High hats ... and lots of dollars: Irving Berlin's hit (1929 - not a very good year...) performed by the Ensemble in 2012 (a VERY good year...). Check out Jeanne Rabin's Ensemble at: www.jeannerabin.com

James W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, Ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conduct...  moreJames W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, Ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conductor), and Parahyangan Catholic University Choir, Indonesia (Alfonsus Albert, conductor)  

Music by composer Gilad Hochman (www.giladhochman.com) Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org) Performed at the 3rd International Chorbiennale - Aachen (Germany) | Citykirche St. Nikolaus | 20....  moreMusic by composer Gilad Hochman (www.giladhochman.com) Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org) Performed at the 3rd International Chorbiennale - Aachen (Germany) | Citykirche St. Nikolaus | 20. June 2013 (www.chorbiennale.com) Recorded and edited by Andreas Harrenberg. Vermeer / Wisława Szymborska As long as that woman from the Rijksmuseum in painted silence and concentration keeps pouring milk day after day from the jug to the bowl, the world does not deserve the end of the world. (in Hebrew, from Polish)  less

Lamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was cre...  moreLamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was created in memory of the late Richard Gofton, who introduced me to the music back in 1976 (Our Strasbourg choir Psalterion performed it at that time)  

Downtown VOICES: http://DowntownVOICES.net Trinity Baroque Orchestra: https://www.trinitywallstreet.org/music/baroque-orchestra Stephen Sands, conductor: http://StephenSands.net

Ensemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Pre...  moreEnsemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Preis in der erstmals ausgeschriebenen Kategorie der klassischen Ensembles gewinnen und wurde damit über die Landesgrenzen hinaus bekannt. Diese Aufnahme stammt von einem Konzert im Lübecker Dom.  

Vocal Ensemble Just For Fun Pop & Jazz 2013 Stadsschouwburg Mechelen

Vokalni ansambl "Musica Viva". Beograd, 16. maj 2014.

South African Freedom Song, arranged by Jeffery L. Ames. Performed by Highbridge VOICES at their annual benefit concert in NYC. Mary Clementi, conductor. Chris Cubeta, Billy Janiszewski, Devon Joiner, percussion.

Now in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk son...  moreNow in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk songs to Bach’s B Minor Mass and Handel’s Messiah, all performed in Capriccio’s signature style: virtuosic clarity with a sensitive, compelling spirit.