Bartók Béla 25th International Choir Competition, Debrecen (HU), 25-29 July 2012 University of Philippines Singing Ambassadors Conductor: Edgardo L. Manguiat Josefino Toledo: Alitaptap

We LOVE good A-cappella music! Choriosity is a community-based a-cappella-Choir in the YMCA (CVJM) Ulm. 120 singers aged 18 to (about ;) 30 dive into the diversity of sound, rhythms and a-cappella-feeling! You wanna see/hear more? Instagram: @chorios...  moreWe LOVE good A-cappella music! Choriosity is a community-based a-cappella-Choir in the YMCA (CVJM) Ulm. 120 singers aged 18 to (about ;) 30 dive into the diversity of sound, rhythms and a-cappella-feeling! You wanna see/hear more? Instagram: @choriosity Facebook: www.facebook.com/choriosity Website: www.choriosity.de Snapchat, Twitter: @choriosity M+T: Paul Simon Arr.: M. Detterbeck Video: 89tasten.de  

Ottawa Choir, The Stairwell Carollers, perform “ Pater noster” by Igor Stravinsky. All our CDs benefit charities and are available on our website in both CD and MP3 formats. Get our professional recordings here... http://www.stairwellcarollers.com ...  moreOttawa Choir, The Stairwell Carollers, perform “ Pater noster” by Igor Stravinsky. All our CDs benefit charities and are available on our website in both CD and MP3 formats. Get our professional recordings here... http://www.stairwellcarollers.com The Stairwell Carollers, an a cappella group formed in 1977 by director Pierre Massie, has earned the distinction of being ranked amongst the best of Ontario Choirs. The group took first place in both the 2010 and 2013 Ontario Music Festival Association provincial competition. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 1, 2019. Videographers: Matthieu Brennan, Andrew Mason Editing: Pierre Massie  less

Scores for mixed Choir (SATB) https://www.sheetmusicplus.com/title/20703236?aff_id=175705 for men's voices (ATBarB) https://www.sheetmusicplus.com/title/20703235?aff_id=175705 Based on an anonymous manuscript arrangement of this old spiritual, found ...  moreScores for mixed Choir (SATB) https://www.sheetmusicplus.com/title/20703236?aff_id=175705 for men's voices (ATBarB) https://www.sheetmusicplus.com/title/20703235?aff_id=175705 Based on an anonymous manuscript arrangement of this old spiritual, found by a member of our singing group back in the 1990s. Another member of our singing group (Jill Mitchell) wrote the words for the second verse. This is my own performance (as the multitrack Choir dwsChorale) 1. If there's anybody here like weepin' Mary Call upon your Jesus and he'll draw nigh If there's anybody here like weepin' Mary Call upon your Jesus and he'll draw nigh Oh glory, glory Hallelujah Glory be to my God who rules on high [traditional] 2. "They have stole away my Lord" said weepin' Mary "And I know not where they have laid him down" "Yes they've stole away my Lord" said weepin' Mary "And I know not where they have laid him down" "Oh Mary!" "Is it you Rabboni?" Jesus here is risen and dies no more. [Jill Mitchell]  less

During Remembrance Week, we bring you our third song from our ‘Homegrown Harmony’ Project. We have sung this song in another arrangement many times in concert with Steve Knightley and Show Of Hands. This new version by Kirsten Pagel, is for a female quart...  moreDuring Remembrance Week, we bring you our third song from our ‘Homegrown Harmony’ Project. We have sung this song in another arrangement many times in concert with Steve Knightley and Show Of Hands. This new version by Kirsten Pagel, is for a female quartet, with rich dark harmonies and a tender, aching feel. We dedicate it to all who have passed through war, both in the past and unfortunately now, in the present. We also sing it for those within our communities that have recently lost a loved one. It has been such a difficult time to be grieving. We sing it for you to remember the best times, the friendship and the comradery and most of all, for the love that you shared together. Our charity for this song, is South Brent and District Caring, a small charity that looks after people in the community, provides crisis relief and comfort. To donate, please visit our fundraising page at: https://www.buymeacoffee.com/thelostsound 60% of the proceeds from this song will be donated to charity. Our whole...    less

