I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional F...  moreI dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. "How heavy lies the heart" has drawn inspiration from the traditional French Christmas carol, "Quelle est cette odeur agréable", which John Gay also set as a boisterous drinking song in the Beggar's Opera, "Fill every glass, for wine inspires us!" In addition, the song draws inspiration from Josquin's Missa Pange Lingua. In early 2018, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "How heavy lies the heart" was one of the pieces that this amazing Choir sight read for me on the spot. VCC director Jon Washburn and Choir members then provided me with valuable feedback, for which I am very grateful. I would also like to acknowledge the a cappella Choir that I sing in, The Stairwell Carollers, and our director Pierre M...    less

Join us on facebook : https://www.facebook.com/fanclubAndan... Stadhuis Vilvoorde 10/11/2019 Andantino (Vilvoorde België olv Peter De Waele) Arr.:Henk Ummets

Actuación en el San Rafael Coral, día 1

Join us on facebook : https://www.facebook.com/fanclubAndantino/ Kerstconcert 2017 Vilvoorde Andantino (Vilvoorde België olv Peter De Waele) Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous s...  moreJoin us on facebook : https://www.facebook.com/fanclubAndantino/ Kerstconcert 2017 Vilvoorde Andantino (Vilvoorde België olv Peter De Waele) Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Depuis plus de quatre mille ans, Nous le promettaient les prophètes Depuis plus de quatre mille ans, Nous attendions cet heureux temps. Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Ah ! Qu'il est beau, qu'il est charmant ! Ah ! que ses grâces sont parfaites ! Ah ! Qu'il est beau, qu'il est charmant ! Qu'il est doux ce divin enfant ! Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Une étable est son logement Un peu de paille est sa couchette, Une étable est son logement Pour un dieu quel abaissement ! Il est né le divin enfant, Jouez hautbois, réson...    less

Musical setting for three-part children's Choir by Cyrill Schürch. Text by J. Guggenmos. Now available as a collection "Was denkt die Maus am Donnerstag?" at Carus-Verlag, Germany, see link to sheet music.

Antioch sings Paul Mealor's Ubi Caritas at the 2011 Piccolo Spoleto Festival. This piece was commissioned and performed at the Royal Wedding. We believe this to be the American premiere of the piece.

Gregorian intro: Victimae paschali laudes Edit Drüszler (soprano) Árpád Palotai (tenor) Capella Savaria (art director: Zsolt Kalló) Vox Humana: Gregorian Influences Recorded @ Cultural Centre Franz Liszt Sopron, HU 2013.04.24.

Lee University's Choral Union performs this beautiful piece of music at their Homecoming Music Festival under the direction of Dr. Cameron LaBarr, accompanied by MaryBeth Wickes on the piano.

A movement from the Choral Symphony "In Repentance". Performed by Masterworks Chorale of Augsburg College. Artistic director and conductor, Peter Hendrickson.

The Metropolitan Transit Authority in New York has a “Poetry in Motion” series that puts posters of poetry in subway cars. I was on the 1 train on Manhattan’s West Side one day when I saw the poem “Heaven,” by Patrick Phillips. I was immediately captured ...  moreThe Metropolitan Transit Authority in New York has a “Poetry in Motion” series that puts posters of poetry in subway cars. I was on the 1 train on Manhattan’s West Side one day when I saw the poem “Heaven,” by Patrick Phillips. I was immediately captured by the simple beauty of Patrick’s poem, and the mystery of the first line, “It will be the past.” I loved his vision and thought immediately that I wanted to compose music for this poem. Mystery, joy, wonder. “Heaven” is the winner of choral composition competitions sponsored by both the Manhattan Choral Ensemble and Georgia College. Performed by the Georgia College Max Noah Singers, Dr. Jennifer Flory conducting.  less