Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Castillo San Felipe Puerto de la Cruz 13 de julio de 2016, estreno del arreglo coral de las 12 Tonadillas al estilo antiguo Grabación: mediawink

Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de ...  moreCoral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de la Peña de Francia 23 de marzo de 2014 XII Festival de Música Antigua y Barroca de Puerto de la Cruz, coproducción IX Encuentro de Música Religiosa de Canarias Iluminación: Eduardo Zalba Sonido: Luis Acuña Grabación y postproducción: Media Wink  

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Viento Norte, Indianas nº4., texto de Isaac Aizenberg Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Concierto Extraordinario Fiestas de Julio Iglesia de la Peña de Francia, Puerto de la Cruz 1 de julio de 2015 Imagen y sonido: Mediawink

This setting of The 98th Psalm (Sing a new song to The Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about The religious and social history of The city. The oratorio was...  moreThis setting of The 98th Psalm (Sing a new song to The Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about The religious and social history of The city. The oratorio was first performed in Manchester CaThedral in 1994. This psalm forms The climax of The whole cantata and provides an expression of optimism after The tragedies of The previous sections. In this “extracted” version, The tragic surroundings of The history remain in The background and The purebubbling joy of The psalm itself shines forth. Enjoy The complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of The piece and will, I hope, encourage oTher church choirs and concert choirs to consider including it in Their repertoire.  less

Kyrie from The Mass setting by D W Solomons for choir and orchestra performed in January 2016.

We are a cultural nonprofit-organization devoted to amateur choral music. In The Asociación Cultural Reyes Bartlet we have The Reyes Bartlet Choir and The David Goldsmith Youth Choir. We manage The Choral School in Puerto de la Cruz and The project for ...  moreWe are a cultural nonprofit-organization devoted to amateur choral music. In The Asociación Cultural Reyes Bartlet we have The Reyes Bartlet Choir and The David Goldsmith Youth Choir. We manage The Choral School in Puerto de la Cruz and The project for school choirs. We also organize The Festival of Antique and Baroque Music in Puerto de la Cruz.  

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to The 8th "O Antiphon" for Advent O Virgin of virgins, how shall this be? For neiTher before Thee was an...  moreThis is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to The 8th "O Antiphon" for Advent O Virgin of virgins, how shall this be? For neiTher before Thee was any like Thee, nor shall There be after. Daughters of Jerusalem, why marvel ye at me? The thing which ye behold is a divine mystery. Who are The daughters of Jerusalem, Who glimpse you still as you transform Their seeing? Whom have you called to this mysterium, And baThed in The bliThe fountain of your being? Daughters of sorrow, daughters of despair, The cast-aside, The overlooked, The spurned The broken girls who scarcely breaThe a prayer The ones whose love has never been returned. O Maid amongst The maidens, turn your face, For when we glimpse you we are not alone, O look us out of grief and into grace, Lift us in love made stronger than our own, Summon The spring in our worst wilderness, And make us fruitful in your fruitfulness.  less

Bring us in good ale is a mediaeval drinking song. The premise of The song is that The singers (or players) want no food and so They find all sorts of reasons not to eat: They just want good ale!