. We're planning to perform and record a program...  morehttp://igg.me/at/stpeterssingers William Harris's peerless setting of John Donne's poem "Bring us, O Lord God" is the inspiration behind an exciting and innovative project gathering pace in Leeds this summer. We're planning to perform and record a programme of modern sacred music in the fabulous space and acoustic that is Leeds' Victoria Quarter. We are appealing to as many people as possible to participate in the project by giving whatever they would like, in return for a reward or perk. It's quite a good way of pre-ordering the CD! please visit link: http://igg.me/at/stpeterssingers "Bring us, O Lord God, at our last awakening, into the house and gate of heaven, to enter into that gate and dwell in that house, where there shall be no darkness nor dazzling, but one equal light; no noise nor silence but one equal music; no fears nor hopes but one equal possession; no ends nor beginnings but one equal eternity; in the habitations of thy Glory and Dominion, world without end. Amen." John Donne (1572-1631) ...    less