Ottawa Choir, The Stairwell Carollers, perform Ecco la nimph Ebrayca chiamata. St-Charles Church, June 8th, 2001

2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Fünf Gesänge, op. 104 - Johannes Brahms 五首歌曲，作品104 - 布拉姆斯 浪漫時期德國作曲家布拉姆斯（Johannes Brahms, 1833-97），在1863年起擔任維也納合唱團（Vienna Singakademie）指揮，開啟他寫作混聲合唱曲的興趣，重要作品有《德意志安魂曲》（Ein deutsches Requiem,...  more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Fünf Gesänge, op. 104 - Johannes Brahms 五首歌曲，作品104 - 布拉姆斯 浪漫時期德國作曲家布拉姆斯（Johannes Brahms, 1833-97），在1863年起擔任維也納合唱團（Vienna Singakademie）指揮，開啟他寫作混聲合唱曲的興趣，重要作品有《德意志安魂曲》（Ein deutsches Requiem, 1868）、《愛的華爾茲》（Liebeslieder Waltzes, 1869）等，1888年的《五首歌曲》（Fünf Gesänge, op. 104）是他無伴奏合唱代表作，已經五十五歲的布拉姆斯，挑選五段晦暗的歌詞，悲嘆青春的流逝，六聲部混聲合唱，以厚重的塊狀和弦在複雜的和聲中掙扎：第一、二樂章的歌詞均取自呂克特（Friedrich Rückert, 1788-1866）的詩〈夜哨〉（Nachtwache），第一樂章以B小調極弱的音量開始，營造出全曲陰鬱的基調，徹夜無眠的悲傷；全曲篇幅最短的第二樂章（僅21小節），明亮的降E大調，跳進音型模仿守夜者的號角聲，但安慰與歡愉是短暫的。第三樂章，F小調，歌詞作者是作曲家的好友卡爾貝克（Max Kalbeck, 1850-1921），佈滿休止符的樂句，歌者短促的呼吸就像落葉的凋零，中段轉至F大調描寫陽光灑在薔薇上的喜悅，但希望隨即幻滅，回到F小調作結。第四樂章，D小調，是全曲速度最快的樂章，跳躍的三拍子呈現凡慈（Josef Wenzig, 1807-76）詩作中，青春流逝的剎那。最著名的第五樂章，C小調，一改前四樂章的厚織度六部合唱，是簡約的四聲部，呈現凋零的淒涼，歌詞是全曲最長的葛羅特（Klaus Groth, 1819-99）三段詩詞，緩慢地將無盡愁思帶入死亡，最後轉入C大調，如得到救贖般，安靜地結束全曲。 1. Nachtwache I Leise Töne der Brust, geweckt vom Odem der Liebe, Hauchet zitternd hinaus, ob sich euch öffen' ein Ohr, Öffn' ein liebendes Herz, und wenn sich keines euch öffn...    less

Regina Coeli by Manolo Da Rold Coro Eos di Roma diretto da Fabrizio Barchi Dedicated to the "Amuse singers" Choir of New York city

The University of the Philippines Singing Ambassadors (UPSA) Liver performance at The Philamlife Auditorium in U.N. Avenue, Manila, PHILIPPINES Other videos were also used from previous concerts of the Choir in their 2012 European Tour and Competitions.

XI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴...  moreXI.因為你是唯一的聖者 Quoniam tu solus Santus 第十一段韋瓦第使用第一段的靈感動機，前後呼應，使全曲得到完美的一貫性。 XII.同享天主聖父的榮光 Cum Sancto Spiritu 而第十二段一開始，小喇叭再度燦爛地展現，精采有力地帶出了結論段的光輝，主題在男低 音聲部出現，接著女高音出現副題。整首是賦格曲式，主題副題在各聲部輪流出，有時也在 樂器聲部出現。整曲莊嚴有力地頌讚三位一體的上帝。全曲在劇力萬鈞的「阿們」聲中結束 。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化局至德堂