Coral Reyes Bartlet David Martel, piano Ricardo Rodríguez, recitado José Híjar Polo, director Castillo San Felipe Puerto de la Cruz 13 de julio de 2016, estreno del arreglo coral de las 12 Tonadillas al estilo antiguo Grabación: mediawink

Emma and Geraldine talk about why singing is SO great! More info on future events - http://www.ggcc.org.uk Emma's site - http://www.emformusic.co.uk Geraldine's site - http://www.lucemusic.london

http://www.wisemanproject.com/comp-workinfo-LaetenturCaeli.html One of run-through takes from the recording session in Aug 2017 Music by Kentaro Sato (Ken-P)

Celebration of Easter Sunday 2014 at Our Lady of Fatima Parish Urduja.

Surgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos...  moreSurgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos, com idades compreendidas entre os 5 e os 18 anos. Privilegiamos a música cristã contemporânea e / ou gospel, bem como temas pop/rock que de alguma forma revelem e / ou transmitam valores humanos e sociais. Neste âmbito, e entre muitos outros, constam do nosso reportório temas de filmes épicos e musicais, interpretados em Português, Inglês e Italiano... (Reportório in Concert)  less

This classic Motown tune was a hit at Chor Leoni's Bard Boyz performances (June 2011). The arrangement is by Keith Sinclair (who is also in the backup dance quartet) and the soloist is second tenor, Jordan Back.

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Gala del Día, Indianas nº1, texto de Arturo Vázquez Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

PROGRAM NOTES: While reading James Weldon Johnson’s poem for the first time, I was immediately reminded of all the difficult times that music has helped me through. How I wrote the composition Hope to process a miscarriage, or how I wrote I Will Lift My...  morePROGRAM NOTES: While reading James Weldon Johnson’s poem for the first time, I was immediately reminded of all the difficult times that music has helped me through. How I wrote the composition Hope to process a miscarriage, or how I wrote I Will Lift My Eyes at a time when multiple family members, both young and old, were being diagnosed with cancer. No matter life’s challenges, music has always been an outlet for me to cope and heal. It has helped me to persevere and fight through some of life's most difficult moments, ultimately making me a stronger person. The world can be a challenging place, but each of us are warriors—armed with the gift to sing, and filled with the fire, passion, drive, and grit to conquer anything.  less

Scores available at https://www.santiagoveros.site/producto/galaxias/ Galaxias, composed by Santiago Veros, is a powerful new choral work exploring the metaphor of every person as a unique star—together forming a vibrant human galaxy. This video featur...  moreScores available at https://www.santiagoveros.site/producto/galaxias/ Galaxias, composed by Santiago Veros, is a powerful new choral work exploring the metaphor of every person as a unique star—together forming a vibrant human galaxy. This video features the world premiere of the SSAA version, performed live by the Accord Treble Choir under the direction of Elizabeth “Liz” Geisewite. Galaxias (SATB) has quickly become one of the most-performed pieces in Veros’ catalog. The work celebrates connection, belonging, and the light we can share with each other, even across great distances. Recorded in New York, this performance marks the debut of Galaxias for treble voices. #ChoralMusic #WomenChoir #WorldPremiere  less