Concierto de Música Irlandesa realizado el pasado 13 de Marzo de 2016 para la celebración de San Patricio. Iglesia de San Juan de los Panetes, Zaragoza (España) Solista: Conor Martin Coro Musicaire The Folkers en Acústico Directora: Marta Pilar Hernando

Niña- Coro Lux Dei Canto Mariano Parroquia Santa Rita de Casia

"Can you hear me?", de Bob Chilcott Coro Encanto de Casarrubuelos Director: Mariano García Concierto "Un canto de esperanza" celebrado en la Parroquia Beato Manuel Domingo y Sol, en Majadahonda (22-03-2014) ----- www.Coroencanto.com www.facebook.c...  more"Can you hear me?", de Bob Chilcott Coro Encanto de Casarrubuelos Director: Mariano García Concierto "Un canto de esperanza" celebrado en la Parroquia Beato Manuel Domingo y Sol, en Majadahonda (22-03-2014) ----- www.Coroencanto.com www.facebook.com/Coroencantocasarrubuelos twitter: @Coro_Encanto info@Coroencanto.com Teléfono: (+34) 656161440 El Coro Encanto es la sección infantil de la Coral SANTIAGO APOSTOL de Casarrubuelos (Madrid) www.Coralsantiagoapostol.com www.facebook.com/Coralsantiagoapostol twitter: @CSApostol Coral@Coralsantiagoapostol.com  less

Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to lar...  moreDelicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to large ensembles. Four part mixed chorus Audio Credit: The First Recordings Project – J. david Moore, Conductor  

Concierto del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria el pasado 4 de junio de 2016. Coro DEL CSMC Directora: Nikoleta Stefanova Popova Solistas: Cristina Ramos y Daniel Miranda Piano...  moreConcierto del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria el pasado 4 de junio de 2016. Coro DEL CSMC Directora: Nikoleta Stefanova Popova Solistas: Cristina Ramos y Daniel Miranda Piano: Nauzet Mederos Martín Flauta: Juan José Cerpa Trompeta: Yeray González Percusión: Samuel González Obra: Hans Zimmer Tribute. - Sirenas de Piratas del Caribe (Hans Zimmer - Eric Whitacre) - El ciclo de la vida (circle of life) de "El rey León" (Hans Zimmer - Lebo M.) Arreglo: Yónatan Sánchez Santianes  less

L’attuale Coro della Polifonica Materana “Pierluigi da Palestrina” trae origine dal Coro a voci bianche-voci virili costituito nel 1944 per iniziativa del Prof. Lucio Marconi e del canonico don Luigi Paternoster. Esercita per molti anni la funzione di Cap...  moreL’attuale Coro della Polifonica Materana “Pierluigi da Palestrina” trae origine dal Coro a voci bianche-voci virili costituito nel 1944 per iniziativa del Prof. Lucio Marconi e del canonico don Luigi Paternoster. Esercita per molti anni la funzione di Cappella Musicale, dapprima presso la chiesa di San Francesco da Paola, poi presso il Duomo cittadino, conseguendo contemporaneamente numerosi successi in campo concertistico. Nel 1965 il Coro vince a Napoli il Primo Premio al Concorso Corale Nazionale indetto dal Ministero della Pubblica Istruzione. Nello stesso anno, incide per la Fonit Cetra un LP di canti popolari materani armonizzati per Coro virile. Negli anni ’70 l’attività Corale viene sospesa per carenza di voci bianche, ma l’Associazione continua ad organizzare prestigiose Stagioni Musicali. Nel 1990 il M° Carmine Antonio Catenazzo ricostituisce il Coro nella formazione a voci miste, affiancando successivamente all’organico Corale un’Orchestra da Camera, una Schola Gregoriana ed un Ensemble Vocale. Ha e...    less

March 14, 2011 "You Raise Me Up" Performed by Coro RS during the graduation recital of Father Mervyn Marcelino at the Tan Yan Kee Auditorium UST. "You Raise Me Up" popularized by Josh Groban Accompaniment by: Anthony Go Villanueva (Piano) Fathe...  moreMarch 14, 2011 "You Raise Me Up" Performed by Coro RS during the graduation recital of Father Mervyn Marcelino at the Tan Yan Kee Auditorium UST. "You Raise Me Up" popularized by Josh Groban Accompaniment by: Anthony Go Villanueva (Piano) Father Mervyn's student, Luke (Violin)  

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com  

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less