LES COMBATS de TU LÊ Chant Militaire de la guerre d'Indochine 1946 - 1954 Chœur de Filles de France Direction et arrangement : Hugo GUTIERREZ

El Coro "Santa María" de Coria del Río (Sevilla) interpreta JUGLARES DE NAVIDAD armonizado y adaptado por Ricardo Rodríguez Palacios, bajo la dirección de Sergio Asián, durante el XXI Concierto de Navidad, celebrado el 18 de diciembre de 2021, en la Parro...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta JUGLARES DE NAVIDAD armonizado y adaptado por Ricardo Rodríguez Palacios, bajo la dirección de Sergio Asián, durante el XXI Concierto de Navidad, celebrado el 18 de diciembre de 2021, en la Parroquia de San José de Coria del Río (Sevilla) Para más información pueden contactar en: Web Oficial: https://corosantamaria.org/ Facebook: https://www.facebook.com/asociacioncorosantamaria Twitter: https://twitter.com/amcsantamaria Instagram: https://www.instagram.com/coro_santa_maria/  less

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

"True Colors" by Billy Steinberg and Tom Kelly, arr. Deke Sharon. Made Popular by Cyndi Lauper. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choi...  more"True Colors" by Billy Steinberg and Tom Kelly, arr. Deke Sharon. Made Popular by Cyndi Lauper. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. You with the sad eyes Don't be discouraged Oh I realize It's hard to take courage In a world full of people You can lose sight of it all And the darkness inside you Can make you feel so small But I see your true colors Shining through I see your true colors And that's why I love you So don't be afraid to let them show Your true colors True colors are beautiful, Like a rainbow Show me a smile then, Don't be unhappy, can't remember When I last saw you laughing If this world makes you crazy And you've taken all you can bear You call me up Because you know I'll be there And I'll see your true colors Shining through I see your true colors And that's why I love you So don't be ...    less

Ottawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of Popular chansons of the entire Renaissance. Audio: Tom Barnes....  moreOttawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of Popular chansons of the entire Renaissance. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie  

Join Ben every other Monday at 11am GMT to learn and sing along with Folk favourites, from sea shanties to traditional Folk Songs from around the world, there is something for everyone. We learn a new piece each session and sing along with old favourites.

"Auld Lang Syne," traditional Scottish Song, arr. Mairi Campbell and David Francis, setting by Michael Hanawalt and Justin Sansafar. Text by Robert Burns. Recorded live on December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Pe...  more"Auld Lang Syne," traditional Scottish Song, arr. Mairi Campbell and David Francis, setting by Michael Hanawalt and Justin Sansafar. Text by Robert Burns. Recorded live on December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. ORIGINAL TEXT Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne? CHORUS: For auld lang syne, my jo, for auld lang syne, we’ll tak' a cup o’ kindness yet, for auld lang syne. And surely ye’ll be your pint-stoup! and surely I’ll be mine! And we’ll tak' a cup o’ kindness yet, for auld lang syne. We twa hae run about the braes, and pou’d the gowans fine; But we’ve wander’d mony a weary fit, sin' auld lang syne. We twa hae paidl’d in the burn, frae morning sun till dine; But seas between us braid hae roar’d sin' auld lang syne. An...    less

La Rosa - an arrangement of the famous Ladino (Judeo-Spanish) Song by composer Paul Ben-Haim (1897-1984). Born in Munich in 1897, Ben-Haim had a very impressive career as a pianist, conductor and composer. He moved to Tel-Aviv in 1933, and soon became ...  moreLa Rosa - an arrangement of the famous Ladino (Judeo-Spanish) Song by composer Paul Ben-Haim (1897-1984). Born in Munich in 1897, Ben-Haim had a very impressive career as a pianist, conductor and composer. He moved to Tel-Aviv in 1933, and soon became a leading figure in the musical life of Palestine and the State of Israel (from 1948). Ben-Haim regarded his work as part of a wide-spread effort to synthesize Eastern and Western traditions. read more - http://en.wikipedia.org/wiki/Paul_Ben-Haim La rosa enflorese en el mez de May, Mi alma s'escurese sufriendo del amor. Los bilbilicos cantan sospiran del amor, Y la pasión me mata muchigua mi dolor. Más presto ven Palomba más presto ven a mí, Más presto tú mi alma que yo me vo morir. The roses bloom in the month of May, But my soul's full of gloom suffering in love. The nightingales sing and are sighing in love, The passion will kill me, multiply my pain. Come faster, oh dove, come faster to me, Come faster, my soul, because I shall die. ...    less