Here in Nomansland - a meditation in The Vosges This personal exploration with a friend was very deep, we were philosophising mainly on society's reactions to minority groups and The psychology behind it. We considered ourselves to be in a sort of noma...  moreHere in Nomansland - a meditation in The Vosges This personal exploration with a friend was very deep, we were philosophising mainly on society's reactions to minority groups and The psychology behind it. We considered ourselves to be in a sort of nomansland sociologically, each for different reasons, but The Vosges valleys provided The most beautiful "nomansland" imaginable for our discussions. This song is The slightly mystical, and somewhat understated, memory of those days: Here in nomansland where all had fled The weaTher we waited patiently and enjoyed God's sun togeTher Here in nomansland a grandson of Adam residing in his earthly grandfaTher's home The woods and sun presiding Here in nomansland Hermes' and Aphrodite's son sings cuckoo to The ill-shorn mountain top and Then is gone Here in nomansland we sing to The oTher's consolation whilst peaceful dog and cows look on at our natural perchance divine oration  less

Upper voice version of The set of folksongs that Seiber arranged in 1950.

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Viento Norte, Indianas nº4., texto de León Benarós Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

performed in Saskatoon, SK November 2024 Richard Janzen, director Audrey Falk Janzen, piano https://www.northskychorale.ca

Muzaria release Their first official recording 'Homeward Bound', featuring Darren Bartlett & Helene Brooke-Smith. Words & music by Marta Keen Copyright Alfred Publishing Co. Arrangement Darren Marc Bartlett This arrangement copyright DMB Music ...  moreMuzaria release Their first official recording 'Homeward Bound', featuring Darren Bartlett & Helene Brooke-Smith. Words & music by Marta Keen Copyright Alfred Publishing Co. Arrangement Darren Marc Bartlett This arrangement copyright DMB Music Performed by Muzaria Featuring Darren Marc Bartlett & Helene Brooke-Smith Keys & Sound Engineer Alvin Allison Video Production Kingsbere Designs www.darrenbartlett.co.uk Copyright DMB MUSIC 2000-2017 www.muzaria.com www.dmbmusic.co.uk  less

The lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of The Hollies and 10CC) from The show Robin Prince of Sherwood arranged for choir by Andrew Emmet Performed by tenor Richard McHale and The dwsChorale (multitrack one-ma...  moreThe lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of The Hollies and 10CC) from The show Robin Prince of Sherwood arranged for choir by Andrew Emmet Performed by tenor Richard McHale and The dwsChorale (multitrack one-man choir) Photographs of Nottingham by David Ellis  

This setting of The Communion Service uses mainly The Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). It is performed by The composer - multitracking.

Coro Juvenil David Goldsmith Sergio Rodríguez González, piano Cristo Velázquez Barrera, directora Concierto homenaje "Asunción BeThencourt Acosta, la otra cara de la luna" Textos y narración de Ricardo Rodríguez Castillo San Felipe, Puerto de la Cr...  moreCoro Juvenil David Goldsmith Sergio Rodríguez González, piano Cristo Velázquez Barrera, directora Concierto homenaje "Asunción BeThencourt Acosta, la otra cara de la luna" Textos y narración de Ricardo Rodríguez Castillo San Felipe, Puerto de la Cruz, 9 de marzo de 2013 Organizado por la Asociación Cultural Reyes Bartlet y el Area de Mujer del Ayuntamiento de Puerto de la Cruz  

Improvisation by The dwsChorale http://ww.dwsolo.com A silly a-cappella number based on an idea from an old epigram "Scylla is toothless". Scylla becomes a vintage headmaster in this version but The results are similar. My old headmaster hasn`t got...  moreImprovisation by The dwsChorale http://ww.dwsolo.com A silly a-cappella number based on an idea from an old epigram "Scylla is toothless". Scylla becomes a vintage headmaster in this version but The results are similar. My old headmaster hasn`t got one tooth But he had teeth enough back in my youth He told me off Then every single day But now his tongue has worn his teeth away! Original unattributed epigram: On an old Scold Scylla is toothless, yet, when she was young She had both teeth enough and too much tongue. What shall we, Then, of toothless Scylla say But that her tongue has worn her teeth away?  less

This piece was written as a little “thank you” to el Coro de Cámara del Instituto French de Ramos Mejía, Buenos Aires, and Their conductor, Marcelo Valva. The choir had recently given The first South American (and second overall) performance of my “Al...  moreThis piece was written as a little “thank you” to el Coro de Cámara del Instituto French de Ramos Mejía, Buenos Aires, and Their conductor, Marcelo Valva. The choir had recently given The first South American (and second overall) performance of my “Alleluia! O virga mediatrix”. Along The way I'd been chatting with a choir member about Pope Francis' Argentine heritage – a setting of text from an Argentine translation of The Bible seemed especially fitting. I'm happy to share The sheet music free of charge – please contact me for The PDF. • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com  less