Score link for transposed SATB version: https://dwsolo.musicaneo.com/sheetmusic/sm-513792_our_father_the_lord_s_prayer_for_satb_and_organ.html Setting by Reginald Smith of the 1662 BCP version of the Lord's Prayer transcribed and performed by David ...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Score link for transposed SATB version: https://dwsolo.musicaneo.com/sheetmusic/sm-513792_our_father_the_lord_s_prayer_for_satb_and_organ.html Setting by Reginald Smith of the 1662 BCP version of the Lord's Prayer transcribed and performed by David Warin Solomons (dwsChorale) Our Father, which art in heaven, Hallowed be thy Name; Thy kingdom come; Thy will be done in earth, as it is in heaven: Give us this day our daily bread; And forgive us our trespasses, as we forgive them that trespass against us; And lead us not into temptation, But deliver us from evil; For thine is the kingdom, and the power, and the glory, For ever and ever. Amen.  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

glorious first try!

Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, b...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, barítono Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de la Peña de Francia 23 de marzo de 2014 XII Festival de Música Antigua y Barroca de Puerto de la Cruz, coproducción IX Encuentro de Música Religiosa de Canarias Iluminación: Eduardo Zalba Sonido: Luis Acuña Grabación y postproducción: Media Wink  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, b...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, barítono Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de la Peña de Francia 23 de marzo de 2014 XII Festival de Música Antigua y Barroca de Puerto de la Cruz, coproducción IX Encuentro de Música Religiosa de Canarias Iluminación: Eduardo Zalba Sonido: Luis Acuña Grabación y postproducción: Media Wink  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, b...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, barítono Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de la Peña de Francia 23 de marzo de 2014 XII Festival de Música Antigua y Barroca de Puerto de la Cruz, coproducción IX Encuentro de Música Religiosa de Canarias Iluminación: Eduardo Zalba Sonido: Luis Acuña Grabación y postproducción: Media Wink  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). These pretty city folk walk down supermarket aisles chatting to each other on their mobile p...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). These pretty city folk walk down supermarket aisles chatting to each other on their mobile phones instead through the green corn fields of Shakespeare's original  

Music by Frederick Loewe Words by Alan Jay Lerner Performed by David Warin Solomons and the dwsChorale with Stephen Hughes on honky tonk piano [ALFRED] The Lord above gave man an arm of iron So he could do his job and never shirk The Lord above ...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Music by Frederick Loewe Words by Alan Jay Lerner Performed by David Warin Solomons and the dwsChorale with Stephen Hughes on honky tonk piano [ALFRED] The Lord above gave man an arm of iron So he could do his job and never shirk The Lord above gave man an arm of iron, but! With a little bit of luck, with a little bit of luck Someone else'll do the blinkin' work [ENSEMBLE] With a little bit, with a little bit With a little bit of luck you'll never work etc  

In this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written speciall...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">In this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written specially for Sale Festival 2001 and follows the antique antics of the fabulous dog of Old Mother Hubbard. The children's chorus echoes the barking of the dog whilst the adult choir takes us through the story. Then the children -- one by one tell us the story behind the poem itself. The forces are: Children's choir (in 2 parts) Adult choir (SATB) Flute Clarinet String quartet Chorus part http://www.sheetmusicplus.com/title/8121318?aff_id=175705 Full score http://www.sheetmusicplus.com/title/8121304?aff_id=175705 parts also available for rental at http://www.classicalmusicnow.com/rentalcat.htm  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Patapan is a traditional song from the Burgundy region in France. It’s also known in English as Willie Take Your Little Drum. It was written by Bernard de la Monnoye around 1700. My English version here is a singing translation, so feel free to sing ...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Patapan is a traditional song from the Burgundy region in France. It’s also known in English as Willie Take Your Little Drum. It was written by Bernard de la Monnoye around 1700. My English version here is a singing translation, so feel free to sing along in English :-) Guillaume prends ton tambourin Toi, prends ta flûte, Robin; Au son de ces instruments "Turelurelu, patapatapan" Au son de ces instruments Je dirai Noel gaîment. Willie take your little drum With your flute oh Robin come With the sound of flute and drum tootle tootle toot, bing a bang a boom with the flute and with the drum I will say Nowell with joy. C'était la mode autrefois De louer le Roi des rois Au son de ces instruments "Turelurelu, patapatapan" Au son de ces instruments Il nous en faut faire autant. In the goodly olden days The king of kings we'd praise with the drum and with the flute tootle tootle toot, bing a bang a boom, with the flute and with the drum we should do alike just so  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

The published version is for SATBB a cappella - (with occasional splits) The performance for this video is by the composer multitracking as the dwsChorale arranged for male voices and instruments. A performance by a live choir (a cappella and at the co...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">The published version is for SATBB a cappella - (with occasional splits) The performance for this video is by the composer multitracking as the dwsChorale arranged for male voices and instruments. A performance by a live choir (a cappella and at the correct pitch) can be heard on the score page. The words are my own and tell of children playing in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to where the angels are singing.