Schárfyné Halmos Erika - synth Recorded in Sopron, 2016.02.14.

Eye of the tiger, extrait du film "Rocky". Chef de choeur : Sylvie Loberot Arrangements : David Beaugrand Les 200 choristes et danseurs de la chorale du collège Mont-Roland, lors du concert du 10 Juin 2015, à la Commanderie de Dole.

The East Central University Chorale performing "Chanson Eloigneé" by Morten Lauridsen. Dr. J. Steven Walker, conducting This performance was recorded in the Holy Family Cathedral in downtown Tulsa, during the Oklahoma Music Educators Association 20...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">The East Central University Chorale performing "Chanson Eloigneé" by Morten Lauridsen. Dr. J. Steven Walker, conducting This performance was recorded in the Holy Family Cathedral in downtown Tulsa, during the Oklahoma Music Educators Association 2013 convention. January 17th, 2013.  

"Calypso Carol" by Michael A. Perry, arranged by John Bertalot Saturday, December 2, 2017 Mayslake Peabody Estate, Oak Brook, IL

For us, this song not only means equity in race, but also equity for a better tomorrow. A future where regardless of ethnicity, class, background, skillset, ability and upbringing, we can one day unite together, and stand in unity, both equally, and in lo...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">For us, this song not only means equity in race, but also equity for a better tomorrow. A future where regardless of ethnicity, class, background, skillset, ability and upbringing, we can one day unite together, and stand in unity, both equally, and in love. Black History Month Originally Arranged by: Kirk Franklin Stay Connected: https://www.facebook.com/NewGenesisGospelChorale https://www.instagram.com/newgenesisgospelchorale/ https://www.nggcmusic.org Subscribe to our Youtube channel: https://www.youtube.com/channel/UC6OXPKeRBC5Uk_S-lZZf2aw/featured  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Soloists: Petra Jurič, Antonela Pilić Burić, Marijana Markotić, Lana Ćebo, Jelena Grubišić-Čabo A part of the choir's performance at the International Choral Competition of Folcloristic Music ADRIA CANTAT 2016, awarded Golden Prize and 1st Place in the r...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Soloists: Petra Jurič, Antonela Pilić Burić, Marijana Markotić, Lana Ćebo, Jelena Grubišić-Čabo A part of the choir's performance at the International Choral Competition of Folcloristic Music ADRIA CANTAT 2016, awarded Golden Prize and 1st Place in the respective category. Recorded on May 28, 2016, in the Croatian National Theatre in Šibenik. camera operator: Monika Kasalo recording and production: Bernard Kahle - b.kahle@yahoo.com www.facebook.com/BKrecordings  

Polyhymnia is a small select ensemble of singers focusing on historically informed performance of sacred music from the courts and cathedrals of the Renaissance world. The ensemble has been in residence at The Church of St. Ignatius of Antioch since 2003....  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Polyhymnia is a small select ensemble of singers focusing on historically informed performance of sacred music from the courts and cathedrals of the Renaissance world. The ensemble has been in residence at The Church of St. Ignatius of Antioch since 2003. Polyhymnia's singers are drawn from many sources, including some of the finest church choirs in New York Since 2000, director John Bradley has been creating original editions of music for the ensemble, some of it secreted in manuscript collections since the 16th century. Working in concert with libraries, liturgical historians and institutions, Polyhymnia hopes to both preserve and reintroduce choral masterworks of the Renaissance and early Baroque in ways that both entertain and elucidate. In addition to the concert series, the ensemble's unique relationship with Saint Ignatius of Antioch, a forerunner in the preservation of historical liturgy, provides opportunities to perform Renaissance and Baroque music in a liturgical context, while fostering musical ...    is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Roots Chorale started out as an initiative to keep the choral practice alive outside of the church circles and to promote these practices in the community of San Andres islands Archipelago.

Founded in 1982 by Lawrence “Larry” Bandfield, the Santa Fe Desert Chorale is one of the longest continually performing professional music organizations in New Mexico, as well as one of the most distinguished. In his review of the “American Voices” progra...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Founded in 1982 by Lawrence “Larry” Bandfield, the Santa Fe Desert Chorale is one of the longest continually performing professional music organizations in New Mexico, as well as one of the most distinguished. In his review of the “American Voices” program, Scott Cantrell of The Dallas Morning News wrote “The variety certainly displayed the ensemble’s impressive versatility. Habermann consistently got vivid performances, introspective music elegantly colored and shaped, extrovert fare delivered with great pizzazz. Individual singers got lots of solo exposure.” Now in his eleventh season, Artistic Director Joshua Habermann leads the Chorale in repertoire spanning seven centuries, from early polyphony to contemporary works. The composition of the Chorale is truly national in scope and the ensemble is recognized as one of the finest American chamber choirs. A recent highlight was an invitational appearance at the American Choral Directors Association National Conference, which was later broadcast by Minnesota Pu...    is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

"O Fortuna" is a medieval Latin Goliardic poem written early in the 13th century, part of the collection known as the Carmina Burana. It is a complaint about Fortuna, the inexorable fate that rules both gods and men in Roman and Greek mythology.