Esibizione della Corale Polifonica di Arsoli nella chiesa di S.Bartolomeo il 26 Dicembre 2011 nella manifestazione A Christmas Carol 2011 in collaborazione con il coro Allegre Note di Arsoli

parody of the traditional German folk song about the life of the farmer (Im Märzen der Bauer). In this version the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world changes strangely. This is the...  moreparody of the traditional German folk song about the life of the farmer (Im Märzen der Bauer). In this version the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world changes strangely. This is the original German version - the English version is also available on this site  

parody of the traditional German folk song about the life of the farmer (Im Märzen der Bauer). In this version the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world changes strangely. This is t...  moreparody of the traditional German folk song about the life of the farmer (Im Märzen der Bauer). In this version the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world changes strangely. This is the English version. The German original is also available on this site.  

Mer by Raimonds Tiguls / Youth choir "Mūza" Silent Session at Riga St.Peter's church

A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). These pretty city folk walk down supermarket aisles chatting to each other on their mobile p...  moreA jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). These pretty city folk walk down supermarket aisles chatting to each other on their mobile phones instead through the green corn fields of Shakespeare's original  

The silver swan, who living had no note, When death approached, unlocked her Silent throat; Leaning her breast against the reedy shore, Thus sung her first and last, and sung no more: “Farewell, all joys; Oh death, come close mine eyes; More geese th...  moreThe silver swan, who living had no note, When death approached, unlocked her Silent throat; Leaning her breast against the reedy shore, Thus sung her first and last, and sung no more: “Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.”  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her Silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her Silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less

Inspira performs F. Silver's parody "The Twelve Days After Christmas" at their Inaugural Concert. Nick Turnbull, Music Director.

Performed by Matthew Curtis (multitracking) parody of the traditional German folk song about the life of the farmer. In these versions the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world change...  morePerformed by Matthew Curtis (multitracking) parody of the traditional German folk song about the life of the farmer. In these versions the farmer takes advantage of many of the technological and biotechnical opportunities of science but the world changes strangely. Scores in English: Men's voices: https://www.sheetmusicplus.com/title/20002321?aff_id=175705 Mixed choir: https://www.sheetmusicplus.com/title/20002319?aff_id=175705 Scores in German: Men's voices: https://www.sheetmusicplus.com/title/20002322?aff_id=175705 Mixed choir: https://www.sheetmusicplus.com/title/20002320?aff_id=175705  less

MidAtlantic Chamber Choir Personnel: Jason C. Tramm, Conductor Soprano Paige Porter Veronica Shea Salkin Samantha Ferrara Hillary Baboukis Alto Kimberlee Korzelius Sophia Mortensen Irene Lyristakis Tenor Rider Foster Zachary Morehouse ...  moreMidAtlantic Chamber Choir Personnel: Jason C. Tramm, Conductor Soprano Paige Porter Veronica Shea Salkin Samantha Ferrara Hillary Baboukis Alto Kimberlee Korzelius Sophia Mortensen Irene Lyristakis Tenor Rider Foster Zachary Morehouse Jose Daniel Mojica Charles Bryan Kevin Courtemanche Bass Christian Arencibia Peter Lamendola Devin McGuire Skyler Klein Video/Audio Engineering: Quinton Tramm Recorded: June 4, 2022 Broadway Presbyterian Church (Manhattan) From Sessions of Sweet Silent Thought 1. Sonnet 30 Sonnet 30: When to the sessions of sweet Silent thought BY WILLIAM SHAKESPEARE When to the sessions of sweet Silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unus'd to flow, For precious friends hid in death's dateless Night, And weep afresh love's long since cancell'd woe, And moan th' expense of many a vanish'd sight; Then can I grieve a...    less