Grupo Vocal Aequalis was formed in 1998. Since its early days, it has performed compositions from different musical periods spanning from the Renaissance to current times. Nowadays, it mostly interprets pieces by contemporary composers. GVA has don...  moreGrupo Vocal Aequalis was formed in 1998. Since its early days, it has performed compositions from different musical periods spanning from the Renaissance to current times. Nowadays, it mostly interprets pieces by contemporary composers. GVA has done concerts at the main churches, museums and theaters in Buenos Aires, as well as in Mendoza, Mercedes, Tandil and Capilla del Señor. Abroad, GVA has been part of: 2009 - 45 Barcelona International Days of Chorus Singing. Spain. 2011 - Cantus Salisburgenesis. Salzburg, Austria. Choral Festival Saint-Maximin. France. 2013 - Aveyron Choral Festival. France. Concerts in Sant Pere de les Puel•les and Santa Maria del Mar. Barcelona, Spain. 2017 - Barcelona 11th World Symposium on Choral Music. Spain Concert in Carcassonne. France In 2014 as an independent group, GVA invited the highly acclaimed catalan conductor Daniel Mestre Dalmau , who gave concerts and workshops about the Lutheran choral tradition. 2011 TOUR Cantus Salisburgensis 2011...    less

The St. Olaf Choir, with 75 mixed VOICES, is the pioneer a cappella choir in the United States. For nearly a century, the choir has set a standard of choral excellence and remained at the forefront of choral artistry. Conducted since 1990 by Anton Armstro...  moreThe St. Olaf Choir, with 75 mixed VOICES, is the pioneer a cappella choir in the United States. For nearly a century, the choir has set a standard of choral excellence and remained at the forefront of choral artistry. Conducted since 1990 by Anton Armstrong, the St. Olaf Choir continues to develop the tradition that originated with its founder, F. Melius Christiansen. Since its founding in 1912, the St. Olaf Choir has set a standard in the choral art, serving as a model for choirs of all levels. The Ensemble’s annual tour brings its artistry and message to thousands of people across the nation and around the world. The St. Olaf Choir has taken 13 international tours and performed for capacity audiences in the major concert halls of Norway, France, South Korea, New Zealand, Australia, New York City, Washington, D.C., Chicago, Los Angeles, Dallas, and the Twin Cities. In addition to being an artistic force, the St. Olaf Choir has a full calendar of events and a growing library of recordings. The choir’s mis...    less

Alexandrian VOICES is the mixed, polyphonic choir of Alexandrian Municipality. It was founded in 1998 in response to the success of the Choral Meeting of Alexandria Municipality and mainly because of the Alexandrians who love the choral music and the e...  moreAlexandrian VOICES is the mixed, polyphonic choir of Alexandrian Municipality. It was founded in 1998 in response to the success of the Choral Meeting of Alexandria Municipality and mainly because of the Alexandrians who love the choral music and the encouragement of the Board Members of the Choir at the time. Like Melissanthi, Alexandrian VOICES is, in the wider area of Alexandria, the music institution that target to the development of choral music, of course through the good company and the love for music itself. From the beginning it counts approximately 50 choristers, all amateurs (meaning that none has studied music) who love and sing almost all kinds of music. Since their beginning, Alexandrian VOICES had the opportunity to participate and be distinguished in numerous events, competitions or not, musical or of special interest. Based on the International Choir Classification, Alexandrian VOICES are ranked into the 1000 best choirs in the world for both 2011 and 2012. Please read more: less

La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for VOICES and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a co...  moreLa Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for VOICES and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a couple of Vocalize additions above and below it. The pdf file contains the score and a separate guitar part. The sound sample is performed by the composer. Let's sing la Folia Oh let's sing la Folia Oh let's sing la Folia as in the Baroque time Oh let's sing la Folia Oh let's sing la Folia It spans all the centuries up to now (la la la) (cu cu cu!)  less

Music by composer Gilad Hochman (www.giladhochman.com) Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org) Performed at the 3rd International Chorbiennale - Aachen (Germany) | Citykirche St. Nikolaus | 20....  moreMusic by composer Gilad Hochman (www.giladhochman.com) Sirenot Ensemble (Israel) | Shosh Lagil - conductor | Efrat Hermann - soloist (www.sirenot.org) Performed at the 3rd International Chorbiennale - Aachen (Germany) | Citykirche St. Nikolaus | 20. June 2013 (www.chorbiennale.com) Recorded and edited by Andreas Harrenberg. Vermeer / Wisława Szymborska As long as that woman from the Rijksmuseum in painted silence and concentration keeps pouring milk day after day from the jug to the bowl, the world does not deserve the end of the world. (in Hebrew, from Polish)  less

James W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, Ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conduct...  moreJames W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, Ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conductor), and Parahyangan Catholic University Choir, Indonesia (Alfonsus Albert, conductor)  

Ensemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Pre...  moreEnsemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Preis in der erstmals ausgeschriebenen Kategorie der klassischen Ensembles gewinnen und wurde damit über die Landesgrenzen hinaus bekannt. Diese Aufnahme stammt von einem Konzert im Lübecker Dom.  

Lamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was cre...  moreLamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was created in memory of the late Richard Gofton, who introduced me to the music back in 1976 (Our Strasbourg choir Psalterion performed it at that time)  

Downtown VOICES: http://DowntownVOICES.net Trinity Baroque Orchestra: https://www.trinitywallstreet.org/music/baroque-orchestra Stephen Sands, conductor: http://StephenSands.net