My musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would lik...  moreMy musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

"Aurum, aurum!" is dedicated to Asira Shukuru. It is a musical search for the meaning of gold, a choral exploration of our human relationship to this precious metal. In Latin and English. As always, comments are most welcomed. Sincere thanks to Matt...  more"Aurum, aurum!" is dedicated to Asira Shukuru. It is a musical search for the meaning of gold, a choral exploration of our human relationship to this precious metal. In Latin and English. As always, comments are most welcomed. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Aurum, aurum!" Email me at rain@magma.ca, if you'd like more info, or to obtain a copy of the score. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

Slumber Songs (3 Canadian Nocturnes, movement I) text: John McCrae music: Nathaniel Barnes singer: Matthew Curtis I Sleep, little eyes That brim with childish tears amid thy play, Be comforted! No grief of night can weigh Against the joys that...  moreSlumber Songs (3 Canadian Nocturnes, movement I) text: John McCrae music: Nathaniel Barnes singer: Matthew Curtis I Sleep, little eyes That brim with childish tears amid thy play, Be comforted! No grief of night can weigh Against the joys that throng thy coming day. Sleep, little heart! There is no place in Slumberland for tears: Life soon enough will bring its chilling fears And sorrows that will dim the after years. Sleep, little heart! II Ah, little eyes Dead blossoms of a springtime long ago, That life's storm crushed and left to lie below The benediction of the falling snow! Sleep, little heart That ceased so long ago its frantic beat! The years that come and go with silent feet Have naught to tell save this — that rest is sweet. Sleep, little heart. http://www.choirplace.com/profile/Nathaniel Matthew Curtis https://choraltracks.com/  less

Dedicated to Awegechew Teshome, Melaku Worede and John Martin -- my three biodiversity mentors -- who introduced me to the "radical" idea that farmers, seed-saving farmers, have been humanity's ingenious plant breeders and nurturers of biodiversity from t...  moreDedicated to Awegechew Teshome, Melaku Worede and John Martin -- my three biodiversity mentors -- who introduced me to the "radical" idea that farmers, seed-saving farmers, have been humanity's ingenious plant breeders and nurturers of biodiversity from time immemorial. I would like to thank my Ottawa singing friends in the "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. I would also like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 27 years. And I would like to acknowledge the Boston-based Blue Heron Ensemble for introducing me to the haunting music of Guillaume Dufay, which served as a major inspiration for this piece. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey. NB: choirs interested in obtaining copies of the score can contact me ...    less

An SATB arrangement of Victor Hugo's remarkable poem "La coccinelle" -- the narrator looks back on a moment in time when, as a teenager, he was preparing to kiss a girl. Unfortunately, a ladybug lands on her neck, however, which distracts him. He then rem...  moreAn SATB arrangement of Victor Hugo's remarkable poem "La coccinelle" -- the narrator looks back on a moment in time when, as a teenager, he was preparing to kiss a girl. Unfortunately, a ladybug lands on her neck, however, which distracts him. He then removes the ladybug, but sadly the kiss flies off forever! If you enjoy this musical trip down memory lane, then I invite you to consider making a donation to the Alzheimer's Society of Canada or an Alzheimer's support group in the area where you live. Thank you! https://alzheimer.ca/ Sincere thanks to Matthew Curtis (choraltracks.com) for recording "La coccinelle", which is dedicated to Emma. NB: choirs interested in obtaining copies of the score can contact me at rain@magma.ca. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their inval...    less

Dedicated to my dear cousins Gigi and Raven. Since first singing the medieval song "All and Some" in the mid 1990s, I fell in love with the Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: ...  moreDedicated to my dear cousins Gigi and Raven. Since first singing the medieval song "All and Some" in the mid 1990s, I fell in love with the Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

With the Night (3 Canadian Nocturnes, movement II) text: Archibald Lampman music: Nathaniel Barnes singer: Matthew Curtis O doubts, dull passions, and base fears, That harassed and oppressed the day, Ye poor remorses and vain tears, That shook ...  moreWith the Night (3 Canadian Nocturnes, movement II) text: Archibald Lampman music: Nathaniel Barnes singer: Matthew Curtis O doubts, dull passions, and base fears, That harassed and oppressed the day, Ye poor remorses and vain tears, That shook this house of clay: All heaven to the western bars Is glittering with the darker dawn; Here with the earth, the night, the stars, Ye have no place: begone! http://www.choirplace.com/profile/Nathaniel Matthew Curtis https://choraltracks.com/  

"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had serv...  more"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had served in the Canadian forces, in one of the most dangerous roles, as a runner in northwestern France. This song honours his memory and the love that he showed me as a boy and a young man growing up. Shortly after starting this piece, I then learned that my dear cousin Jamie Shaw (1959-2019) was gravely ill and with his permission, I have dedicated this piece to him as well. Jamie's courage, good spirit and humour throughout his illness was an inspiration to all of us who knew him. "Da pacem Domine" is a musical search for peace: both external peace, between individuals, groups, societies, nations; and internal peace, to find a restful spot within the soul, amidst the serious tensions and conflicts seemingly inherent in the human stream of existence. It explor...    less

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Nocturnes_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less